# tblYgr_LSDJ

Message:
<br\>
Sounds cool when working with two gbs. But I wrecked one of my carts, so I have
<br\>to get a new :-(
<br\>
<br\>
<br\>-----UrsprÃ¼ngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von Bruce
<br\>Harris
<br\>Gesendet: Montag, 11. Juni 2007 00:57
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: Re: [LSDj!] analog snares
<br\>
<br\>
<br\>
<br\>Right now I'm experimenting with two ocmponent snare, one that uses
<br\>both PU1 and NOI for its sound. This is a trick commonly used on chips
<br\>like SID and YM, but rarle yon the Gameboy. I'll get back with a
<br\>tutorial later.
<br\>
<br\>On 10/06/07, marios mix <mariosmixal@ <mailto:mariosmixal%40yahoo.gr> yahoo.gr>
<br\>wrote:
<br\>> Hi.Im trying to make analog drums kits from lsdj.I red about the pul kick and
<br\>its amazing.Alsi i use the noise channel for snares (with k on 5-10).Does
<br\>anybody knows any other tricks to make analog snares?I dont like the wave's
<br\>channel kits.
<br\>> take care
<br\>>
<br\>>
<br\>> ---------------------------------
<br\>> Î§ÏÎ·ÏƒÎ¹Î¼Î¿Ï€Î¿Î¹ÎµÎ¯Ï„Îµ Yahoo!
<br\>> Î’Î±ÏÎµÎ¸Î®ÎºÎ±Ï„Îµ Ï„Î± ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÎ¬ Î¼Î·Î½Ï Î¼Î±Ï„Î± (spam); Î¤Î¿
<br\>Yahoo! Mail Î´Î¹Î±Î¸Î­Ï„ÎµÎ¹ Ï„Î·Î½ ÎºÎ±Î»ÏÏ„ÎµÏÎ· Î´Ï…Î½Î±Ï„Î®
<br\>Ï€ÏÎ¿ÏƒÏ„Î±ÏƒÎ¯Î± ÎºÎ±Ï„Î¬ Ï„Ï‰Î½ ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÏŽÎ½ Î¼Î·Î½Ï…Î¼Î¬Ï„Ï‰Î½
<br\>> http://login. <http://login.yahoo.com/config/mail?.intl=gr>
<br\>yahoo.com/config/mail?.intl=gr
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>--
<br\>Love. /Bruce Harris
<br\>
<br\>--
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/> tojt.net/>
<br\>Blog:
<br\><http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>s.8bitcollective.com/>
<br\>SÃ¤tt pÃ¥ ett par flipflops, vippa pÃ¥ rumpan
<br\>och gÃ¶r det hÃ¤r till en minnesvÃ¤rd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
AW: [LSDj!] My first song ever (and not so chippy).

SubjectSrt:
AW: [LSDj!] My first song ever (and not so chippy).

Message:
<br\>
Ok for a first attempt. But no real LSDJ action. No need for lsdj if you
<br\>only use it as Lofi drum sampler. But nice atmosphear.
<br\>
<br\>
<br\>-----Ursprüngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von
<br\>nocive
<br\>Gesendet: Sonntag, 10. Juni 2007 15:25
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: [LSDj!] My first song ever (and not so chippy).
<br\>
<br\>
<br\>
<br\>Its all new to me...composing/recording/editing/sequencing, this tittle
<br\>loopy track took me the whole weekend, but it was a good learning
<br\>experience, keep in mind that its very basic stuff comming from someone
<br\>that never made anything in the music world. What do you guys think?
<br\>
<br\>http://www.geocitie
<br\><http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3>
<br\>s.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>
<br\>Guilherme.
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
Re: My first song ever (and not so chippy).

Message:
<br\>
it's totally okay, if you feel like using very little lsdj (or
<br\>chipsounds in general) in your song. hell, even none at all would be
<br\>okay. don't let others tell you how to make your music.
<br\>
<br\>hw
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "nocive" <guilherme@...> wrote:
<br\>>
<br\>> Its all new to me...composing/recording/editing/sequencing, this tittle
<br\>> loopy track took me the whole weekend, but it was a good learning
<br\>> experience, keep in mind that its very basic stuff comming from someone
<br\>> that never made anything in the music world. What do you guys think?
<br\>>
<br\>> http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>>
<br\>> Guilherme.
<br\>>
<br\>


Message:
<br\>
I'm also in for this.
<br\>
<br\>-- Martin
<br\>
<br\>sÃ¶n 2007-06-10 klockan 10:24 +0200 skrev tRasH cAn maN:
<br\>> I like the idea. This is what I would have wanted on my last noise gig.
<br\>> (I'm glad the HFF command was implemented right before).
<br\>>
<br\>> Cheers,
<br\>> tRasH
<br\>


Message:
<br\>
Hello!
<br\>I'm very close to buying a lsdj and all the equipment now, but I still
<br\>have some questions that are a bit unclear.
<br\>
<br\>1. This thing with saving, how does that work? I have understood that
<br\>everything that's saved to SRAM apears as a little .sav-file, right? And
<br\>that sav-file will keep all of the songs? Ok, so how do you keep track
<br\>of which songs are in which sav, and do you keep lots of carts when you
<br\>play live (if you woulds like to play something, new and then something
<br\>really old, and then a couple of new songs again), and switch between
<br\>them? If not, how are you doing it?
<br\>   On the topic, is it right that every song begins with phrase 00, 01,
<br\>02, and so on, and not that song one begins with 00 and up, and song two
<br\>with the next free phrases (ie, they cant share phrases)?
<br\>
<br\>2. Am I able to write modern and original chip with just one DMG, or do
<br\>I need more gameboys?
<br\>
<br\>3. Is there any way to load lsdj onto a cart from linux? is there/have
<br\>there been any work done to got it to work?
<br\>
<br\>4. Will a 32mb-cart (from rob webb) suffice for lsdj and a bunch of
<br\>songs?
<br\>
<br\>Hope I've been clear enough.
<br\>
<br\>-- Martin
<br\>


Message:
<br\>
Hallo!
<br\>
<br\>> 1. This thing with saving, how does that work? I have understood that
<br\>> everything that's saved to SRAM apears as a little .sav-file, right? And
<br\>> that sav-file will keep all of the songs? Ok, so how do you keep track
<br\>> of which songs are in which sav, and do you keep lots of carts when you
<br\>> play live (if you woulds like to play something, new and then something
<br\>> really old, and then a couple of new songs again), and switch between
<br\>> them? If not, how are you doing it?
<br\>
<br\>There is a tool for managing the songs on .savs:
<br\>http://www.littlesounddj.com/lsd/latest/lsd-manager/
<br\>
<br\>>   On the topic, is it right that every song begins with phrase 00, 01,
<br\>> 02, and so on, and not that song one begins with 00 and up, and song two
<br\>> with the next free phrases (ie, they cant share phrases)?
<br\>
<br\>Yeah, each song is completely separate from the others.
<br\>
<br\>> 2. Am I able to write modern and original chip with just one DMG, or do
<br\>> I need more gameboys?
<br\>
<br\>Sure thing.
<br\>
<br\>> 3. Is there any way to load lsdj onto a cart from linux? is there/have
<br\>> there been any work done to got it to work?
<br\>
<br\>Maybe readplus will work. http://www.reinerziegler.de/readplus.htm
<br\>
<br\>> 4. Will a 32mb-cart (from rob webb) suffice for lsdj and a bunch of
<br\>> songs?
<br\>
<br\>Absolutely.
<br\>
<br\>Thanks for asking,
<br\>Johan
<br\>
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
> 3. Is there any way to load lsdj onto a cart from linux? is there/have
<br\>> there been any work done to got it to work?
<br\>
<br\>You can try uCON64 http://ucon64.sourceforge.net/index.php im using it
<br\>with the original bung gbx, i dont know if it works with the robbweb
<br\>transfer and cart, but you can give it a try.
<br\>
<br\>Guilherme.
<br\>


Message:
<br\>
Thanks for all the feedback, my idea is to mix the pop side of
<br\>chiptune music with some acoustic sounds. You are right, LSDJ was just
<br\>used as a drum machine on this song, maybe in the next one i can use
<br\>it for the bassline and some melody :).
<br\>
<br\>Guilherme.
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "herbert_weixelbaum"
<br\><herbert_weixelbaum@...> wrote:
<br\>>
<br\>> it's totally okay, if you feel like using very little lsdj (or
<br\>> chipsounds in general) in your song. hell, even none at all would be
<br\>> okay. don't let others tell you how to make your music.
<br\>>
<br\>> hw
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "nocive" <guilherme@> wrote:
<br\>> >
<br\>> > Its all new to me...composing/recording/editing/sequencing, this
<br\>tittle
<br\>> > loopy track took me the whole weekend, but it was a good learning
<br\>> > experience, keep in mind that its very basic stuff comming from
<br\>someone
<br\>> > that never made anything in the music world. What do you guys think?
<br\>> >
<br\>> > http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>> >
<br\>> > Guilherme.
<br\>> >
<br\>>
<br\>


Subject:
AW: [LSDj!] Re: My first song ever (and not so chippy).

SubjectSrt:
AW: [LSDj!] Re: My first song ever (and not so chippy).

Message:
<br\>
Ha Ha, yea :-) But then the song shouldn`t be postet here. I won`t ask the
<br\>ppl here what they think about my latest full on high nrg pipapo trance
<br\>hyper track ;-)
<br\>
<br\>
<br\>-----Ursprüngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von
<br\>herbert_weixelbaum
<br\>Gesendet: Montag, 11. Juni 2007 09:09
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: [LSDj!] Re: My first song ever (and not so chippy).
<br\>
<br\>
<br\>
<br\>it's totally okay, if you feel like using very little lsdj (or
<br\>chipsounds in general) in your song. hell, even none at all would be
<br\>okay. don't let others tell you how to make your music.
<br\>
<br\>hw
<br\>
<br\>--- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com, "nocive"
<br\><guilherme@...> wrote:
<br\>>
<br\>> Its all new to me...composing/recording/editing/sequencing, this tittle
<br\>> loopy track took me the whole weekend, but it was a good learning
<br\>> experience, keep in mind that its very basic stuff comming from someone
<br\>> that never made anything in the music world. What do you guys think?
<br\>>
<br\>> http://www.geocitie
<br\><http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3>
<br\>s.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>>
<br\>> Guilherme.
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
hello im new...
<br\>
<br\>is lsdj blue and has a sticker that says lsdj on it, cause i think my
<br\>friend has a clear grey one that doesnt say lsdj...
<br\>
<br\>can some one help me
<br\>
<br\>
<br\>thanks.
<br\>


Message:
<br\>
2007-06-11: v3.7.5
<br\>
<br\>  * optimized program further (removed OAM refresh + unnecessary 16-bit
<br\>multiplies)
<br\>
<br\>http://www.littlesounddj.com/lsd/latest/full_version/  (includes goomba
<br\>build)
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
[LSDj!] Re: My first song ever (and not so chippy).

Message:
<br\>
Well, if your latest full on high nrg pipapo trance hyper track uses
<br\>LSDJ, why not!? :)
<br\>
<br\>Guilherme.
<br\>
<br\>--- In lsdj@yahoogroups.com, "DOGMATECH" <dogmatech@...> wrote:
<br\>>
<br\>> Ha Ha, yea :-) But then the song shouldn`t be postet here. I won`t
<br\>ask the
<br\>> ppl here what they think about my latest full on high nrg pipapo
<br\>trance
<br\>> hyper track ;-)
<br\>>
<br\>>
<br\>> -----Ursprüngliche Nachricht-----
<br\>> Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag
<br\>von
<br\>> herbert_weixelbaum
<br\>> Gesendet: Montag, 11. Juni 2007 09:09
<br\>> An: lsdj@yahoogroups.com
<br\>> Betreff: [LSDj!] Re: My first song ever (and not so chippy).
<br\>>
<br\>>
<br\>>
<br\>> it's totally okay, if you feel like using very little lsdj (or
<br\>> chipsounds in general) in your song. hell, even none at all would be
<br\>> okay. don't let others tell you how to make your music.
<br\>>
<br\>> hw
<br\>>
<br\>> --- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com>
<br\>com, "nocive"
<br\>> <guilherme@> wrote:
<br\>> >
<br\>> > Its all new to me...composing/recording/editing/sequencing, this
<br\>tittle
<br\>> > loopy track took me the whole weekend, but it was a good learning
<br\>> > experience, keep in mind that its very basic stuff comming from
<br\>someone
<br\>> > that never made anything in the music world. What do you guys
<br\>think?
<br\>> >
<br\>> > http://www.geocitie
<br\>> <http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3>
<br\>> s.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>> >
<br\>> > Guilherme.
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>


Message:
<br\>
true...
<br\>
<br\>-----Ursprüngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von
<br\>nocive
<br\>Gesendet: Montag, 11. Juni 2007 23:29
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: [LSDj!] Re: My first song ever (and not so chippy).
<br\>
<br\>
<br\>
<br\>Well, if your latest full on high nrg pipapo trance hyper track uses
<br\>LSDJ, why not!? :)
<br\>
<br\>Guilherme.
<br\>
<br\>--- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com, "DOGMATECH"
<br\><dogmatech@...> wrote:
<br\>>
<br\>> Ha Ha, yea :-) But then the song shouldn`t be postet here. I won`t
<br\>ask the
<br\>> ppl here what they think about my latest full on high nrg pipapo
<br\>trance
<br\>> hyper track ;-)
<br\>>
<br\>>
<br\>> -----Ursprüngliche Nachricht-----
<br\>> Von: lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com
<br\>[mailto:lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com] Im Auftrag
<br\>von
<br\>> herbert_weixelbaum
<br\>> Gesendet: Montag, 11. Juni 2007 09:09
<br\>> An: lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com
<br\>> Betreff: [LSDj!] Re: My first song ever (and not so chippy).
<br\>>
<br\>>
<br\>>
<br\>> it's totally okay, if you feel like using very little lsdj (or
<br\>> chipsounds in general) in your song. hell, even none at all would be
<br\>> okay. don't let others tell you how to make your music.
<br\>>
<br\>> hw
<br\>>
<br\>> --- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com>
<br\>com, "nocive"
<br\>> <guilherme@> wrote:
<br\>> >
<br\>> > Its all new to me...composing/recording/editing/sequencing, this
<br\>tittle
<br\>> > loopy track took me the whole weekend, but it was a good learning
<br\>> > experience, keep in mind that its very basic stuff comming from
<br\>someone
<br\>> > that never made anything in the music world. What do you guys
<br\>think?
<br\>> >
<br\>> > http://www.geocitie
<br\>> <http://www.geocitie
<br\><http://www.geocities.com/nocive/pra_fazer_voce_sorrir.mp3>
<br\>s.com/nocive/pra_fazer_voce_sorrir.mp3>
<br\>> s.com/nocive/pra_fazer_voce_sorrir.mp3
<br\>> >
<br\>> > Guilherme.
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
possibly not, but pipapo trance is such a worthy phrase, that i think,
<br\>i could condone, if there's no lsdj in it.
<br\>
<br\>herbert
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "DOGMATECH" <dogmatech@...> wrote:
<br\>>
<br\>> Ha Ha, yea :-) But then the song shouldn`t be postet here. I won`t
<br\>ask the
<br\>> ppl here what they think about my latest full on high nrg pipapo trance
<br\>> hyper track ;-)
<br\>


Subject:
Re: [LSDj!] Re: My first song ever (and not so chippy).

Message:
<br\>
pipapo trance is still trance, lsdj or no.
<br\>Greg
<br\>
<br\>
<br\>On 6/12/07, herbert_weixelbaum <herbert_weixelbaum@...> wrote:
<br\>>
<br\>> possibly not, but pipapo trance is such a worthy phrase, that i think,
<br\>> i could condone, if there's no lsdj in it.
<br\>>
<br\>> herbert
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "DOGMATECH" <dogmatech@...> wrote:
<br\>> >
<br\>> > Ha Ha, yea :-) But then the song shouldn`t be postet here. I won`t
<br\>> ask the
<br\>> > ppl here what they think about my latest full on high nrg pipapo trance
<br\>> > hyper track ;-)
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On 11/06/07, jbrazz12 <jbrazz12@...> wrote:
<br\>> hello im new...
<br\>>
<br\>>  is lsdj blue and has a sticker that says lsdj on it, cause i think my
<br\>>  friend has a clear grey one that doesnt say lsdj...
<br\>Hey there!
<br\>LSDj is a piece of software that can be run on a variety of types of
<br\>re-writable cartridges. But it's true that the original cartridge that
<br\>was being sold, but is no longer, was blue with a sticker on it.
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>--
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Hey everyboy,
<br\>
<br\>Ive posted my new site with music samples and pre-order info for my
<br\>next album, available Fall 07. I also did all the graphic design.
<br\>Below are the site links.
<br\>
<br\>Mixing Numbers site: http://www.mixingnumbers.com
<br\>Cody Pallo site: http://www.codypallo.com
<br\>
<br\>-Cody
<br\>


Message:
<br\>
Thanks, everynoe who answered! I'll probbly but it any day soon.
<br\>
<br\>-- Martin
<br\>
<br\>mÃ¥n 2007-06-11 klockan 12:16 +0200 skrev Johan Kotlinski:
<br\>> Hallo!
<br\>>
<br\>> > 1. This thing with saving, how does that work? I have understood that
<br\>> > everything that's saved to SRAM apears as a little .sav-file, right? And
<br\>> > that sav-file will keep all of the songs? Ok, so how do you keep track
<br\>> > of which songs are in which sav, and do you keep lots of carts when you
<br\>> > play live (if you woulds like to play something, new and then something
<br\>> > really old, and then a couple of new songs again), and switch between
<br\>> > them? If not, how are you doing it?
<br\>>
<br\>> There is a tool for managing the songs on .savs:
<br\>> http://www.littlesounddj.com/lsd/latest/lsd-manager/
<br\>>
<br\>> >   On the topic, is it right that every song begins with phrase 00, 01,
<br\>> > 02, and so on, and not that song one begins with 00 and up, and song two
<br\>> > with the next free phrases (ie, they cant share phrases)?
<br\>>
<br\>> Yeah, each song is completely separate from the others.
<br\>>
<br\>> > 2. Am I able to write modern and original chip with just one DMG, or do
<br\>> > I need more gameboys?
<br\>>
<br\>> Sure thing.
<br\>>
<br\>> > 3. Is there any way to load lsdj onto a cart from linux? is there/have
<br\>> > there been any work done to got it to work?
<br\>>
<br\>> Maybe readplus will work. http://www.reinerziegler.de/readplus.htm
<br\>>
<br\>> > 4. Will a 32mb-cart (from rob webb) suffice for lsdj and a bunch of
<br\>> > songs?
<br\>>
<br\>> Absolutely.
<br\>>
<br\>> Thanks for asking,
<br\>> Johan
<br\>>
<br\>>
<br\>


Message:
<br\>
A while ago I had a crash which resulted in all the song data getting scrambled.
<br\>The strange thing is that I can't transfer any .sav to my 32MB Rob Webb cart
<br\>without it appearing
<br\>corrupt on the gameboy. The .sav's are fine as I've check them in Visual Boy
<br\>Advance and the
<br\>result is the same on two different grayboys.
<br\>If the battery on the cart is running out of juice, could it result in such a
<br\>behaviour?
<br\>
<br\>I've had a quick look inside the cart and it doesn't look all that easy
<br\>replacing it. It's kinda
<br\>small and tight in there.
<br\>
<br\>Has anyone replaced a battery in a Rob Webb cart and could give some tips on how
<br\>to go about
<br\>without messing everything in there up?
<br\>
<br\>Thanks,
<br\>tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Hitta din nästa resa på Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
Do this:
<br\>1) Transfer the sav to the cart
<br\>2) Put the cart in the GB, turn it on, but turn it off immediately.
<br\>(Don't let the Nintendo graphis scroll to the end so that LSDj starts)
<br\>3) Transfer the S-RAM back to the computer and save it to a new file.
<br\>4) Compare the two files. If you don't know how to compare files, zip
<br\>them up and send to me in private, and I'll compare them for you.
<br\>
<br\>On 15/06/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> A while ago I had a crash which resulted in all the song data getting
<br\>scrambled.
<br\>>  The strange thing is that I can't transfer any .sav to my 32MB Rob Webb cart
<br\>without it appearing
<br\>>  corrupt on the gameboy. The .sav's are fine as I've check them in Visual Boy
<br\>Advance and the
<br\>>  result is the same on two different grayboys.
<br\>>  If the battery on the cart is running out of juice, could it result in such a
<br\>behaviour?
<br\>>
<br\>>  I've had a quick look inside the cart and it doesn't look all that easy
<br\>replacing it. It's kinda
<br\>>  small and tight in there.
<br\>>
<br\>>  Has anyone replaced a battery in a Rob Webb cart and could give some tips on
<br\>how to go about
<br\>>  without messing everything in there up?
<br\>>
<br\>>  Thanks,
<br\>>  tRasH
<br\>>
<br\>>  __________________________________________________________
<br\>>  Hitta din nästa resa på Yahoo! Shopping.
<br\>>  Jämför pris på flygbiljetter och hotellrum här:
<br\>> http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>Love. /Bruce Harris
<br\>
<br\>--
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
something completly different!!!!
<br\>
<br\>Please give us your voice and raise your mouse.
<br\>
<br\>Vote for the 3Typen entry at the microsoft xbox soundcontest. we're
<br\>give hours of our life's to bring the music and the fx so far - now
<br\>its your turn. please forward the url to everyone who's interested in
<br\>better game music. You could also vote every day again :-)
<br\>
<br\>halo warz(if they want music we'll give'm music)
<br\>http://soundtracks.xboxemea.com/ShortList/?
<br\>entryId=1749&cultureCode=DE&entryStatus=4&Page=1
<br\>
<br\>for more information visit
<br\>http://www.virb.com/3typen
<br\>
<br\>Gebt uns eure Stimme und hebt eure Maus.
<br\>
<br\>Votet für die 3Typen beim Microsoft Xbox Soundtrack Contest. Wir
<br\>haben alles gegeben um so weit zu kommen nun geben wir das Ruder
<br\>zurück in eure Hände. Also folgt den Trommeln und sendet die url an
<br\>eure Freunde von denen ihr denkt sie sollten davon wissen. Ihr könnt
<br\>auch jeden Tag erneut voten :-)
<br\>
<br\>halo warz(if they want music we'll give'm music)
<br\>http://soundtracks.xboxemea.com/ShortList/?
<br\>entryId=1749&cultureCode=DE&entryStatus=4&Page=1
<br\>
<br\>für mehr information besucht
<br\>http://www.virb.com/3typen
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "nocive" <nocive@...> wrote:
<br\>>
<br\>>
<br\>> > 3. Is there any way to load lsdj onto a cart from linux? is there/have
<br\>> > there been any work done to got it to work?
<br\>>
<br\>> You can try uCON64 http://ucon64.sourceforge.net/index.php im using it
<br\>> with the original bung gbx, i dont know if it works with the robbweb
<br\>> transfer and cart, but you can give it a try.
<br\>>
<br\>> Guilherme.
<br\>>
<br\>
<br\>Unfortunately, uCON64 does not support the robbweb transferrer. I am
<br\>hoping to the gods that they will support it soon because I hate
<br\>having to use Windows to do all my transferring stuff. It's actually
<br\>the only reason I even have it installed on a machine anymore. Quite
<br\>sad :-/
<br\>


Message:
<br\>
Hey there.When i play some beats from wave's drum kits and i have also
<br\>some pulse notes and noise sound i can almost hear the wave's beats.It is
<br\>possible to pick up the volume and make the ugly noises disapear from wave's
<br\>kits?
<br\>I vgot  lsdj 3.6.8 version.
<br\>
<br\>cheers
<br\>
<br\>
<br\>---------------------------------
<br\>  ×ñçóéìïðïéåßôå Yahoo!
<br\>  ÂáñåèÞêáôå ôá åíï÷ëçôéêÜ ìçíý ìáôá (spam); Ôï Yahoo! Mail äéáèÝôåé ôçí êáëýôåñç
<br\>äõíáôÞ ðñïóôáóßá êáôÜ ôùí åíï÷ëçôéêþí ìçíõìÜôùí
<br\>  http://login.yahoo.com/config/mail?.intl=gr
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
> Hey there.When i play some beats from wave's drum kits and i have also
<br\>> some pulse notes and noise sound i can almost hear the wave's beats.It is
<br\>possible to pick up
<br\>> the volume and make the ugly noises disapear from wave's kits?
<br\>> I vgot  lsdj 3.6.8 version.
<br\>
<br\>It's easiest to match the other instruments to the wave ones.
<br\>The "ugly noise" is what you get using 4bit samples. ;)
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       Låt vårkänslorna spira!
<br\>Hitta din tvillingsjäl på Yahoo! Dejting: http://se.meetic.yahoo.net
<br\>


Message:
<br\>
You have heaps of option to make a "analog" snare.
<br\>The best, i recon, is first to use noise channel with a table and in
<br\>addition a PU with a high vibrato to complete the analog style :)
<br\>Don't have the value of each in my head right now, will tell u later.
<br\>
<br\>u can make very efficient snares also with only the WAVE channel and a
<br\>table.
<br\>
<br\>Tell u more later
<br\>
<br\>--- In lsdj@yahoogroups.com, "DOGMATECH" <dogmatech@...> wrote:
<br\>>
<br\>> Sounds cool when working with two gbs. But I wrecked one of my
<br\>carts, so I have to get a new :-(
<br\>>
<br\>>
<br\>> -----UrsprÃ¼ngliche Nachricht-----
<br\>> Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag
<br\>von Bruce Harris
<br\>> Gesendet: Montag, 11. Juni 2007 00:57
<br\>> An: lsdj@yahoogroups.com
<br\>> Betreff: Re: [LSDj!] analog snares
<br\>>
<br\>>
<br\>>
<br\>> Right now I'm experimenting with two ocmponent snare, one that uses
<br\>> both PU1 and NOI for its sound. This is a trick commonly used on chips
<br\>> like SID and YM, but rarle yon the Gameboy. I'll get back with a
<br\>> tutorial later.
<br\>>
<br\>> On 10/06/07, marios mix <mariosmixal@
<br\><mailto:mariosmixal%40yahoo.gr> yahoo.gr> wrote:
<br\>> > Hi.Im trying to make analog drums kits from lsdj.I red about the
<br\>pul kick and its amazing.Alsi i use the noise channel for snares (with
<br\>k on 5-10).Does anybody knows any other tricks to make analog snares?I
<br\>dont like the wave's channel kits.
<br\>> > take care
<br\>> >
<br\>> >
<br\>> > ---------------------------------
<br\>> > Î§ÏÎ·ÏƒÎ¹Î¼Î¿Ï€Î¿Î¹ÎµÎ¯Ï„Îµ Yahoo!
<br\>> > Î'Î±ÏÎµÎ¸Î®ÎºÎ±Ï„Îµ Ï„Î± ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÎ¬ Î¼Î·Î½Ï Î¼Î±Ï„Î±
<br\>(spam); Î¤Î¿ Yahoo! Mail Î´Î¹Î±Î¸Î­Ï„ÎµÎ¹ Ï„Î·Î½ ÎºÎ±Î»ÏÏ„ÎµÏÎ·
<br\>Î´Ï…Î½Î±Ï„Î® Ï€ÏÎ¿ÏƒÏ„Î±ÏƒÎ¯Î± ÎºÎ±Ï„Î¬ Ï„Ï‰Î½ ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÏŽÎ½
<br\>Î¼Î·Î½Ï…Î¼Î¬Ï„Ï‰Î½
<br\>> > http://login. <http://login.yahoo.com/config/mail?.intl=gr>
<br\>yahoo.com/config/mail?.intl=gr
<br\>> >
<br\>> > [Non-text portions of this message have been removed]
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> > Yahoo! Groups Links
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>>
<br\>> --
<br\>> Love. /Bruce Harris
<br\>>
<br\>> --
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/>
<br\>tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>s.8bitcollective.com/>
<br\>> SÃ¤tt pÃ¥ ett par flipflops, vippa pÃ¥ rumpan
<br\>> och gÃ¶r det hÃ¤r till en minnesvÃ¤rd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>


Message:
<br\>
another possibility: you can pan all drum kits to one side, and all
<br\>instruments to the other side. then you plug the game boy into two
<br\>mono channels on your mixer, and mix them to the desired volume level.
<br\>that's what felix from pornophonique does.
<br\>
<br\>of course you loose the possibility to do something in stereo, but
<br\>since the game boy's stereo possibilities are not very sophisticated,
<br\>this doesn't matter very much.
<br\>
<br\>hw
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, marios mix <mariosmixal@...> wrote:
<br\>>
<br\>> Hey there.When i play some beats from wave's drum kits and i have also
<br\>> some pulse notes and noise sound i can almost hear the wave's
<br\>beats.It is possible to pick up the volume and make the ugly noises
<br\>disapear from wave's kits?
<br\>> I vgot  lsdj 3.6.8 version.
<br\>>
<br\>> cheers
<br\>


Message:
<br\>
The only things for separating channels is the u have to forget ur
<br\>headphone :)
<br\>reduce the volume value of ur instrument and pump up the volume of ur
<br\>mixer so u can hear much more better ur kits.
<br\>Making a kick with the wave channel is much more efficient!
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "herbert_weixelbaum"
<br\><herbert_weixelbaum@...> wrote:
<br\>>
<br\>> another possibility: you can pan all drum kits to one side, and all
<br\>> instruments to the other side. then you plug the game boy into two
<br\>> mono channels on your mixer, and mix them to the desired volume level.
<br\>> that's what felix from pornophonique does.
<br\>>
<br\>> of course you loose the possibility to do something in stereo, but
<br\>> since the game boy's stereo possibilities are not very sophisticated,
<br\>> this doesn't matter very much.
<br\>>
<br\>> hw
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, marios mix <mariosmixal@> wrote:
<br\>> >
<br\>> > Hey there.When i play some beats from wave's drum kits and i have also
<br\>> > some pulse notes and noise sound i can almost hear the wave's
<br\>> beats.It is possible to pick up the volume and make the ugly noises
<br\>> disapear from wave's kits?
<br\>> > I vgot  lsdj 3.6.8 version.
<br\>> >
<br\>> > cheers
<br\>>
<br\>


Subject:
More Bud Melvin-esque "open source" lsdj songs?

SubjectSrt:
More Bud Melvin-esque "open source" lsdj songs?

Message:
<br\>
I recently came across Bud Melvin's wonderful website where he
<br\>released five of his lsdj tracks as .sav files to be studied and
<br\>otherwise enjoyed. I thought this was really awesome as it showed me
<br\>new ideas and ways to use lsdj that I hadn't thought of before. Does
<br\>anyone know of any other places that has the .sav files for lsdj songs
<br\>uploaded? I think these would really benefit lsdj "newbies" like
<br\>myself in learning some of the more advanced techniques and ways to
<br\>layout songs.
<br\>
<br\>Thank you!
<br\>
<br\>Jeremy
<br\>


Subject:
Re: [LSDj!] More Bud Melvin-esque "open source" lsdj songs?

Message:
<br\>
I'm actually just about to release the sav for one track myself. I
<br\>just gotta prepare some images, write a blog entry and then I'll tell
<br\>you. Thank for reminding me, I think I'll do this right now!
<br\>
<br\>On 18/06/07, neutral_insomniac <neutral_insomniac@...> wrote:
<br\>> I recently came across Bud Melvin's wonderful website where he
<br\>>  released five of his lsdj tracks as .sav files to be studied and
<br\>>  otherwise enjoyed. I thought this was really awesome as it showed me
<br\>>  new ideas and ways to use lsdj that I hadn't thought of before. Does
<br\>>  anyone know of any other places that has the .sav files for lsdj songs
<br\>>  uploaded? I think these would really benefit lsdj "newbies" like
<br\>>  myself in learning some of the more advanced techniques and ways to
<br\>>  layout songs.
<br\>>
<br\>>  Thank you!
<br\>>
<br\>>  Jeremy
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>Love. /Bruce Harris
<br\>
<br\>--
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Haha. Excellent! What a coincidence!
<br\>
<br\>--- In lsdj@yahoogroups.com, "Bruce Harris" <nitro2k01@...> wrote:
<br\>>
<br\>> I'm actually just about to release the sav for one track myself. I
<br\>> just gotta prepare some images, write a blog entry and then I'll tell
<br\>> you. Thank for reminding me, I think I'll do this right now!
<br\>>
<br\>> On 18/06/07, neutral_insomniac <neutral_insomniac@...> wrote:
<br\>> > I recently came across Bud Melvin's wonderful website where he
<br\>> >  released five of his lsdj tracks as .sav files to be studied and
<br\>> >  otherwise enjoyed. I thought this was really awesome as it showed me
<br\>> >  new ideas and ways to use lsdj that I hadn't thought of before. Does
<br\>> >  anyone know of any other places that has the .sav files for lsdj
<br\>songs
<br\>> >  uploaded? I think these would really benefit lsdj "newbies" like
<br\>> >  myself in learning some of the more advanced techniques and ways to
<br\>> >  layout songs.
<br\>> >
<br\>> >  Thank you!
<br\>> >
<br\>> >  Jeremy
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>> --
<br\>> Love. /Bruce Harris
<br\>>
<br\>> --
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>


Message:
<br\>
So fellow LSDj'ers! I've decided to release the source file for my
<br\>song Camvliez, along with a little tutorial on some of the tricks used
<br\>in it, since some people requested it.
<br\><http://gameboygenius.8bitcollective.com/wordpress/?p=43>
<br\>
<br\>I will also take this opportunity to shamelessly promote this
<br\>compilation that I'm on, OXO:001. There's a teaser for it on the page
<br\>linked below:
<br\><http://oxo-unlimited.com/wordpress/?page_id=57>
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>--
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On 6/11/07, Johan Kotlinski <kotlinski@...> wrote:
<br\>> 2007-06-11: v3.7.5
<br\>>
<br\>>  * optimized program further (removed OAM refresh + unnecessary 16-bit
<br\>> multiplies)
<br\>>
<br\>> http://www.littlesounddj.com/lsd/latest/full_version/  (includes goomba
<br\>> build)
<br\>>
<br\>
<br\>i can't believe i've memorized the weird password that was given for
<br\>the login/download, but i am glad that i did! LSDj has to try running
<br\>on every computer i own =)
<br\>
<br\>thanks so much for the continued improvements and optimizations!
<br\>
<br\><3
<br\>j.ordan
<br\>
<br\>--
<br\>http://mp3death.us/~k9d/
<br\>


Message:
<br\>
i don't like the idea of "seperating channels".. i do stereo tricks in
<br\>almost every tune, besides stereo tricks are saviors! if you do really
<br\>hardcore chipmusic, and a lead riff is lost between your very very
<br\>hardcore kicks and basses, then you can build a table for that lead
<br\>sound and pan the sound very quickly like R LR L LR so it'll have a
<br\>stereo image.. i also pan the hi-hat like %30 left all the time(unless
<br\>i do a dance/techno tune).. yeah i know you're surprised to hear
<br\>something like "%30 left" but i just simulate it by again the tables..
<br\>i use for example an panning table like L LR LR L LR :) playing with
<br\>the amount of hard panned notes makes your ear believe and decide
<br\>where does the sound come :D
<br\>
<br\>well if you hear unpleasing noise with the wav channel, then you have
<br\>to compose MORE hardcore beats to get over it :D
<br\>or just use a compressor when recording/playing etc. so other
<br\>instruments should kill the unpleasing noise when compressed..
<br\>
<br\>--- In lsdj@yahoogroups.com, "herbert_weixelbaum"
<br\><herbert_weixelbaum@...> wrote:
<br\>>
<br\>> another possibility: you can pan all drum kits to one side, and all
<br\>> instruments to the other side. then you plug the game boy into two
<br\>> mono channels on your mixer, and mix them to the desired volume level.
<br\>> that's what felix from pornophonique does.
<br\>>
<br\>> of course you loose the possibility to do something in stereo, but
<br\>> since the game boy's stereo possibilities are not very sophisticated,
<br\>> this doesn't matter very much.
<br\>>
<br\>> hw
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, marios mix <mariosmixal@> wrote:
<br\>> >
<br\>> > Hey there.When i play some beats from wave's drum kits and i have also
<br\>> > some pulse notes and noise sound i can almost hear the wave's
<br\>> beats.It is possible to pick up the volume and make the ugly noises
<br\>> disapear from wave's kits?
<br\>> > I vgot  lsdj 3.6.8 version.
<br\>> >
<br\>> > cheers
<br\>>
<br\>


Message:
<br\>
I was listening to a song on the collective today:
<br\>http://www.8bc.org/music/UnicornDreamAttack/God+Is+Love/
<br\>It reminded of Tobiah's work: "I love your music" on micromusic.net
<br\>I wanted to shoot him an email but can't seem to find it anywhere on his
<br\>site. Can anyone help me out?
<br\>Thanks!
<br\>Jose Torres
<br\>8bc.org
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
what the hell are you talking about?
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "Jose Torres" <vonneh@...> wrote:
<br\>>
<br\>> I was listening to a song on the collective today:
<br\>> http://www.8bc.org/music/UnicornDreamAttack/God+Is+Love/
<br\>> It reminded of Tobiah's work: "I love your music" on micromusic.net
<br\>> I wanted to shoot him an email but can't seem to find it anywhere on his
<br\>> site. Can anyone help me out?
<br\>> Thanks!
<br\>> Jose Torres
<br\>> 8bc.org
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>


Message:
<br\>
It's the first (and excellent) track from "Gameboy playgroud"
<br\>
<br\>http://www.relaxbeat.com/boyplayground.htm
<br\>
<br\>
<br\>> -----Original Message-----
<br\>> From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of
<br\>> papalote8bit
<br\>> Sent: lundi 25 juin 2007 15:18
<br\>> To: lsdj@yahoogroups.com
<br\>> Subject: [LSDj!] Re: Tobiah?
<br\>>
<br\>>
<br\>> what the hell are you talking about?
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "Jose Torres" <vonneh@...> wrote:
<br\>> >
<br\>> > I was listening to a song on the collective today:
<br\>> > http://www.8bc.org/music/UnicornDreamAttack/God+Is+Love/
<br\>> > It reminded of Tobiah's work: "I love your music" on micromusic.net
<br\>> > I wanted to shoot him an email but can't seem to find it anywhere on his
<br\>> > site. Can anyone help me out?
<br\>> > Thanks!
<br\>> > Jose Torres
<br\>> > 8bc.org
<br\>> >
<br\>> >
<br\>> > [Non-text portions of this message have been removed]
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>


Message:
<br\>
Sorry my friends but I cant find any similarity
<br\>besides both tracks have synth speech on it.
<br\>
<br\>All the best. Ignat.
<br\>
<br\>--- "M-.-n" <nostromo@...> escribió:
<br\>
<br\>>
<br\>> It's the first (and excellent) track from "Gameboy playgroud"
<br\>>
<br\>> http://www.relaxbeat.com/boyplayground.htm
<br\>>
<br\>>
<br\>> > -----Original Message-----
<br\>> > From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of
<br\>> > papalote8bit
<br\>> > Sent: lundi 25 juin 2007 15:18
<br\>> > To: lsdj@yahoogroups.com
<br\>> > Subject: [LSDj!] Re: Tobiah?
<br\>> >
<br\>> >
<br\>> > what the hell are you talking about?
<br\>> >
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, "Jose Torres" <vonneh@...> wrote:
<br\>> > >
<br\>> > > I was listening to a song on the collective today:
<br\>> > > http://www.8bc.org/music/UnicornDreamAttack/God+Is+Love/
<br\>> > > It reminded of Tobiah's work: "I love your music" on micromusic.net
<br\>> > > I wanted to shoot him an email but can't seem to find it anywhere on his
<br\>> > > site. Can anyone help me out?
<br\>> > > Thanks!
<br\>> > > Jose Torres
<br\>> > > 8bc.org
<br\>> > >
<br\>> > >
<br\>> > > [Non-text portions of this message have been removed]
<br\>> > >
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> > Yahoo! Groups Links
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>______________________________________________
<br\>LLama Gratis a cualquier PC del Mundo.
<br\>Llamadas a fijos y móviles desde 1 céntimo por minuto.
<br\>http://es.voice.yahoo.com
<br\>


Message:
<br\>
Yeah, the Unicorn is really awesome. Why don't you write him on
<br\>myspace?
<br\>
<br\>> > >
<br\>> > >
<br\>> > > --- In lsdj@yahoogroups.com, "Jose Torres" <vonneh@> wrote:
<br\>> > > >
<br\>> > > > I was listening to a song on the collective today:
<br\>> > > > http://www.8bc.org/music/UnicornDreamAttack/God+Is+Love/
<br\>> > > > It reminded of Tobiah's work: "I love your music" on
<br\>micromusic.net
<br\>> > > > I wanted to shoot him an email but can't seem to find it
<br\>anywhere on his
<br\>> > > > site. Can anyone help me out?
<br\>> > > > Thanks!
<br\>> > > > Jose Torres
<br\>> > > > 8bc.org
<br\>> > > >
<br\>> > > >
<br\>> > > > [Non-text portions of this message have been removed]
<br\>> > > >
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > > Yahoo! Groups Links
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> ______________________________________________
<br\>> LLama Gratis a cualquier PC del Mundo.
<br\>> Llamadas a fijos y móviles desde 1 céntimo por minuto.
<br\>> http://es.voice.yahoo.com
<br\>>
<br\>


Message:
<br\>
it seems like when i add samples to the lsd-patcher, it freezes up on
<br\>me everytime. any help? i'm also using the latest java and lsd patcher.
<br\>


Message:
<br\>
Just a quick one and I'm sorry in advance if this sounds stupid, but on my LSDJ
<br\>cart all the
<br\>notes under C3 don't make a sound. Is this normal? Is this the lowest note? It's
<br\>just when I try
<br\>to copy over sheet music, it always has to go quite high in octaves and sounds a
<br\>bit funny.
<br\>
<br\>Thanks in advance,
<br\>
<br\>Tom
<br\>


Message:
<br\>
Hallo, if you can mail me the files you are working with and describe
<br\>steps how to reproduce the problem, it would be nice!
<br\>Thanks :)
<br\>
<br\>On 7/2/07, chinitopower <chinitopower@...> wrote:
<br\>> it seems like when i add samples to the lsd-patcher, it freezes up on
<br\>> me everytime. any help? i'm also using the latest java and lsd patcher.
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Subject:
Re: [LSDj!] Notes under C3 don’t make a sound?

Message:
<br\>
That's right, C-3 is the lowest note...
<br\>
<br\>Kjell
<br\>
<br\>
<br\>--- tomramsbottom <tomramsbottom@...> wrote:
<br\>
<br\>> Just a quick one and I'm sorry in advance if this
<br\>> sounds stupid, but on my LSDJ cart all the
<br\>> notes under C3 don't make a sound. Is this normal?
<br\>> Is this the lowest note? It's just when I try
<br\>> to copy over sheet music, it always has to go quite
<br\>> high in octaves and sounds a bit funny.
<br\>>
<br\>> Thanks in advance,
<br\>>
<br\>> Tom
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Looking for a deal? Find great prices on flights and hotels with Yahoo!
<br\>FareChase.
<br\>http://farechase.yahoo.com/
<br\>


Message:
<br\>
the pulse channel goes down to C, the wave channel goes down to contra
<br\>C. that should be enough for most sheet music.
<br\>
<br\>hw
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "tomramsbottom" <tomramsbottom@...> wrote:
<br\>>
<br\>> Just a quick one and I'm sorry in advance if this sounds stupid, but
<br\>on my LSDJ cart all the
<br\>> notes under C3 don't make a sound. Is this normal? Is this the
<br\>lowest note? It's just when I try
<br\>> to copy over sheet music, it always has to go quite high in octaves
<br\>and sounds a bit funny.
<br\>>
<br\>> Thanks in advance,
<br\>>
<br\>> Tom
<br\>


Message:
<br\>
http://www.youtube.com/watch?v=C-DcoVAa8W8
<br\>
<br\>and
<br\>
<br\>http://youtube.com/watch?v=YJWOO-mpCY0
<br\>
<br\>silly, i know!
<br\>
<br\>i been making tons of new kits lately. i think on all 3 of my
<br\>cartridges i only use about 5 kits that came with lsdj. i'll post a
<br\>couple of my kits in the download section soon!
<br\>


Message:
<br\>
Hi, not a great recording but here's my last gig in Mallorca. There's
<br\>a couple tunes you might have not heard before.
<br\>
<br\>http://www.santamagdalena.net/musica/0000/Rabato_live@CXF_Mallorca.mp3
<br\>
<br\>Hope you like :)
<br\>
<br\>Rabato
<br\>


Message:
<br\>
wow, I love the first track. Is that new or did I miss it somehow?
<br\>Very cool and not at all typical. Still listening...
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "el_pibe_ramiro" <ramiro@...> wrote:
<br\>>
<br\>> Hi, not a great recording but here's my last gig in Mallorca. There's
<br\>> a couple tunes you might have not heard before.
<br\>>
<br\>> http://www.santamagdalena.net/musica/0000/Rabato_live@CXF_Mallorca.mp3
<br\>>
<br\>> Hope you like :)
<br\>>
<br\>> Rabato
<br\>>
<br\>


Message:
<br\>
Yow, that last track is awesomely great!
<br\>
<br\>--- In lsdj@yahoogroups.com, "el_pibe_ramiro" <ramiro@...> wrote:
<br\>>
<br\>> Hi, not a great recording but here's my last gig in Mallorca. There's
<br\>> a couple tunes you might have not heard before.
<br\>>
<br\>> http://www.santamagdalena.net/musica/0000/Rabato_live@CXF_Mallorca.mp3
<br\>>
<br\>> Hope you like :)
<br\>>
<br\>> Rabato
<br\>>
<br\>


Message:
<br\>
Hi,
<br\>
<br\>seems that LSDj Wiki has been down some time... now it's up in it's
<br\>full pride again (as is the rebelpetset web shop).
<br\>
<br\>CYA
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
heya,
<br\>i recently went to the australasian computer music conference 2007 where i
<br\>played a short
<br\>set with a saxophonist (when we got on stage it was the first time we had played
<br\>together).
<br\>you can watch a short segment here: http://www.youtube.com/watch?v=Mh807y5UG5U
<br\>i am sorry that the gameboy is so quiet in the mix!
<br\>
<br\>i also presented a paper and presentation on gameboy sound comparisons between
<br\>different
<br\>units of the same model and different models. i think it was good, because very
<br\>few people at
<br\>the conference knew about gameboy music / chiptune type stuff before hand. many
<br\>people
<br\>had questions, so maybe they were interested.
<br\>
<br\>cheers,
<br\>seb from adelaide, australia
<br\>


Message:
<br\>
Hey All, I just finished putting together my latest Dual DMG and GBC systems and
<br\>thought
<br\>I would share. No serious recordings yet but here's a link to a quick example of
<br\>what the
<br\>Dual GBC sounds like dry (through a mixer). Hope you like!
<br\>
<br\>http://www.clubrecs.com/gbdread.html
<br\>
<br\>	 After consulting with fellow lsdj'er Nitro2k01 about a more ambitious single
<br\>screen
<br\>dual system I quickly realized how naiNve my understanding of electronics was
<br\>and went
<br\>with something my little brain could handle. The GBC and DMG Dual systems have
<br\>under-
<br\>clocked bottom gameboys with normal speed Gameboys on top (with custom sample
<br\>kits!)
<br\>and internal wiring for sync. Each of the Gameboys has the Pro-sound mod and the
<br\>GBC
<br\>also has the output for wireless audio via AKG Guitar Bug (which is mono). All
<br\>crammed
<br\>into slightly modified cases!
<br\>	 Honestly I wasn't really sure how useful a dual GB would be as I could already
<br\>do
<br\>everything it does with two separate Gameboys, but it's actually a joy to use
<br\>and I find
<br\>myself making songs with a lot less fuss than my previous Velcro and cable rats
<br\>nest set
<br\>up!
<br\>
<br\>-Clay
<br\>
<br\>	 P.S. If anyone with any audio buffer experience is reading and has some better
<br\>ideas
<br\>about how I might wire the 2 outputs so that they share the same 1/8" jack I
<br\>would greatly
<br\>appreciate it! Currently I have the left and right audio outs from the top
<br\>Gameboy wired
<br\>directly to the bottom Gameboys 1/8" out. I know this is wrong but I didn't know
<br\>how to
<br\>do it any other way...
<br\>


Message:
<br\>
so, the unmodded GBs are syncing OK with the underlocked ones? I have tried this
<br\>before,
<br\>without much success. What speed resonator are you using in the mods?
<br\>


Message:
<br\>
That sounds awesome! Would love to hear more.
<br\>- Jose
<br\>
<br\>On 7/5/07, Clay <morbank@...> wrote:
<br\>>
<br\>>   Hey All, I just finished putting together my latest Dual DMG and GBC
<br\>> systems and thought
<br\>> I would share. No serious recordings yet but here's a link to a quick
<br\>> example of what the
<br\>> Dual GBC sounds like dry (through a mixer). Hope you like!
<br\>>
<br\>> http://www.clubrecs.com/gbdread.html
<br\>>
<br\>> After consulting with fellow lsdj'er Nitro2k01 about a more ambitious
<br\>> single screen
<br\>> dual system I quickly realized how nai Nve my understanding of electronics
<br\>> was and went
<br\>> with something my little brain could handle. The GBC and DMG Dual systems
<br\>> have under-
<br\>> clocked bottom gameboys with normal speed Gameboys on top (with custom
<br\>> sample kits!)
<br\>> and internal wiring for sync. Each of the Gameboys has the Pro-sound mod
<br\>> and the GBC
<br\>> also has the output for wireless audio via AKG Guitar Bug (which is mono).
<br\>> All crammed
<br\>> into slightly modified cases!
<br\>> Honestly I wasn't really sure how useful a dual GB would be as I could
<br\>> already do
<br\>> everything it does with two separate Gameboys, but it's actually a joy to
<br\>> use and I find
<br\>> myself making songs with a lot less fuss than my previous Velcro and cable
<br\>> rats nest set
<br\>> up!
<br\>>
<br\>> -Clay
<br\>>
<br\>> P.S. If anyone with any audio buffer experience is reading and has some
<br\>> better ideas
<br\>> about how I might wire the 2 outputs so that they share the same 1/8" jack
<br\>> I would greatly
<br\>> appreciate it! Currently I have the left and right audio outs from the top
<br\>> Gameboy wired
<br\>> directly to the bottom Gameboys 1/8" out. I know this is wrong but I
<br\>> didn't know how to
<br\>> do it any other way...
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
tor 2007-07-05 klockan 23:35 +0000 skrev sebastian_tomczak:
<br\>> heya,
<br\>> i recently went to the australasian computer music conference 2007 where i
<br\>played a short
<br\>> set with a saxophonist (when we got on stage it was the first time we had
<br\>played together).
<br\>> you can watch a short segment here: http://www.youtube.com/watch?v=Mh807y5UG5U
<br\>> i am sorry that the gameboy is so quiet in the mix!
<br\>
<br\>Woho! Sounds great! Anyone recorded the mix? If yes, please share!
<br\>
<br\>
<br\>> i also presented a paper and presentation on gameboy sound comparisons between
<br\>different
<br\>> units of the same model and different models. i think it was good, because
<br\>very few people at
<br\>> the conference knew about gameboy music / chiptune type stuff before hand.
<br\>many people
<br\>> had questions, so maybe they were interested.
<br\>
<br\>When can we read it? :D
<br\>
<br\>Martin
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "sebastian_tomczak" <stomczak@...> wrote:
<br\>>
<br\>> so, the unmodded GBs are syncing OK with the underlocked ones? I have tried
<br\>this before,
<br\>> without much success. What speed resonator are you using in the mods?
<br\>>
<br\>
<br\>Yes, Nitro2k01 asked the same question. I've under-clocked 2 DMG Gameboys and 1
<br\>GBC
<br\>and haven't had any issues with syncing to unmodded ones... The quartz crystal I
<br\>used in the
<br\>GBC was actually ripped out of a Gameboy Advance, I'll have to open it to make
<br\>sure but I
<br\>think the crystals in the DMG are from Mouser Electronics and are labeled
<br\>FOX021S
<br\>2.097152.
<br\>-Clay
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "Jose Torres" <vonneh@...> wrote:
<br\>>
<br\>> That sounds awesome! Would love to hear more.
<br\>> - Jose
<br\>
<br\>
<br\>Thanks Jose, I've got a bunch of material to record. I'll try to post as I go!
<br\>-Clay
<br\>


Message:
<br\>
No, nobody recorded the mix. We just got up and played - no time for this sort
<br\>of prep...
<br\>bummer.
<br\>
<br\>Well, the paper is not online but you can see some of the comparison recordings
<br\>etc i have
<br\>done here: http://www.milkcrate.com.au/_other/gbc/
<br\>
<br\>Seb
<br\>


Message:
<br\>
hi there, does anyone know if it is it possible to swop the vintage GB
<br\>screen with GBP screen?
<br\>
<br\>thanks...
<br\>


Subject:
Re: [LSDj!] vintage GByscreen swop with GBP

Message:
<br\>
On 06/07/07, sliteist <sliteist@...> wrote:
<br\>> hi there, does anyone know if it is it possible to swop the vintage GB
<br\>>  screen with GBP screen?
<br\>As far as I know form looking at them they don't look compatible.
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
i just wanted to plug a new track i have up at
<br\>
<br\>http://www.myspace.com/firebrandboy
<br\>
<br\>i hope you enjoy and it will be downloadable in august.
<br\>


Message:
<br\>
MMMMMMMMMMMMMMMMMMMMMMMMMMMMM..........
<br\>I'm so confused!
<br\>Anybody can tell me what is the BEST SOLUTION to syncing lsdj with
<br\>prophet64?
<br\>
<br\>Have anybody tried to plug the data and the clock output on an
<br\>oscilloscope and see wath happen when starts a phrase?
<br\>
<br\>
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, Bram van Oort <ezblade@...> wrote:
<br\>>
<br\>> I don't know if this is usefull:
<br\>>
<br\>> http://www.dil.nl/UK/details.asp?artcode=PG24
<br\>>
<br\>>
<br\>>
<br\>> On 6/15/05, h4x_2x <h4x_2x@...> wrote:
<br\>> >  --- In lsdj@yahoogroups.com, nitro2k01 <nitro2k01@g...> wrote:
<br\>> >  > > I tride to connect to a tr-808, using a cable that is
<br\>connected
<br\>> >  like this...
<br\>> >  > > http://gieskes.nl/sync.gif
<br\>> >  > > But it didn't work, did i connect it wrong? ore dos the tr-
<br\>808
<br\>> >  need some
<br\>> >  > > singnal to get started?
<br\>> >  > Yes, a signal is needed to start!  This is not needed on the
<br\>C64
<br\>> >  > because it has pullup resistors though, don't know about the
<br\>808...
<br\>> >  > However it seems that you connected the wires wrong too. Look
<br\>at
<br\>> >  this
<br\>> >  > picture:
<br\>> >  > http://www2.hemsida.net/dtd/stuff/thispin.gif
<br\>> >  > You see the "Or???" thing. That's because nocash
<br\>documentation isn't
<br\>> >  > very clear about which side is left and right. Try both.
<br\>Myself I
<br\>> >  > usually go by color and connect wire ends instead.
<br\>> >
<br\>> >  I know this is kind of an old topic, but I thought if anyone was
<br\>> >  interested/curious to know the wire to pin layout of an
<br\>original link
<br\>> >  cable it'd be handy.
<br\>> >
<br\>> >  /-----\ So using this
<br\>> > http://www2.hemsida.net/dtd/stuff/gb-proph64.gif
<br\>> >  |- R G| to sync to a c64 I'd use the orange to D right?
<br\>> >  |O - B| either way I'll find out later tonight.
<br\>> >  -------
<br\>> >
<br\>> >  Sorry if this is old news to everyone or just garbled jibberish.
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >  ________________________________
<br\>> >  Yahoo! Groups Links
<br\>> >
<br\>> >
<br\>> > To visit your group on the web, go to:
<br\>> > http://groups.yahoo.com/group/lsdj/
<br\>> >
<br\>> > To unsubscribe from this group, send an email to:
<br\>> > lsdj-unsubscribe@yahoogroups.com
<br\>> >
<br\>> > Your use of Yahoo! Groups is subject to the Yahoo! Terms of
<br\>Service.
<br\>>
<br\>


Subject:
AW: [LSDj!] Re: LSDj synced to Prophet 64!

SubjectSrt:
AW: [LSDj!] Re: LSDj synced to Prophet 64!

Message:
<br\>
I haven`t hooked them up to an oscilloscope, but the p64 is sync is Roland
<br\>standard, a pulse(Square wave) signal. Afaik Lsdj is also syncing via pulse
<br\>signal - but in halftime (Johan korrekt me if I am wrong here). I use LSDMC
<br\>and midi clock ->din sync converter to sync my stuff. The only problem is
<br\>that I always need a clock source. Firestarter is working on a lsdj-> p64
<br\>syncing device. Check out his page.
<br\>
<br\>
<br\>-----Ursprüngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von
<br\>startpusher
<br\>Gesendet: Samstag, 7. Juli 2007 18:08
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: [LSDj!] Re: LSDj synced to Prophet 64!
<br\>
<br\>
<br\>
<br\>MMMMMMMMMMMMMMMMMMMMMMMMMMMMM..........
<br\>I'm so confused!
<br\>Anybody can tell me what is the BEST SOLUTION to syncing lsdj with
<br\>prophet64?
<br\>
<br\>Have anybody tried to plug the data and the clock output on an
<br\>oscilloscope and see wath happen when starts a phrase?
<br\>
<br\>--- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com, Bram van Oort
<br\><ezblade@...> wrote:
<br\>>
<br\>> I don't know if this is usefull:
<br\>>
<br\>> http://www.dil. <http://www.dil.nl/UK/details.asp?artcode=PG24>
<br\>nl/UK/details.asp?artcode=PG24
<br\>>
<br\>>
<br\>>
<br\>> On 6/15/05, h4x_2x <h4x_2x@...> wrote:
<br\>> > --- In lsdj@yahoogroups. <mailto:lsdj%40yahoogroups.com> com, nitro2k01
<br\><nitro2k01@g...> wrote:
<br\>> > > > I tride to connect to a tr-808, using a cable that is
<br\>connected
<br\>> > like this...
<br\>> > > > http://gieskes. <http://gieskes.nl/sync.gif> nl/sync.gif
<br\>> > > > But it didn't work, did i connect it wrong? ore dos the tr-
<br\>808
<br\>> > need some
<br\>> > > > singnal to get started?
<br\>> > > Yes, a signal is needed to start! This is not needed on the
<br\>C64
<br\>> > > because it has pullup resistors though, don't know about the
<br\>808...
<br\>> > > However it seems that you connected the wires wrong too. Look
<br\>at
<br\>> > this
<br\>> > > picture:
<br\>> > > http://www2. <http://www2.hemsida.net/dtd/stuff/thispin.gif>
<br\>hemsida.net/dtd/stuff/thispin.gif
<br\>> > > You see the "Or???" thing. That's because nocash
<br\>documentation isn't
<br\>> > > very clear about which side is left and right. Try both.
<br\>Myself I
<br\>> > > usually go by color and connect wire ends instead.
<br\>> >
<br\>> > I know this is kind of an old topic, but I thought if anyone was
<br\>> > interested/curious to know the wire to pin layout of an
<br\>original link
<br\>> > cable it'd be handy.
<br\>> >
<br\>> > /-----\ So using this
<br\>> > http://www2. <http://www2.hemsida.net/dtd/stuff/gb-proph64.gif>
<br\>hemsida.net/dtd/stuff/gb-proph64.gif
<br\>> > |- R G| to sync to a c64 I'd use the orange to D right?
<br\>> > |O - B| either way I'll find out later tonight.
<br\>> > -------
<br\>> >
<br\>> > Sorry if this is old news to everyone or just garbled jibberish.
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> > ________________________________
<br\>> > Yahoo! Groups Links
<br\>> >
<br\>> >
<br\>> > To visit your group on the web, go to:
<br\>> > http://groups. <http://groups.yahoo.com/group/lsdj/>
<br\>yahoo.com/group/lsdj/
<br\>> >
<br\>> > To unsubscribe from this group, send an email to:
<br\>> > lsdj-unsubscribe@ <mailto:lsdj-unsubscribe%40yahoogroups.com>
<br\>yahoogroups.com
<br\>> >
<br\>> > Your use of Yahoo! Groups is subject to the Yahoo! Terms of
<br\>Service.
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Hello lads and ladies,
<br\>
<br\>I really want to build a LSDJ keyboard, but was wondering the specifics. I've
<br\>already been on
<br\>the wiki and am I right in saying that the only link cable with a 5v wire is the
<br\>official Nintendo
<br\>four-player adapter? Is this an urban myth? Also could anyone provide me with
<br\>more detailed
<br\>building info, as i'm a bit of a retard!
<br\>
<br\>On the other hand if anyone has a cheap, good looking one that they would like
<br\>to sell,
<br\>please get in touch.
<br\>
<br\>Thanks in advance,
<br\>
<br\>Tom
<br\>


Message:
<br\>
Here's a video by sidabitball syncing his 303 to his Gameboy by using
<br\>a homebuilt AVR (I think) thing. The Gameboy is the master and the 303
<br\>is the slave.
<br\>
<br\><http://youtube.com/watch?v=KOIxR6RWC_M>
<br\><http://youtube.com/watch?v=8IdXDdMy5_U>
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Subject:
RE: [LSDj!] Sidabitball syncing LSDj with TB-303

Message:
<br\>
Uhhhh!
<br\>
<br\>Simply Amazing, Nitro!
<br\>
<br\>I love sidabitball tracks btw.
<br\>
<br\>that's impressive! 303, the gameboy looks are great.
<br\>and really pretty baseline programming. Would love to
<br\>know some electronics to play a little with built sinths.
<br\>
<br\>great interfase. loving.
<br\>
<br\>greetings :) Ignacio.
<br\>
<br\>--- Bruce Harris <nitro2k01@...> escribió:
<br\>
<br\>> Here's a video by sidabitball syncing his 303 to his Gameboy by using
<br\>> a homebuilt AVR (I think) thing. The Gameboy is the master and the 303
<br\>> is the slave.
<br\>>
<br\>> <http://youtube.com/watch?v=KOIxR6RWC_M>
<br\>> <http://youtube.com/watch?v=8IdXDdMy5_U>
<br\>>
<br\>> Love. /Bruce Harris
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
This could be usefull for the americans:
<br\>
<br\>http://www.digikey.com/scripts/DkSearch/dksus.dll?Criteria?Ref=51198&Site=US&Cat\
<br\>=32965448
<br\>
<br\>Same as the batteries as robweb but cheaper.
<br\>


Message:
<br\>
the tabs look a bit too long. this will possibly not fit.
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "eat_rabbit69" <human@...> wrote:
<br\>>
<br\>> This could be usefull for the americans:
<br\>>
<br\>>
<br\>http://www.digikey.com/scripts/DkSearch/dksus.dll?Criteria?Ref=51198&Site=US&Cat\
<br\>=32965448
<br\>>
<br\>> Same as the batteries as robweb but cheaper.
<br\>>
<br\>


Message:
<br\>
Some link cables have the 5v wire, most don't.  You're guaranteed to
<br\>have one with the 4-player adapter, though.  The easy crappy way to
<br\>make the cable is cut the cord off an old keyboard, cut the cord off
<br\>a 4-player adapter, strip some insulation off the wires on each end,
<br\>twist them around each other and solder or use a lot of electrical
<br\>tape to hold it together.  You'll need a cheap multimeter or
<br\>continuity tester to check which color wire goes to which pin on
<br\>each end.  Put one lead on the pin and one on each bare wire until
<br\>you measure some resistance.
<br\>If the ASCII layout on the wiki is too confusing, you could take a
<br\>look at the bitmap in the keyboard.zip at
<br\>http://gbdevers.freeservers.com/download/dl.html
<br\>
<br\>--- In lsdj@yahoogroups.com, "tomramsbottom" <tomramsbottom@...>
<br\>wrote:
<br\>>
<br\>> Hello lads and ladies,
<br\>>
<br\>> I really want to build a LSDJ keyboard, but was wondering the
<br\>specifics. I've already been on
<br\>> the wiki and am I right in saying that the only link cable with a
<br\>5v wire is the official Nintendo
<br\>> four-player adapter? Is this an urban myth? Also could anyone
<br\>provide me with more detailed
<br\>> building info, as i'm a bit of a retard!
<br\>>
<br\>> On the other hand if anyone has a cheap, good looking one that
<br\>they would like to sell,
<br\>> please get in touch.
<br\>>
<br\>> Thanks in advance,
<br\>>
<br\>> Tom
<br\>>
<br\>


Message:
<br\>
If you are having trouble finding a good power supply, just use a voltage
<br\>regulator that will take a DC 7-10v and produce a 5v. Such as the regulator
<br\>on the LSDJ-MC2. check out firestarter's semantics, and parts list for
<br\>details.
<br\>
<br\>But in short there are three pins on the regulator, one is ground, one is
<br\>the source 7-10v, and the output 5v. You'll also need a diode, and a few
<br\>capacitors to keep the current going one way.
<br\>
<br\>(right from firestarters parts list)
<br\>Short parts list:
<br\>
<br\>Capacitor
<br\>5 C7 10uF electrolyt
<br\>1 C1 100nF ceramic
<br\>
<br\>IC
<br\>15 IC4 7805 voltage regulator
<br\>
<br\>Diode
<br\>12 D7 1N4004
<br\>
<br\>This are all the parts you should need, anyone correct me if I'm wrong.
<br\>
<br\>The circuit is the bottom right one where 7-10v go in and 5v goes out.
<br\>
<br\>http://www.firestarter-music.de/lsdj/lsdjmc2_v1_1_1.jpg
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>>From: "budmelvin" <budmelvin@...>
<br\>>Reply-To: lsdj@yahoogroups.com
<br\>>To: lsdj@yahoogroups.com
<br\>>Subject: [LSDj!] Re: LSDJ keyboard
<br\>>Date: Tue, 10 Jul 2007 16:16:14 -0000
<br\>>
<br\>>Some link cables have the 5v wire, most don't.  You're guaranteed to
<br\>>have one with the 4-player adapter, though.  The easy crappy way to
<br\>>make the cable is cut the cord off an old keyboard, cut the cord off
<br\>>a 4-player adapter, strip some insulation off the wires on each end,
<br\>>twist them around each other and solder or use a lot of electrical
<br\>>tape to hold it together.  You'll need a cheap multimeter or
<br\>>continuity tester to check which color wire goes to which pin on
<br\>>each end.  Put one lead on the pin and one on each bare wire until
<br\>>you measure some resistance.
<br\>>If the ASCII layout on the wiki is too confusing, you could take a
<br\>>look at the bitmap in the keyboard.zip at
<br\>>http://gbdevers.freeservers.com/download/dl.html
<br\>>
<br\>>--- In lsdj@yahoogroups.com, "tomramsbottom" <tomramsbottom@...>
<br\>>wrote:
<br\>> >
<br\>> > Hello lads and ladies,
<br\>> >
<br\>> > I really want to build a LSDJ keyboard, but was wondering the
<br\>>specifics. I've already been on
<br\>> > the wiki and am I right in saying that the only link cable with a
<br\>>5v wire is the official Nintendo
<br\>> > four-player adapter? Is this an urban myth? Also could anyone
<br\>>provide me with more detailed
<br\>> > building info, as i'm a bit of a retard!
<br\>> >
<br\>> > On the other hand if anyone has a cheap, good looking one that
<br\>>they would like to sell,
<br\>> > please get in touch.
<br\>> >
<br\>> > Thanks in advance,
<br\>> >
<br\>> > Tom
<br\>> >
<br\>>
<br\>>
<br\>
<br\>_________________________________________________________________
<br\>Express yourself instantly with MSN Messenger! Download today it's FREE!
<br\>http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
<br\>


Message:
<br\>
On 10/07/07, Dj NTD <djntd@...> wrote:
<br\>>  But in short there are three pins on the regulator, one is ground, one is
<br\>>  the source 7-10v, and the output 5v. You'll also need a diode, and a few
<br\>>  capacitors to keep the current going one way.
<br\>A little note on the diode: You don't need it you're _absolutely_
<br\>certain that the poles can't be connecte dthe wrong way, and if the
<br\>output is DC. (For example if you hardwire the supply soldering wires
<br\>onto a piece of veroboard)
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> But in short there are three pins on the regulator, one is ground, one is
<br\>> the source 7-10v, and the output 5v. You'll also need a diode, and a few
<br\>> capacitors to keep the current going one way.
<br\>
<br\>I just used a voltage regulator and a 9v battery. Seems to work.
<br\>
<br\>/t
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Går det långsamt? Skaffa dig en snabbare bredbandsuppkoppling.
<br\>Sök och jämför hos Yahoo! Shopping.
<br\>http://shopping.yahoo.se/b/a/c_100015813_bredband.html?partnerId=96914325
<br\>


Message:
<br\>
Hey Folks and little djs!
<br\>
<br\>I just uploaded my newest album in http://www.gainlad.com
<br\>  ( neotericz . the manchester album)
<br\>
<br\>feel free to download and comment!
<br\>
<br\>it's inspired in those times of ecstasy, tr boxes and soul grooves,
<br\>trippin substances and so.
<br\>
<br\>all my love. IGnacio.
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Subject:
Re: [LSDj!] The Manchester Album ( actually EP )

Message:
<br\>
On 11/07/07, Ignatz <quiebre@...> wrote:
<br\>> Hey Folks and little djs!
<br\>>
<br\>>  I just uploaded my newest album in http://www.gainlad.com
<br\>>   ( neotericz . the manchester album)
<br\>>
<br\>>  feel free to download and comment!
<br\>>
<br\>>  it's inspired in those times of ecstasy, tr boxes and soul grooves,
<br\>>  trippin substances and so.
<br\>Whoa! Not often you hear someone use the shape value of PU1 for
<br\>anything else than kicks or possibly simple slides. Kudos!
<br\>I think 808 stress has a good flow, and manchester is pretty
<br\>interesting. However, rave factor doesn't really keep my attention.
<br\>(Although I think it would work really well as a live song)
<br\>
<br\>Love. /Bruce Harris
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Hey Bruce,
<br\>
<br\>big thanks for your gentle comment,
<br\>I'll really apreciate any words!
<br\>
<br\>well, shaping is amazing in lsdj,
<br\>I remember using it for acid modulation emulation,
<br\>like some resonance chip effect. I should browse for that...
<br\>
<br\>is maybe in my trans europe express cover. will post it some of these days.
<br\>
<br\>thanks again! Ignt.
<br\>
<br\>--- Bruce Harris <nitro2k01@...> escribió:
<br\>
<br\>> On 11/07/07, Ignatz <quiebre@...> wrote:
<br\>> > Hey Folks and little djs!
<br\>> >
<br\>> >  I just uploaded my newest album in http://www.gainlad.com
<br\>> >   ( neotericz . the manchester album)
<br\>> >
<br\>> >  feel free to download and comment!
<br\>> >
<br\>> >  it's inspired in those times of ecstasy, tr boxes and soul grooves,
<br\>> >  trippin substances and so.
<br\>> Whoa! Not often you hear someone use the shape value of PU1 for
<br\>> anything else than kicks or possibly simple slides. Kudos!
<br\>> I think 808 stress has a good flow, and manchester is pretty
<br\>> interesting. However, rave factor doesn't really keep my attention.
<br\>> (Although I think it would work really well as a live song)
<br\>>
<br\>> Love. /Bruce Harris
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Hux Flux Deluxe is the best.
<br\>


Message:
<br\>
I apologize for that mail, I thought you were talking about the ice
<br\>cream thing. :O
<br\>I'm downloading 8BP079 now.
<br\>
<br\>On 12/07/07, Sam Albaniensson <nitro2k01@...> wrote:
<br\>> On 12/07/07, budmelvin <budmelvin@...> wrote:
<br\>> > Hux Flux Deluxe is the best.
<br\>> Can't seem to find that one?
<br\>>
<br\>> Also, Mr Softee had an ice cream truck jingle remix contest earlier
<br\>> this year. Can't be a co-incidence that 8bp is doing this now.
<br\>>
<br\>> I love random's tune!
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>--
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Hux Flux Deluxe is amazing, specially when the kick drum begins again.
<br\>BUT! Sitges Savepoint starts with the most incredible arpeggio, it
<br\>just makes your eyes wet with tears.
<br\>I am convinced this is one of the best albums I have heard and I am
<br\>not talking about chiptune only.
<br\>The artwork by Covox is beautiful aswell.
<br\>
<br\>God knows what Random is capable of in the future. My favourite
<br\>without a doubt and a great great guy :___)
<br\>
<br\>rabato
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "budmelvin" <budmelvin@...> wrote:
<br\>>
<br\>> Hux Flux Deluxe is the best.
<br\>>
<br\>


Message:
<br\>
On 12/07/07, budmelvin <budmelvin@...> wrote:
<br\>> Hux Flux Deluxe is the best.
<br\>Can't seem to find that one?
<br\>
<br\>Also, Mr Softee had an ice cream truck jingle remix contest earlier
<br\>this year. Can't be a co-incidence that 8bp is doing this now.
<br\>
<br\>I love random's tune!
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Subject:
Re: [LSDj!] Re: New Random on 8bp is sweet!

Message:
<br\>
Listening to it now...
<br\>It's giving me a pretty huge boner actually; I think I
<br\>just may have to flip out and kill some people.
<br\>
<br\>kjell / flegmatical
<br\>
<br\>
<br\>--- el_pibe_ramiro <ramiro@...> wrote:
<br\>
<br\>> Hux Flux Deluxe is amazing, specially when the kick
<br\>> drum begins again.
<br\>> BUT! Sitges Savepoint starts with the most
<br\>> incredible arpeggio, it
<br\>> just makes your eyes wet with tears.
<br\>> I am convinced this is one of the best albums I have
<br\>> heard and I am
<br\>> not talking about chiptune only.
<br\>> The artwork by Covox is beautiful aswell.
<br\>>
<br\>> God knows what Random is capable of in the future.
<br\>> My favourite
<br\>> without a doubt and a great great guy :___)
<br\>>
<br\>> rabato
<br\>
<br\>
<br\>      
<br\>________________________________________________________________________________\
<br\>____
<br\>Fussy? Opinionated? Impossible to please? Perfect.  Join Yahoo!'s user panel and
<br\>lay it on us. http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7
<br\>


Message:
<br\>
I recently sent nullsleep a message on myspace asking what kind of
<br\>watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>sad being ignored by one of my idols. Should I take it personally?
<br\>Unfortunately I've never met the guy and don't know what kind of a
<br\>person he is. :(
<br\>


Message:
<br\>
Hi Neural Isonmniac,
<br\>Don't worry about it! He probably gets a lot of messages on myspace and
<br\>keeping track of all of them could turn into a day job. Try contacting
<br\>him through his website here: http://www.nullsleep.com/contact/index.php
<br\>- Jose
<br\>8bc.org
<br\>
<br\>
<br\>neutral_insomniac wrote:
<br\>>
<br\>> I recently sent nullsleep a message on myspace asking what kind of
<br\>> watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> sad being ignored by one of my idols. Should I take it personally?
<br\>> Unfortunately I've never met the guy and don't know what kind of a
<br\>> person he is. :(
<br\>>
<br\>>
<br\>


Message:
<br\>
> I recently sent nullsleep a message on myspace asking what kind of
<br\>> watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> sad being ignored by one of my idols. Should I take it personally?
<br\>> Unfortunately I've never met the guy and don't know what kind of a
<br\>> person he is. :(
<br\>
<br\>Why... is there something special about his watch?
<br\>
<br\>Does it run emulators?
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Hey Neutral,
<br\>
<br\>I think getting in touch with your Guides or Masters can be
<br\>helpful sometimes, but that should not be something to harm your
<br\>feelings. About him, I think he is a kind person.
<br\>But If he don't reply you can ask someone else about a cool watch
<br\>or even some about music.
<br\>
<br\>I always loved Tobiah's works but once I chated with him in
<br\>micromusic I felt like he didnt liked my stupid sense of humor
<br\>(I'm so tongue on cheek sometimes :P
<br\>
<br\>So I let Tobiah quiet and enjoying his own life, I love his music
<br\>but maybe I'm not the kind of dude he will like to chat with ? :)
<br\>
<br\>Now talking about me, thats a strong reason why I dont like
<br\>to see live bands. When I like some musician so much I become sick
<br\>seeing him personaly, so I get anxious and frustrated... (freak I am? :)
<br\>
<br\>About myspace, well sometimes it can be overwhelming!
<br\>
<br\>And about watches, hih... some style you like should be enogh good ;)
<br\>
<br\>Please Nully, man, dont make your fans cry ;)
<br\>
<br\>So, will you write now?
<br\>
<br\>All we want to know about your cool watch ;)
<br\>
<br\>
<br\>I saw somewhere a little watch with a working keyboard on it!
<br\>
<br\>Woha! I want one of those :)
<br\>
<br\>Btw, Freezepop disapointed me when I remixed them , hahahaah,
<br\>
<br\>I can tell it... And something more like that happened with a pretty girl
<br\>playing
<br\>keyboards...
<br\>But I won't tell ;)
<br\>
<br\>hahaha.
<br\>
<br\>love. Ignacio / NEotericz
<br\>
<br\>
<br\>--- neutral_insomniac <neutral_insomniac@...> escribió:
<br\>
<br\>> I recently sent nullsleep a message on myspace asking what kind of
<br\>> watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> sad being ignored by one of my idols. Should I take it personally?
<br\>> Unfortunately I've never met the guy and don't know what kind of a
<br\>> person he is. :(
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "Johan Kotlinski" <kotlinski@...> wrote:
<br\>>
<br\>> > I recently sent nullsleep a message on myspace asking what kind of
<br\>> > watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> > sad being ignored by one of my idols. Should I take it personally?
<br\>> > Unfortunately I've never met the guy and don't know what kind of a
<br\>> > person he is. :(
<br\>>
<br\>> Why... is there something special about his watch?
<br\>>
<br\>> Does it run emulators?
<br\>>
<br\>> Johan
<br\>> --
<br\>> http://www.rebelpetset.com
<br\>> http://www.littlesounddj.com
<br\>>
<br\>
<br\>I just thought it looks cool :-D Retro-ish.
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, Ignatz <quiebre@...> wrote:
<br\>>
<br\>> Hey Neutral,
<br\>>
<br\>> I think getting in touch with your Guides or Masters can be
<br\>> helpful sometimes, but that should not be something to harm your
<br\>> feelings. About him, I think he is a kind person.
<br\>> But If he don't reply you can ask someone else about a cool watch
<br\>> or even some about music.
<br\>>
<br\>> I always loved Tobiah's works but once I chated with him in
<br\>> micromusic I felt like he didnt liked my stupid sense of humor
<br\>> (I'm so tongue on cheek sometimes :P
<br\>>
<br\>> So I let Tobiah quiet and enjoying his own life, I love his music
<br\>> but maybe I'm not the kind of dude he will like to chat with ? :)
<br\>>
<br\>> Now talking about me, thats a strong reason why I dont like
<br\>> to see live bands. When I like some musician so much I become sick
<br\>> seeing him personaly, so I get anxious and frustrated... (freak I
<br\>am? :)
<br\>>
<br\>> About myspace, well sometimes it can be overwhelming!
<br\>>
<br\>> And about watches, hih... some style you like should be enogh good ;)
<br\>>
<br\>> Please Nully, man, dont make your fans cry ;)
<br\>>
<br\>> So, will you write now?
<br\>>
<br\>> All we want to know about your cool watch ;)
<br\>>
<br\>>
<br\>> I saw somewhere a little watch with a working keyboard on it!
<br\>>
<br\>> Woha! I want one of those :)
<br\>>
<br\>> Btw, Freezepop disapointed me when I remixed them , hahahaah,
<br\>>
<br\>> I can tell it... And something more like that happened with a pretty
<br\>girl playing
<br\>> keyboards...
<br\>> But I won't tell ;)
<br\>>
<br\>> hahaha.
<br\>>
<br\>> love. Ignacio / NEotericz
<br\>>
<br\>>
<br\>> --- neutral_insomniac <neutral_insomniac@...> escribió:
<br\>>
<br\>> > I recently sent nullsleep a message on myspace asking what kind of
<br\>> > watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> > sad being ignored by one of my idols. Should I take it personally?
<br\>> > Unfortunately I've never met the guy and don't know what kind of a
<br\>> > person he is. :(
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>________________________________________________________________________________\
<br\>____
<br\>> Sé un Mejor Amante del Cine
<br\>> ¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>> http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>>
<br\>
<br\>Thank you very much for your caring reply Ignacio. That really did
<br\>make me feel better :)
<br\>


Message:
<br\>
Hey Neutral!
<br\>
<br\>I'm really happy if some of my words helped you!
<br\>
<br\>I know how does that feel, for sure he will write :)
<br\>And in a lifetime we find many masters and friends,
<br\>some for much time some for less. That is very important,
<br\>but also your love for making music and trust in yourself!
<br\>
<br\>now I let aside this Jedi suit and new age wording ;)
<br\>
<br\>Please feed us some music soon!
<br\>I can give you my last stupid EP link:
<br\>
<br\>http://gainlad.com ( neotericz - manchester album )
<br\>
<br\>would sound like self promotion, and it is, so, judge by
<br\>yourself I'm one more worm ,hehehe...
<br\>
<br\>Keep that spirit up!
<br\>
<br\>Waiting for Nullsleep words about his watch, hehehe...
<br\>I'm really horned now about that :/  :)
<br\>
<br\>love. Ignacio.
<br\>PD: Johan and folks forgive me for my long nonsenses one more time :|
<br\>
<br\>
<br\>
<br\>--- neutral_insomniac <obrien654j@...> escribió:
<br\>>
<br\>> Thank you very much for your caring reply Ignacio. That really did
<br\>> make me feel better :)
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, Ignatz <quiebre@...> wrote:
<br\>> >
<br\>> > Hey Neutral,
<br\>> >
<br\>> > I think getting in touch with your Guides or Masters can be
<br\>> > helpful sometimes, but that should not be something to harm your
<br\>> > feelings. About him, I think he is a kind person.
<br\>> > But If he don't reply you can ask someone else about a cool watch
<br\>> > or even some about music.
<br\>> >
<br\>> > I always loved Tobiah's works but once I chated with him in
<br\>> > micromusic I felt like he didnt liked my stupid sense of humor
<br\>> > (I'm so tongue on cheek sometimes :P
<br\>> >
<br\>> > So I let Tobiah quiet and enjoying his own life, I love his music
<br\>> > but maybe I'm not the kind of dude he will like to chat with ? :)
<br\>> >
<br\>> > Now talking about me, thats a strong reason why I dont like
<br\>> > to see live bands. When I like some musician so much I become sick
<br\>> > seeing him personaly, so I get anxious and frustrated... (freak I
<br\>> am? :)
<br\>> >
<br\>> > About myspace, well sometimes it can be overwhelming!
<br\>> >
<br\>> > And about watches, hih... some style you like should be enogh good ;)
<br\>> >
<br\>> > Please Nully, man, dont make your fans cry ;)
<br\>> >
<br\>> > So, will you write now?
<br\>> >
<br\>> > All we want to know about your cool watch ;)
<br\>> >
<br\>> >
<br\>> > I saw somewhere a little watch with a working keyboard on it!
<br\>> >
<br\>> > Woha! I want one of those :)
<br\>> >
<br\>> > Btw, Freezepop disapointed me when I remixed them , hahahaah,
<br\>> >
<br\>> > I can tell it... And something more like that happened with a pretty
<br\>> girl playing
<br\>> > keyboards...
<br\>> > But I won't tell ;)
<br\>> >
<br\>> > hahaha.
<br\>> >
<br\>> > love. Ignacio / NEotericz
<br\>> >
<br\>> >
<br\>> > --- neutral_insomniac <neutral_insomniac@...> escribió:
<br\>> >
<br\>> > > I recently sent nullsleep a message on myspace asking what kind of
<br\>> > > watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> > > sad being ignored by one of my idols. Should I take it personally?
<br\>> > > Unfortunately I've never met the guy and don't know what kind of a
<br\>> > > person he is. :(
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>______________________________________________
<br\>LLama Gratis a cualquier PC del Mundo.
<br\>Llamadas a fijos y móviles desde 1 céntimo por minuto.
<br\>http://es.voice.yahoo.com
<br\>


Message:
<br\>
> Why... is there something special about his watch?
<br\>>
<br\>> Does it run emulators?
<br\>
<br\>
<br\>HAHAHAHA. now that would be sweet! :)
<br\>
<br\>
<br\>
<br\>
<br\>_Logan
<br\>


Message:
<br\>
Jeremiah is a good person. Maybe he is a little bussy
<br\>
<br\>
<br\>--- Logan Erickson <logan@...> wrote:
<br\>
<br\>> > Why... is there something special about his watch?
<br\>> >
<br\>> > Does it run emulators?
<br\>>
<br\>>
<br\>> HAHAHAHA. now that would be sweet! :)
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> _Logan
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Need a vacation? Get great deals
<br\>to amazing places on Yahoo! Travel.
<br\>http://travel.yahoo.com/
<br\>


Message:
<br\>
On 15/07/07, Logan Erickson <logan@...> wrote:
<br\>> > Why... is there something special about his watch?
<br\>>  >
<br\>>  > Does it run emulators?
<br\>>
<br\>>  HAHAHAHA. now that would be sweet! :)
<br\>Actually there was a thread about a Palm PDA watch, and speculations
<br\>whether it would run GB emulators. But I can't find the thread any
<br\>more, grrr!
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On Sunday 15 July 2007 10:14:09 Ignatz wrote:
<br\>> Hey Neutral!
<br\>>
<br\>> I'm really happy if some of my words helped you!
<br\>>
<br\>> I know how does that feel, for sure he will write :)
<br\>> And in a lifetime we find many masters and friends,
<br\>> some for much time some for less. That is very important,
<br\>> but also your love for making music and trust in yourself!
<br\>>
<br\>> now I let aside this Jedi suit and new age wording ;)
<br\>>
<br\>> Please feed us some music soon!
<br\>> I can give you my last stupid EP link:
<br\>>
<br\>> http://gainlad.com ( neotericz - manchester album )
<br\>>
<br\>> would sound like self promotion, and it is, so, judge by
<br\>> yourself I'm one more worm ,hehehe...
<br\>>
<br\>> Keep that spirit up!
<br\>>
<br\>> Waiting for Nullsleep words about his watch, hehehe...
<br\>> I'm really horned now about that :/  :)
<br\>>
<br\>> love. Ignacio.
<br\>> PD: Johan and folks forgive me for my long nonsenses one more time :|
<br\>>
<br\>> --- neutral_insomniac <obrien654j@...> escribió:
<br\>> > Thank you very much for your caring reply Ignacio. That really did
<br\>> > make me feel better :)
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, Ignatz <quiebre@...> wrote:
<br\>> > > Hey Neutral,
<br\>> > >
<br\>> > > I think getting in touch with your Guides or Masters can be
<br\>> > > helpful sometimes, but that should not be something to harm your
<br\>> > > feelings. About him, I think he is a kind person.
<br\>> > > But If he don't reply you can ask someone else about a cool watch
<br\>> > > or even some about music.
<br\>> > >
<br\>> > > I always loved Tobiah's works but once I chated with him in
<br\>> > > micromusic I felt like he didnt liked my stupid sense of humor
<br\>> > > (I'm so tongue on cheek sometimes :P
<br\>> > >
<br\>> > > So I let Tobiah quiet and enjoying his own life, I love his music
<br\>> > > but maybe I'm not the kind of dude he will like to chat with ? :)
<br\>> > >
<br\>> > > Now talking about me, thats a strong reason why I dont like
<br\>> > > to see live bands. When I like some musician so much I become sick
<br\>> > > seeing him personaly, so I get anxious and frustrated... (freak I
<br\>> >
<br\>> > am? :)
<br\>> >
<br\>> > > About myspace, well sometimes it can be overwhelming!
<br\>> > >
<br\>> > > And about watches, hih... some style you like should be enogh good ;)
<br\>> > >
<br\>> > > Please Nully, man, dont make your fans cry ;)
<br\>> > >
<br\>> > > So, will you write now?
<br\>> > >
<br\>> > > All we want to know about your cool watch ;)
<br\>> > >
<br\>> > >
<br\>> > > I saw somewhere a little watch with a working keyboard on it!
<br\>> > >
<br\>> > > Woha! I want one of those :)
<br\>> > >
<br\>> > > Btw, Freezepop disapointed me when I remixed them , hahahaah,
<br\>> > >
<br\>> > > I can tell it... And something more like that happened with a pretty
<br\>> >
<br\>> > girl playing
<br\>> >
<br\>> > > keyboards...
<br\>> > > But I won't tell ;)
<br\>> > >
<br\>> > > hahaha.
<br\>> > >
<br\>> > > love. Ignacio / NEotericz
<br\>> > >
<br\>> > > --- neutral_insomniac <neutral_insomniac@...> escribió:
<br\>> > > > I recently sent nullsleep a message on myspace asking what kind of
<br\>> > > > watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> > > > sad being ignored by one of my idols. Should I take it personally?
<br\>> > > > Unfortunately I've never met the guy and don't know what kind of a
<br\>> > > > person he is. :(
<br\>>
<br\>> ______________________________________________
<br\>> LLama Gratis a cualquier PC del Mundo.
<br\>> Llamadas a fijos y móviles desde 1 céntimo por minuto.
<br\>> http://es.voice.yahoo.com
<br\>
<br\>
<br\>I've actually released my first song on this mailing list. Here's a link to
<br\>it: http://pohl.ececs.uc.edu/~jeremy/secret/3/aaat.ogg  I'll give Jeremiah a
<br\>few days and then fire him a message on his wesite. :)
<br\>


Message:
<br\>
Seems like a new Gameboy emulator for DS is in the works...
<br\>http://lameboy.ath.cx/
<br\>
<br\>Just preliminary sound support yet, but, a little promising...
<br\>Also I read there is work done on porting Goomba to DS...
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Someone should try and port RIN to the DS/Gp2x/Iphone whatever, cause
<br\>it runs LSDJ PERFECT.
<br\>
<br\>
<br\>Peter
<br\>
<br\>--- In lsdj@yahoogroups.com, "Johan Kotlinski" <kotlinski@...> wrote:
<br\>>
<br\>> Seems like a new Gameboy emulator for DS is in the works...
<br\>> http://lameboy.ath.cx/
<br\>>
<br\>> Just preliminary sound support yet, but, a little promising...
<br\>> Also I read there is work done on porting Goomba to DS...
<br\>>
<br\>> Johan
<br\>>
<br\>> --
<br\>> http://www.rebelpetset.com
<br\>> http://www.littlesounddj.com
<br\>>
<br\>


Message:
<br\>
On Monday 16 July 2007 08:26:45 Johan Kotlinski wrote:
<br\>> Seems like a new Gameboy emulator for DS is in the works...
<br\>> http://lameboy.ath.cx/
<br\>>
<br\>> Just preliminary sound support yet, but, a little promising...
<br\>> Also I read there is work done on porting Goomba to DS...
<br\>>
<br\>> Johan
<br\>
<br\>This makes me very excited. Obviously it sounds much nicer (and looks cooler)
<br\>to do composing on the old DMG's, but the battery life and backlit screen on
<br\>the DS is very very nice... I hope either lameboy or Goomba comes through!
<br\>


Message:
<br\>
>     Posted by: "Johan Kotlinski" kotlinski@... me99_kin
<br\>>     Date: Mon Jul 16, 2007 5:28 am ((PDT))
<br\>>
<br\>> Seems like a new Gameboy emulator for DS is in the works...
<br\>> http://lameboy.ath.cx/
<br\>>
<br\>> Just preliminary sound support yet, but, a little promising...
<br\>> Also I read there is work done on porting Goomba to DS...
<br\>
<br\>I've tested LSDj using Lameboy last week, as it would be the best option for me
<br\>now as far as LSDj is concerned.
<br\>
<br\>I've also got a Bung Xchanger + cart and a GBA flasher, but the console that I
<br\>almost always take with me is the DS, so having a usable solution for LSdj on
<br\>this platform would be excellent news for me. And by the way, the battery in my
<br\>xchanger cart died, and there's no parallel port on my macbook which makes the
<br\>xchanger hard to use these days, so it'd be *very very* excellent news indeed
<br\>:).
<br\>
<br\>So, using DS+Lameboy+LSDj :
<br\>- the pulse channels seemed to work quite well
<br\>- the noise channel seemed to be ok too (I'll have to test this a bit more to be
<br\>sure)
<br\>- the wav/synth channel did not work as well, unfortunately. The sounds were
<br\>quite noisy (more than intended :), and I even managed to crash LSDj while using
<br\>a wav kit.
<br\>
<br\>So, in conclusion : right now the wav channel is not stable, the other ones seem
<br\>to be ok. And the memory management is great as you can have several instances
<br\>of the LSDj file, and each one has its own memory/songs.
<br\>
<br\>I'll try to test this more, the buttons placement had me a bit worried initially
<br\>but it works quite well in fact. And if the emulator allows buttons
<br\>reconfiguration, the ergonomy should be very good imo.
<br\>
<br\>And if I can reproduce the crash I'll write down the info...
<br\>
<br\></daviD>
<br\>
<br\>"Simulating the true sounds and making carefully.
<br\>  Many colours a lot, selected freely by you."
<br\>


Message:
<br\>
On Monday 16 July 2007 09:31:38 PeLeSwi wrote:
<br\>> Someone should try and port RIN to the DS/Gp2x/Iphone whatever, cause
<br\>> it runs LSDJ PERFECT.
<br\>>
<br\>>
<br\>> Peter
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "Johan Kotlinski" <kotlinski@...> wrote:
<br\>> > Seems like a new Gameboy emulator for DS is in the works...
<br\>> > http://lameboy.ath.cx/
<br\>> >
<br\>> > Just preliminary sound support yet, but, a little promising...
<br\>> > Also I read there is work done on porting Goomba to DS...
<br\>> >
<br\>> > Johan
<br\>> >
<br\>> > --
<br\>> > http://www.rebelpetset.com
<br\>> > http://www.littlesounddj.com
<br\>
<br\>Yes, RIN is a fantastic emulator. Emulators are the only reason I have a
<br\>PSP :-D Especially now that PSone games can be played flawlessly on it!
<br\>


Subject:
What kind of hardware setups do you guys use?

SubjectSrt:
What kind of hardware setups do you guys use?

Message:
<br\>
Just a curiousity question. I know everyone has his or her preferred setups
<br\>when doing lsdj work. I'm just curious what kinds of setups you guys use. Do
<br\>you prefer the ol' DMG with headphones, the SP, the color, what? How about
<br\>recording equipment? Laptop input? Mixers? One gameboy? Two? A different
<br\>setup for on-the-go or at-home? How about song organization styles? How do
<br\>you decide the numbering system for your patterns? Instruments? Anything
<br\>systematic to keep yourself organized? I'm really just curious about
<br\>everyone's own personal tastes. Inspiration, if you will. Just put anything
<br\>you want about how you lsdj-it-up. Let's share some ideas :)
<br\>
<br\>--
<br\>
<br\>    _n_________________
<br\>   |_|_______________|_|
<br\>   |  ,-------------.  |
<br\>   | |  .---------.  | |
<br\>   | |  |         |  | |
<br\>   | |  | neutral |  | |
<br\>   | |  |insomniac|  | |
<br\>   | |  |         |  | |
<br\>   | |  `---------'  | |
<br\>   | `---------------' |
<br\>   |   _ GAME BOY      |
<br\>   | _| |_         ,-. |
<br\>   ||_ O _|   ,-. "._,"|
<br\>   |  |_|    "._,"   A | hjw
<br\>   |    _  _    B      | `97
<br\>   |   // //           |
<br\>   |  // //    \\\\\\  |
<br\>   |  `  `      \\\\\\ ,
<br\>   |________...______,"
<br\>


Subject:
Re: What kind of hardware setups do you guys use?

Message:
<br\>
Depend of the audience:
<br\>
<br\>1////
<br\>
<br\>Gameboys (old fat grey dotmatrix) with LSDJ ( nanoloop when people
<br\>whant some nasty hardcore beats).
<br\>
<br\>A noisegate to kill the noise of the gameboyz ( anoying on big PA)
<br\>
<br\>Laptop with live3 to put all my différents tracks made will différents
<br\>keyboards.
<br\>
<br\>Microphone routed thru Live3 with a crappy VST to have dodgy dark voice.
<br\>
<br\>Microkorg to add some hand melody or to route the gameboy thru.
<br\>
<br\>Some toys.
<br\>
<br\>2///
<br\>
<br\>2GB synched via an SP505 with a DJ mix table wich i break via cross fader.
<br\>
<br\>Microphone with Digitech Vocal 300
<br\>
<br\>3///
<br\>
<br\>1 gameboy only ( to pirate clubs music) Drunk action anyway.
<br\>
<br\>Word up!
<br\>
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>
<br\>> Just a curiousity question. I know everyone has his or her preferred
<br\>setups
<br\>> when doing lsdj work. I'm just curious what kinds of setups you guys
<br\>use. Do
<br\>> you prefer the ol' DMG with headphones, the SP, the color, what? How
<br\>about
<br\>> recording equipment? Laptop input? Mixers? One gameboy? Two? A
<br\>different
<br\>> setup for on-the-go or at-home? How about song organization styles?
<br\>How do
<br\>> you decide the numbering system for your patterns? Instruments?
<br\>Anything
<br\>> systematic to keep yourself organized? I'm really just curious about
<br\>> everyone's own personal tastes. Inspiration, if you will. Just put
<br\>anything
<br\>> you want about how you lsdj-it-up. Let's share some ideas :)
<br\>>
<br\>> --
<br\>>
<br\>>    _n_________________
<br\>>   |_|_______________|_|
<br\>>   |  ,-------------.  |
<br\>>   | |  .---------.  | |
<br\>>   | |  |         |  | |
<br\>>   | |  | neutral |  | |
<br\>>   | |  |insomniac|  | |
<br\>>   | |  |         |  | |
<br\>>   | |  `---------'  | |
<br\>>   | `---------------' |
<br\>>   |   _ GAME BOY      |
<br\>>   | _| |_         ,-. |
<br\>>   ||_ O _|   ,-. "._,"|
<br\>>   |  |_|    "._,"   A | hjw
<br\>>   |    _  _    B      | `97
<br\>>   |   // //           |
<br\>>   |  // //    \\\\\\  |
<br\>>   |  `  `      \\\\\\ ,
<br\>>   |________...______,"
<br\>>
<br\>


Subject:
Re: [LSDj!] What kind of hardware setups do you guys use?

Message:
<br\>
I usually use one SP with headphones when I create
<br\>songs. I prefer the SP because it's small, fast, has
<br\>backlight, is easy to recharge and sounds OK.
<br\>
<br\>For recording, I have a small Behringer mixer that
<br\>I've hooked up to the computer's line in, usually
<br\>through a noise gate.
<br\>
<br\>As for song organization, I'm not very organized :p I
<br\>usually don't fill the chains entirely with phrases, I
<br\>usually leave them half full(8 phrases) or 1/4 full(4
<br\>phrases). I just think it's easier to structure the
<br\>song this way, and to reuse certain parts if I want
<br\>to.
<br\>
<br\>Instrument naming: I usually just type something
<br\>random, like "PPP" or "OOPH" or something just to show
<br\>myself that it's being used. When I want to make a
<br\>variation of an instrument, I usually copy and paste
<br\>the instrument to the place "above" the original. I.e.
<br\>if the original was instrument 04, then the copy
<br\>becomes 14. The reason I do this is because its faster
<br\>to replace the instruments in a cloned chain this way.
<br\>
<br\>I also usually experiment with the "transpose" in the
<br\>project-screen, as a song sometimes can sound more
<br\>interesting if it's transposed a little up or down.
<br\>
<br\>When I want to work on a certain part of the song, I
<br\>usually copy the entire line of chains some way down
<br\>below the song, to get it to loop indefinetely(so I
<br\>don't have to restart the song all the time).
<br\>Example:
<br\>00 01 02 03 <- copy the part to loop
<br\>04 01 05 06
<br\>-- -- -- --
<br\>07 01 02 03 <- here
<br\>-- -- -- --
<br\>
<br\>New chains, phrases and instruments usually get the
<br\>next number that's free(A+A), although I've sometimes
<br\>tried to be more organized. Like reserving instruments
<br\>0x for PU1, 1x for PU2, 2x for WAV and 3x for NOI...
<br\>
<br\>Kjell / flegmatical
<br\>
<br\>
<br\>--- Jeremy O'Brien <obrien654j@...> wrote:
<br\>
<br\>> Just a curiousity question. I know everyone has his
<br\>> or her preferred setups
<br\>> when doing lsdj work. I'm just curious what kinds of
<br\>> setups you guys use. Do
<br\>> you prefer the ol' DMG with headphones, the SP, the
<br\>> color, what? How about
<br\>> recording equipment? Laptop input? Mixers? One
<br\>> gameboy? Two? A different
<br\>> setup for on-the-go or at-home? How about song
<br\>> organization styles? How do
<br\>> you decide the numbering system for your patterns?
<br\>> Instruments? Anything
<br\>> systematic to keep yourself organized? I'm really
<br\>> just curious about
<br\>> everyone's own personal tastes. Inspiration, if you
<br\>> will. Just put anything
<br\>> you want about how you lsdj-it-up. Let's share some
<br\>> ideas :)
<br\>>
<br\>> --
<br\>>
<br\>>    _n_________________
<br\>>   |_|_______________|_|
<br\>>   |  ,-------------.  |
<br\>>   | |  .---------.  | |
<br\>>   | |  |         |  | |
<br\>>   | |  | neutral |  | |
<br\>>   | |  |insomniac|  | |
<br\>>   | |  |         |  | |
<br\>>   | |  `---------'  | |
<br\>>   | `---------------' |
<br\>>   |   _ GAME BOY      |
<br\>>   | _| |_         ,-. |
<br\>>   ||_ O _|   ,-. "._,"|
<br\>>   |  |_|    "._,"   A | hjw
<br\>>   |    _  _    B      | `97
<br\>>   |   // //           |
<br\>>   |  // //    \\\\\\  |
<br\>>   |  `  `      \\\\\\ ,
<br\>>   |________...______,"
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Building a website is a piece of cake. Yahoo! Small Business gives you all the
<br\>tools to get online.
<br\>http://smallbusiness.yahoo.com/webhosting
<br\>


Message:
<br\>
Hi,
<br\>
<br\>  Sorry to bother, but I am really interested in this synth:
<br\>
<br\>http://casio.jp/emi/midi/gz5.html
<br\>
<br\>But it doesn't seem available in the US. If any Japan local Lsdj'ers
<br\>can help me out, please email me off list.
<br\>
<br\>Thanks in advance
<br\>
<br\>Peter
<br\>


Message:
<br\>
I know you've all been worried sick.  Well don't worry, it's all going
<br\>to be OK.
<br\>
<br\>I've just responded to an email received from Jeremy.  Wristwatch
<br\>manufacturer and model info was passed along -- disaster has been averted.
<br\>
<br\>//Nullsleep
<br\>+ www.nullsleep.com
<br\>+ www.8bitpeoples.com
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>
<br\>> I've actually released my first song on this mailing list. Here's a
<br\>link to
<br\>> it: http://pohl.ececs.uc.edu/~jeremy/secret/3/aaat.ogg  I'll give
<br\>Jeremiah a
<br\>> few days and then fire him a message on his wesite. :)
<br\>>
<br\>


Message:
<br\>
On Wednesday 18 July 2007 14:37:51 nullsleep wrote:
<br\>> I know you've all been worried sick.  Well don't worry, it's all going
<br\>> to be OK.
<br\>>
<br\>> I've just responded to an email received from Jeremy.  Wristwatch
<br\>> manufacturer and model info was passed along -- disaster has been averted.
<br\>>
<br\>> //Nullsleep
<br\>> + www.nullsleep.com
<br\>> + www.8bitpeoples.com
<br\>>
<br\>> --- In lsdj@yahoogroups.com, Jeremy O'Brien <obrien654j@...> wrote:
<br\>> > I've actually released my first song on this mailing list. Here's a
<br\>>
<br\>> link to
<br\>>
<br\>> > it: http://pohl.ececs.uc.edu/~jeremy/secret/3/aaat.ogg  I'll give
<br\>>
<br\>> Jeremiah a
<br\>>
<br\>> > few days and then fire him a message on his wesite. :)
<br\>
<br\>Haha. It wouldn't be a disaster. Just a disappointment ;)
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
So you don't hate him?
<br\>
<br\>Peter
<br\>
<br\>--- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>>
<br\>> I know you've all been worried sick.  Well don't worry, it's all going
<br\>> to be OK.
<br\>>
<br\>> I've just responded to an email received from Jeremy.  Wristwatch
<br\>> manufacturer and model info was passed along -- disaster has been
<br\>averted.
<br\>>
<br\>> //Nullsleep
<br\>> + www.nullsleep.com
<br\>> + www.8bitpeoples.com
<br\>>
<br\>


Message:
<br\>
Notice he didn't tell everyone on the list what the watch was... so he can
<br\>retain his valuable subcultural capital!  It's probably just a Timex
<br\>Indiglow.... ;?)
<br\>
<br\>On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>>
<br\>> So you don't hate him?
<br\>>
<br\>> Peter
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> >
<br\>> > I know you've all been worried sick.  Well don't worry, it's all going
<br\>> > to be OK.
<br\>> >
<br\>> > I've just responded to an email received from Jeremy.  Wristwatch
<br\>> > manufacturer and model info was passed along -- disaster has been
<br\>> averted.
<br\>> >
<br\>> > //Nullsleep
<br\>> > + www.nullsleep.com
<br\>> > + www.8bitpeoples.com
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>--
<br\>"If you will it, it is no dream."
<br\>                              -Theodor Herzl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> Notice he didn't tell everyone on the list what the watch was... so he can
<br\>> retain his valuable subcultural capital!  It's probably just a Timex
<br\>> Indiglow.... ;?)
<br\>>
<br\>> On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> > So you don't hate him?
<br\>> >
<br\>> > Peter
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> > > I know you've all been worried sick.  Well don't worry, it's all going
<br\>> > > to be OK.
<br\>> > >
<br\>> > > I've just responded to an email received from Jeremy.  Wristwatch
<br\>> > > manufacturer and model info was passed along -- disaster has been
<br\>> >
<br\>> > averted.
<br\>> >
<br\>> > > //Nullsleep
<br\>> > > + www.nullsleep.com
<br\>> > > + www.8bitpeoples.com
<br\>> >
<br\>> > Yahoo! Groups Links
<br\>
<br\><sigh> Why do people top post? Anywho, it was a bad-as-hell expensive watch
<br\>from Japan. I will leave Nullsleep to decide if he wishes to disclose any
<br\>details. :-D
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> Notice he didn't tell everyone on the list what the watch was... so he can
<br\>> retain his valuable subcultural capital!  It's probably just a Timex
<br\>> Indiglow.... ;?)
<br\>>
<br\>> On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> > So you don't hate him?
<br\>> >
<br\>> > Peter
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> > > I know you've all been worried sick.  Well don't worry, it's all going
<br\>> > > to be OK.
<br\>> > >
<br\>> > > I've just responded to an email received from Jeremy.  Wristwatch
<br\>> > > manufacturer and model info was passed along -- disaster has been
<br\>> >
<br\>> > averted.
<br\>> >
<br\>> > > //Nullsleep
<br\>> > > + www.nullsleep.com
<br\>> > > + www.8bitpeoples.com
<br\>> >
<br\>> > Yahoo! Groups Links
<br\>
<br\>This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
Thanks for the informative link ;)
<br\>--- In lsdj@yahoogroups.com, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>
<br\>> On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> > Notice he didn't tell everyone on the list what the watch was...
<br\>so he can
<br\>> > retain his valuable subcultural capital!  It's probably just a
<br\>Timex
<br\>> > Indiglow.... ;?)
<br\>> >
<br\>> > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> > > So you don't hate him?
<br\>> > >
<br\>> > > Peter
<br\>> > >
<br\>> > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@> wrote:
<br\>> > > > I know you've all been worried sick.  Well don't worry, it's
<br\>all going
<br\>> > > > to be OK.
<br\>> > > >
<br\>> > > > I've just responded to an email received from Jeremy.
<br\>Wristwatch
<br\>> > > > manufacturer and model info was passed along -- disaster has
<br\>been
<br\>> > >
<br\>> > > averted.
<br\>> > >
<br\>> > > > //Nullsleep
<br\>> > > > + www.nullsleep.com
<br\>> > > > + www.8bitpeoples.com
<br\>> > >
<br\>> > > Yahoo! Groups Links
<br\>>
<br\>> This may help:
<br\>http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>>
<br\>> --
<br\>>
<br\>> __neutral__insomniac__
<br\>>
<br\>


Message:
<br\>
> This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>
<br\>Great stuff... I'll remember that the next time I post on Usenet.
<br\>
<br\>/THE MODERATOR!
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
On 7/18/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>
<br\>> On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> > Notice he didn't tell everyone on the list what the watch was... so he
<br\>> can
<br\>> > retain his valuable subcultural capital!  It's probably just a Timex
<br\>> > Indiglow.... ;?)
<br\>> >
<br\>> > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> > > So you don't hate him?
<br\>> > >
<br\>> > > Peter
<br\>> > >
<br\>> > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> > > > I know you've all been worried sick.  Well don't worry, it's all
<br\>> going
<br\>> > > > to be OK.
<br\>> > > >
<br\>> > > > I've just responded to an email received from Jeremy.  Wristwatch
<br\>> > > > manufacturer and model info was passed along -- disaster has been
<br\>> > >
<br\>> > > averted.
<br\>> > >
<br\>> > > > //Nullsleep
<br\>> > > > + www.nullsleep.com
<br\>> > > > + www.8bitpeoples.com
<br\>> > >
<br\>> > > Yahoo! Groups Links
<br\>>
<br\>> This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>>
<br\>> --
<br\>>
<br\>> __neutral__insomniac__
<br\>
<br\>
<br\>Ah, I've learned some new etiquette!  I'll appease you this time, but as I
<br\>know a lot of us use that gmail, top posting is really where it's at!  ;)
<br\>
<br\>
<br\>--
<br\>"If you will it, it is no dream."
<br\>                              -Theodor Herzl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On Wednesday 18 July 2007 21:01:09 Brady Leo wrote:
<br\>> On 7/18/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>> > On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> > > Notice he didn't tell everyone on the list what the watch was... so he
<br\>> >
<br\>> > can
<br\>> >
<br\>> > > retain his valuable subcultural capital!  It's probably just a Timex
<br\>> > > Indiglow.... ;?)
<br\>> > >
<br\>> > > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> > > > So you don't hate him?
<br\>> > > >
<br\>> > > > Peter
<br\>> > > >
<br\>> > > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> > > > > I know you've all been worried sick.  Well don't worry, it's all
<br\>> >
<br\>> > going
<br\>> >
<br\>> > > > > to be OK.
<br\>> > > > >
<br\>> > > > > I've just responded to an email received from Jeremy.  Wristwatch
<br\>> > > > > manufacturer and model info was passed along -- disaster has been
<br\>> > > >
<br\>> > > > averted.
<br\>> > > >
<br\>> > > > > //Nullsleep
<br\>> > > > > + www.nullsleep.com
<br\>> > > > > + www.8bitpeoples.com
<br\>> > > >
<br\>> > > > Yahoo! Groups Links
<br\>> >
<br\>> > This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>> >
<br\>> > --
<br\>> >
<br\>> > __neutral__insomniac__
<br\>>
<br\>> Ah, I've learned some new etiquette!  I'll appease you this time, but as I
<br\>> know a lot of us use that gmail, top posting is really where it's at!  ;)
<br\>
<br\>The counterargument for the cursor being place on top initially is in there
<br\>too ;) Google should make a setting (if it hasn't already) that lets you
<br\>change the default cursor position. I'm sure it's very annoying to have to
<br\>manually move it every time one wants to make a simple reply.
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
On Wed, July 18, 2007 10:16 pm, Jeremy O'Brien wrote:
<br\>> On Wednesday 18 July 2007 21:01:09 Brady Leo wrote:
<br\>>> On 7/18/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>> > On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>>> > > Notice he didn't tell everyone on the list what the watch was... so
<br\>>> he
<br\>>> >
<br\>>> > can
<br\>>> >
<br\>>> > > retain his valuable subcultural capital!  It's probably just a Timex
<br\>>> > > Indiglow.... ;?)
<br\>>> > >
<br\>>> > > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>>> > > > So you don't hate him?
<br\>>> > > >
<br\>>> > > > Peter
<br\>>> > > >
<br\>>> > > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>>> > > > > I know you've all been worried sick.  Well don't worry, it's all
<br\>>> >
<br\>>> > going
<br\>>> >
<br\>>> > > > > to be OK.
<br\>>> > > > >
<br\>>> > > > > I've just responded to an email received from Jeremy.
<br\>>> Wristwatch
<br\>>> > > > > manufacturer and model info was passed along -- disaster has
<br\>>> been
<br\>>> > > >
<br\>>> > > > averted.
<br\>>> > > >
<br\>>> > > > > //Nullsleep
<br\>>> > > > > + www.nullsleep.com
<br\>>> > > > > + www.8bitpeoples.com
<br\>>> > > >
<br\>>> > > > Yahoo! Groups Links
<br\>>> >
<br\>>> > This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>>> >
<br\>>> > --
<br\>>> >
<br\>>> > __neutral__insomniac__
<br\>>>
<br\>>> Ah, I've learned some new etiquette!  I'll appease you this time, but as
<br\>>> I
<br\>>> know a lot of us use that gmail, top posting is really where it's at!
<br\>>> ;)
<br\>>
<br\>> The counterargument for the cursor being place on top initially is in
<br\>> there
<br\>> too ;) Google should make a setting (if it hasn't already) that lets you
<br\>> change the default cursor position. I'm sure it's very annoying to have to
<br\>> manually move it every time one wants to make a simple reply.
<br\>>
<br\>> --
<br\>>
<br\>> __neutral__insomniac__
<br\>>
<br\>
<br\>Exactly as annoying as scrolling down to read the message. Weird.
<br\>


Message:
<br\>
On 19/07/07, Bit Shifter <bit.shifter@...> wrote:
<br\>> On Wed, July 18, 2007 10:16 pm, Jeremy O'Brien wrote:
<br\>>  > On Wednesday 18 July 2007 21:01:09 Brady Leo wrote:
<br\>>  >> On 7/18/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>  >> > On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>>  >> > > Notice he didn't tell everyone on the list what the watch was... so
<br\>>  >> he
<br\>>  >> >
<br\>>  >> > can
<br\>>  >> >
<br\>>  >> > > retain his valuable subcultural capital!  It's probably just a Timex
<br\>>  >> > > Indiglow.... ;?)
<br\>>  >> > >
<br\>>  >> > > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>>  >> > > > So you don't hate him?
<br\>>  >> > > >
<br\>>  >> > > > Peter
<br\>>  >> > > >
<br\>>  >> > > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>>  >> > > > > I know you've all been worried sick.  Well don't worry, it's all
<br\>>  >> >
<br\>>  >> > going
<br\>>  >> >
<br\>>  >> > > > > to be OK.
<br\>>  >> > > > >
<br\>>  >> > > > > I've just responded to an email received from Jeremy.
<br\>>  >> Wristwatch
<br\>>  >> > > > > manufacturer and model info was passed along -- disaster has
<br\>>  >> been
<br\>>  >> > > >
<br\>>  >> > > > averted.
<br\>>  >> > > >
<br\>>  >> > > > > //Nullsleep
<br\>>  >> > > > > + www.nullsleep.com
<br\>>  >> > > > > + www.8bitpeoples.com
<br\>>  >> > > >
<br\>>  >> > > > Yahoo! Groups Links
<br\>>  >> >
<br\>>  >> > This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>>  >> >
<br\>>  >> > --
<br\>>  >> >
<br\>>  >> > __neutral__insomniac__
<br\>>  >>
<br\>>  >> Ah, I've learned some new etiquette!  I'll appease you this time, but as
<br\>>  >> I
<br\>>  >> know a lot of us use that gmail, top posting is really where it's at!
<br\>>  >> ;)
<br\>>  >
<br\>>  > The counterargument for the cursor being place on top initially is in
<br\>>  > there
<br\>>  > too ;) Google should make a setting (if it hasn't already) that lets you
<br\>>  > change the default cursor position. I'm sure it's very annoying to have to
<br\>>  > manually move it every time one wants to make a simple reply.
<br\>>  >
<br\>>  > --
<br\>>  >
<br\>>  > __neutral__insomniac__
<br\>>  >
<br\>>
<br\>>  Exactly as annoying as scrolling down to read the message. Weird.
<br\>Gmail has this nice option to hide quoted text. (It's even set to hide
<br\>by default) So you typically never have to scroll through all the
<br\>quoted text.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On Wednesday 18 July 2007 22:33:08 Bit Shifter wrote:
<br\>>
<br\>> Exactly as annoying as scrolling down to read the message. Weird.
<br\>
<br\>Whoa. I just got a reply from one of my all time favorite 8-bit composers.
<br\>Incredible. Um, hello there. At the expense of sounding like another drooling
<br\>fan, thank you so much for your freaking awesome tunes. I have happily burned
<br\>all your released tracks onto a CD and blasted the living daylights out of
<br\>them while attracting stares from curious onlookers. I was so upset I missed
<br\>your show in Chicago... I used to live in Chicago! Now I'm in wonderful
<br\>boring Ohio :P I can't for the life of me figure out how you make some of the
<br\>really cool effects in LSDJ. How did you get started getting familiar with
<br\>LSDJ techniques? Just messing around? I'm the only person I know of
<br\>personally who's into LSDJ, let alone 8-bit music in general. I just wish I
<br\>could find someone to hang out with that shares the same "obsession" as I
<br\>have with LSDJ. It would be nice to bounce inspiration and ideas back and
<br\>forth while playing with it, with another human being.
<br\>
<br\>Anywho, back on topic, I didn't come up with the "etiquette" of mailing lists
<br\>or Usenet, and I don't necessarily agree or disagree with the views stated in
<br\>the link I posted. I've just noticed that a lot of groups follow that "code"
<br\>if you will, and it's nice to at least agree on one set way of doing replies
<br\>rather than having some people top-posting and others bottom-posting all over
<br\>the place in the same thread. Makes conversations near impossible to follow.
<br\>Plus my news client does bottom posts by default. Heh.
<br\>
<br\>Indescribably giddy at having been talked to by a 19-year-old's role model,
<br\>Jeremy
<br\>
<br\>P.S.: I hope I don't sound like a wacko. I swear I'm not! :-/
<br\>


Message:
<br\>
Now I feel like a dick, sorry for the smart remark, I need to learn to
<br\>respect people of all races, colors, sexual orientations, and replying
<br\>styles equally.  Thanks a lot for the kind words. I used to live in Ohio
<br\>in 1st grade, my main memories being the neighbor kids stealing my
<br\>Matchbox cars, and my parents fretting about a Nazi demonstration. So I
<br\>empathize. Anyway, both replying style and my extremely interesting life
<br\>are probably off topic so I'll drop you a line off-list to say hey. Don't
<br\>kill me if I top-quote, old dogs & new tricks etc.
<br\>
<br\>Josh
<br\>
<br\>
<br\>On Wed, July 18, 2007 11:05 pm, Jeremy O'Brien wrote:
<br\>> On Wednesday 18 July 2007 22:33:08 Bit Shifter wrote:
<br\>>>
<br\>>> Exactly as annoying as scrolling down to read the message. Weird.
<br\>>
<br\>> Whoa. I just got a reply from one of my all time favorite 8-bit composers.
<br\>> Incredible. Um, hello there. At the expense of sounding like another
<br\>> drooling
<br\>> fan, thank you so much for your freaking awesome tunes. I have happily
<br\>> burned
<br\>> all your released tracks onto a CD and blasted the living daylights out of
<br\>> them while attracting stares from curious onlookers. I was so upset I
<br\>> missed
<br\>> your show in Chicago... I used to live in Chicago! Now I'm in wonderful
<br\>> boring Ohio :P I can't for the life of me figure out how you make some of
<br\>> the
<br\>> really cool effects in LSDJ. How did you get started getting familiar with
<br\>> LSDJ techniques? Just messing around? I'm the only person I know of
<br\>> personally who's into LSDJ, let alone 8-bit music in general. I just wish
<br\>> I
<br\>> could find someone to hang out with that shares the same "obsession" as I
<br\>> have with LSDJ. It would be nice to bounce inspiration and ideas back and
<br\>> forth while playing with it, with another human being.
<br\>>
<br\>> Anywho, back on topic, I didn't come up with the "etiquette" of mailing
<br\>> lists
<br\>> or Usenet, and I don't necessarily agree or disagree with the views stated
<br\>> in
<br\>> the link I posted. I've just noticed that a lot of groups follow that
<br\>> "code"
<br\>> if you will, and it's nice to at least agree on one set way of doing
<br\>> replies
<br\>> rather than having some people top-posting and others bottom-posting all
<br\>> over
<br\>> the place in the same thread. Makes conversations near impossible to
<br\>> follow.
<br\>> Plus my news client does bottom posts by default. Heh.
<br\>>
<br\>> Indescribably giddy at having been talked to by a 19-year-old's role
<br\>> model,
<br\>> Jeremy
<br\>>
<br\>> P.S.: I hope I don't sound like a wacko. I swear I'm not! :-/
<br\>>
<br\>


Message:
<br\>
Top-quote all you want. It's really not an issue to me. I got yelled at in
<br\>another group for doing it, and I was only trying to prevent the same thing
<br\>from happening to an unsuspecting top-poster such as yourself and many others
<br\>in here. I really don't think anyone in this group would be mean enough to do
<br\>such a thing however, and this is a free country after all. Feel free to fire
<br\>me an email if you so desire! I don't think I have to tell you that it would
<br\>make me more than estatic to receive one from you. I still feel like a stupid
<br\>weirdo fanboy for being so ridiculously happy to have a conversation with
<br\>Johan or you or Nullsleep or any of the other 8-bit peoples whose music I've
<br\>come to love. I guess it's the way a lot of people feel when they meet their
<br\>role models (pun intended). Just tell me if I get mushy or creepy. I'll try
<br\>to keep my cool. Heh.
<br\>
<br\>On Wednesday 18 July 2007 23:58:20 Bit Shifter wrote:
<br\>> Now I feel like a dick, sorry for the smart remark, I need to learn to
<br\>> respect people of all races, colors, sexual orientations, and replying
<br\>> styles equally.  Thanks a lot for the kind words. I used to live in Ohio
<br\>> in 1st grade, my main memories being the neighbor kids stealing my
<br\>> Matchbox cars, and my parents fretting about a Nazi demonstration. So I
<br\>> empathize. Anyway, both replying style and my extremely interesting life
<br\>> are probably off topic so I'll drop you a line off-list to say hey. Don't
<br\>> kill me if I top-quote, old dogs & new tricks etc.
<br\>>
<br\>> Josh
<br\>>
<br\>> On Wed, July 18, 2007 11:05 pm, Jeremy O'Brien wrote:
<br\>> > On Wednesday 18 July 2007 22:33:08 Bit Shifter wrote:
<br\>> >> Exactly as annoying as scrolling down to read the message. Weird.
<br\>> >
<br\>> > Whoa. I just got a reply from one of my all time favorite 8-bit
<br\>> > composers. Incredible. Um, hello there. At the expense of sounding like
<br\>> > another drooling
<br\>> > fan, thank you so much for your freaking awesome tunes. I have happily
<br\>> > burned
<br\>> > all your released tracks onto a CD and blasted the living daylights out
<br\>> > of them while attracting stares from curious onlookers. I was so upset I
<br\>> > missed
<br\>> > your show in Chicago... I used to live in Chicago! Now I'm in wonderful
<br\>> > boring Ohio :P I can't for the life of me figure out how you make some of
<br\>> > the
<br\>> > really cool effects in LSDJ. How did you get started getting familiar
<br\>> > with LSDJ techniques? Just messing around? I'm the only person I know of
<br\>> > personally who's into LSDJ, let alone 8-bit music in general. I just wish
<br\>> > I
<br\>> > could find someone to hang out with that shares the same "obsession" as I
<br\>> > have with LSDJ. It would be nice to bounce inspiration and ideas back and
<br\>> > forth while playing with it, with another human being.
<br\>> >
<br\>> > Anywho, back on topic, I didn't come up with the "etiquette" of mailing
<br\>> > lists
<br\>> > or Usenet, and I don't necessarily agree or disagree with the views
<br\>> > stated in
<br\>> > the link I posted. I've just noticed that a lot of groups follow that
<br\>> > "code"
<br\>> > if you will, and it's nice to at least agree on one set way of doing
<br\>> > replies
<br\>> > rather than having some people top-posting and others bottom-posting all
<br\>> > over
<br\>> > the place in the same thread. Makes conversations near impossible to
<br\>> > follow.
<br\>> > Plus my news client does bottom posts by default. Heh.
<br\>> >
<br\>> > Indescribably giddy at having been talked to by a 19-year-old's role
<br\>> > model,
<br\>> > Jeremy
<br\>> >
<br\>> > P.S.: I hope I don't sound like a wacko. I swear I'm not! :-/
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
--- Bit Shifter <bit.shifter@...> wrote:
<br\>
<br\>> On Wed, July 18, 2007 10:16 pm, Jeremy O'Brien wrote:
<br\>> > On Wednesday 18 July 2007 21:01:09 Brady Leo wrote:
<br\>> >> On 7/18/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>> >> > On Wednesday 18 July 2007 15:50:17 Brady Leo wrote:
<br\>> >> > > Notice he didn't tell everyone on the list what the watch was... so
<br\>> >> he
<br\>> >> >
<br\>> >> > can
<br\>> >> >
<br\>> >> > > retain his valuable subcultural capital!  It's probably just a Timex
<br\>> >> > > Indiglow.... ;?)
<br\>> >> > >
<br\>> >> > > On 7/18/07, PeLeSwi <kradlabs@...> wrote:
<br\>> >> > > > So you don't hate him?
<br\>> >> > > >
<br\>> >> > > > Peter
<br\>> >> > > >
<br\>> >> > > > --- In lsdj@yahoogroups.com, "nullsleep" <nullsleep@...> wrote:
<br\>> >> > > > > I know you've all been worried sick.  Well don't worry, it's all
<br\>> >> >
<br\>> >> > going
<br\>> >> >
<br\>> >> > > > > to be OK.
<br\>> >> > > > >
<br\>> >> > > > > I've just responded to an email received from Jeremy.
<br\>> >> Wristwatch
<br\>> >> > > > > manufacturer and model info was passed along -- disaster has
<br\>> >> been
<br\>> >> > > >
<br\>> >> > > > averted.
<br\>> >> > > >
<br\>> >> > > > > //Nullsleep
<br\>> >> > > > > + www.nullsleep.com
<br\>> >> > > > > + www.8bitpeoples.com
<br\>> >> > > >
<br\>> >> > > > Yahoo! Groups Links
<br\>> >> >
<br\>> >> > This may help: http://www.netmeister.org/news/learn2quote2.html#ss2.3
<br\>> >> >
<br\>> >> > --
<br\>> >> >
<br\>> >> > __neutral__insomniac__
<br\>> >>
<br\>> >> Ah, I've learned some new etiquette!  I'll appease you this time, but as
<br\>> >> I
<br\>> >> know a lot of us use that gmail, top posting is really where it's at!
<br\>> >> ;)
<br\>> >
<br\>> > The counterargument for the cursor being place on top initially is in
<br\>> > there
<br\>> > too ;) Google should make a setting (if it hasn't already) that lets you
<br\>> > change the default cursor position. I'm sure it's very annoying to have to
<br\>> > manually move it every time one wants to make a simple reply.
<br\>> >
<br\>> > --
<br\>> >
<br\>> > __neutral__insomniac__
<br\>> >
<br\>>
<br\>> Exactly as annoying as scrolling down to read the message. Weird.
<br\>Doesn't a post get a bit hard to read after about 15 quotes that's quoting a
<br\>quote containing a
<br\>quote with a quote... etc... Lots of ">".
<br\>I'm in favour of editing the quote to only contain the relevant info.
<br\>Top, bottom? Couldn't care less. As long as the quote is defined in someway (by
<br\>a ">" e.g.).
<br\>
<br\>Feel free to quote me on that one! ;)
<br\>
<br\>Cheers,
<br\>t
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Går det långsamt? Skaffa dig en snabbare bredbandsuppkoppling.
<br\>Sök och jämför hos Yahoo! Shopping.
<br\>http://shopping.yahoo.se/b/a/c_100015813_bredband.html?partnerId=96914325
<br\>


Message:
<br\>
On 19/07/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>>  --- Bit Shifter <bit.shifter@...> wrote:
<br\>>  > Exactly as annoying as scrolling down to read the message. Weird.
<br\>>  Doesn't a post get a bit hard to read after about 15 quotes that's quoting a
<br\>quote containing a
<br\>>  quote with a quote... etc... Lots of ">".
<br\>>  I'm in favour of editing the quote to only contain the relevant info.
<br\>>  Top, bottom? Couldn't care less. As long as the quote is defined in someway
<br\>(by a ">" e.g.).
<br\>One word: gmail!
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On Thursday 19 July 2007 04:30:47 tRasH cAn maN wrote:
<br\>>
<br\>> Doesn't a post get a bit hard to read after about 15 quotes that's quoting
<br\>> a quote containing a quote with a quote... etc... Lots of ">".
<br\>> I'm in favour of editing the quote to only contain the relevant info.
<br\>> Top, bottom? Couldn't care less. As long as the quote is defined in someway
<br\>> (by a ">" e.g.).
<br\>>
<br\>> Feel free to quote me on that one! ;)
<br\>>
<br\>> Cheers,
<br\>> t
<br\>
<br\>This is also something that people don't always like to do. But it definitely
<br\>helps!
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>


Message:
<br\>
The super nice people of chipcult have recorded my liveset in Saint
<br\>Petersburg last week and uploaded it to their web site. It's a sort of a
<br\>sickening giant megamix of my tracks (I believe about all of them are in
<br\>there) and I hope you people won't get ennoyed by too much cheesy efforts.
<br\>
<br\>It sorts of reflects my current intermediate state where I combine my older
<br\>gameboy stuff and newer littlegptracker one. Hope you guys can stand it !
<br\>
<br\>Here's the link.; a hefty 100Mb & 68 mins of disccodirt. Hope it can be of
<br\>some inspiration.
<br\>
<br\>http://chipcult.ru/m-.-n_live_SPB_130707.mp3
<br\>
<br\>Cheers
<br\>Marc.
<br\>


Message:
<br\>
On 7/19/07, M-.-n <nostromo@...> wrote:
<br\>>
<br\>> http://chipcult.ru/m-.-n_live_SPB_130707.mp3
<br\>>
<br\>
<br\>killer =) thanks for sharing, inspirational indeed! wish there was
<br\>some crowd noise in there (what were they like, i heard some whoops
<br\>and shouts in the youtoob)
<br\>
<br\>i've also got some live shits of my own to post once i encode them =)
<br\>
<br\><3
<br\>j.hr0fnhn
<br\>
<br\>--
<br\>http://mp3death.us/~k9d/
<br\>


Message:
<br\>
<http://hexawe.net/mess/k9d_live_at_g3_lounge_2007_07_18.mp3>
<br\>
<br\>new beats from starpause the k9d =)
<br\>
<br\>starts w/ piggy, then sum lsdj jamzz, then back to pig ...  it's a
<br\>line recording so no fun shouting at the audience etc, and
<br\>unfortunately there's a massive amount of reverb on the piggy parts
<br\>... it must of been on the house mixer and i didn't notice (there
<br\>weren't any monitors)
<br\>
<br\>much love from san francisco
<br\>j.h0rhydn
<br\>
<br\>--
<br\>http://mp3death.us/~k9d/
<br\>


Message:
<br\>
Excellent stuff J.
<br\>
<br\>I think the reverb actually works really well... gives kind of a spooky
<br\>feeling to the whole thing and makes it very trippey !
<br\>
<br\>Good creative live tweaks, doesn't feel messay at all. I wish I could have
<br\>been there !
<br\>
<br\>U need now to convince the peepz at robotspeak to do a set at their place
<br\>now ;)
<br\>
<br\>> <http://hexawe.net/mess/k9d_live_at_g3_lounge_2007_07_18.mp3>
<br\>>
<br\>> new beats from starpause the k9d =)
<br\>>
<br\>


Subject:
Hello everyone ! My batteries are dying !

SubjectSrt:
Hello everyone ! My batteries are dying !

Message:
<br\>
Hi :)
<br\>
<br\>I don't like to join a group with a newbie question, but I think
<br\>I've exhausted all avenues.
<br\>
<br\>I recently bought an LSDJ cartridge on eBay. I'm thinking it may be
<br\>a dodgy copy. Supplied on a 32mb GB cartridge. Not even a label. If
<br\>someone could confirm this, I'd appreciate it so I can give the
<br\>relevant money to the programmer.
<br\>
<br\>The weird thing with it is that it completely drains the batteries
<br\>of my GBC about 2 hours into my work. Which suffice to say is a
<br\>little annoying. I know there are problems with LSDJ and Game boy
<br\>pockets draining internal memory. Is my Color draining the internal
<br\>memory, or is it just the gargantuan 32mb gartridge draining the
<br\>hell out of my batteries?
<br\>
<br\>I don't like the look of this. It all looks incredibly dodgy.
<br\>
<br\>I am not a happy chappy >:(
<br\>
<br\>Oh, and a big shout out to Bit Shifter and Nullsleep who inspired me
<br\>to get LSDJ
<br\>


Subject:
Re: [LSDj!] Hello everyone ! My batteries are dying !

Message:
<br\>
Hi there!
<br\>
<br\>Well, as far as I can see no one has purchased a license for you. I
<br\>would suggest you contact the seller and ask.
<br\>
<br\>Thanks,
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
> Well, as far as I can see no one has purchased a license for you. I
<br\>> would suggest you contact the seller and ask.
<br\>
<br\>
<br\>This message brought to you by the Society Against Rom Pirating Ebay
<br\>Entrepreneurs.
<br\>
<br\>PS: You should use better batteries.
<br\>
<br\>Peter
<br\>


Message:
<br\>
On 20/07/07, porkpie98uk <porkpie98uk@...> wrote:
<br\>>  I recently bought an LSDJ cartridge on eBay. I'm thinking it may be
<br\>>  a dodgy copy. Supplied on a 32mb GB cartridge. Not even a label. If
<br\>>  someone could confirm this, I'd appreciate it so I can give the
<br\>>  relevant money to the programmer.
<br\>>
<br\>>  The weird thing with it is that it completely drains the batteries
<br\>>  of my GBC about 2 hours into my work. Which suffice to say is a
<br\>>  little annoying. I know there are problems with LSDJ and Game boy
<br\>>  pockets draining internal memory. Is my Color draining the internal
<br\>>  memory, or is it just the gargantuan 32mb gartridge draining the
<br\>>  hell out of my batteries?
<br\>The LSDj cartridges originally sold had LSDj labels on them. What you
<br\>have was originally sold as an empty cartridge from a shop like Rob
<br\>Webb's. What you have bought is most probably a cartridge sold without
<br\>proper permission.
<br\>As for the battery question, some cartridges are known to be drainers.
<br\>There has been at least one report of this before. Maybe this is
<br\>because the people have been using batteries that are improper for the
<br\>way the Gameboy extracts energy.
<br\>If using alkaline batteires, you should make sure they are marked for
<br\>high power or digital applications. Avoid batteries marked with heavy
<br\>duty. (The name is misleading)
<br\>The best way is probably NiMH rechargeables.
<br\>If your and some other's problems are not battery problems, it could
<br\>be that some cartridges suffer from a malfunction that makes them use
<br\>too much energy. If that is the case you've been fooled twice, maybe
<br\>by someone who didn't know what to do with his cartridge.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On Friday 20 July 2007 09:25:54 PeLeSwi wrote:
<br\>> > Well, as far as I can see no one has purchased a license for you. I
<br\>> > would suggest you contact the seller and ask.
<br\>>
<br\>> This message brought to you by the Society Against Rom Pirating Ebay
<br\>> Entrepreneurs.
<br\>>
<br\>> PS: You should use better batteries.
<br\>>
<br\>> Peter
<br\>
<br\>Haha. When I was younger I foolishly tried finding an LSDJ rom. From
<br\>everything I could tell, it's impossible :-O I finally scraped up the dough
<br\>to grab the transferer and fork over the cash for LSDJ. I am sorry I tried to
<br\>pirate your wonderful program, Johan. :(
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On 20/07/07, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>  Haha. When I was younger I foolishly tried finding an LSDJ rom. From
<br\>>  everything I could tell, it's impossible :-O I finally scraped up the dough
<br\>>  to grab the transferer and fork over the cash for LSDJ. I am sorry I tried to
<br\>>  pirate your wonderful program, Johan. :(
<br\>Myself, I bought it early on, but still made regular checks, but
<br\>nothing! Seems to be a trustworthy community. :o
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
I tried using LSDj on a DS + Lameboy emulator yesterday and I didn't
<br\>get any crash, but I noticed that when you stop a song/pattern's
<br\>playback while a sound is still playing, the volume of the channel
<br\>isn't reset to zero, so the sound continues playing. Is this only an
<br\>emulator bug or could it be "fixed" by LSDj itself ?
<br\>
<br\>Apart from that, it sounded ok. The wav channel is comparable to a
<br\>GBA, i.e. noisy as hell, though...
<br\>
<br\></daviD>
<br\>
<br\>"Simulating the true styles and making carefully.
<br\>   Many colours a lot, selected freely by you !"
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On 20/07/07, David Steinberg <waveform@...> wrote:
<br\>> I tried using LSDj on a DS + Lameboy emulator yesterday and I didn't
<br\>>  get any crash, but I noticed that when you stop a song/pattern's
<br\>>  playback while a sound is still playing, the volume of the channel
<br\>>  isn't reset to zero, so the sound continues playing. Is this only an
<br\>>  emulator bug or could it be "fixed" by LSDj itself ?
<br\>Is it possible to kill sound with the K command? Or will it continue
<br\>to playing even then?
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> I tried using LSDj on a DS + Lameboy emulator yesterday and I didn't
<br\>> get any crash, but I noticed that when you stop a song/pattern's
<br\>> playback while a sound is still playing, the volume of the channel
<br\>> isn't reset to zero, so the sound continues playing. Is this only an
<br\>> emulator bug or could it be "fixed" by LSDj itself ?
<br\>
<br\>Most probably it's an emulator bug... should be an easy fix:)
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
You're probably right with the batteries. After looking properly at
<br\>the batteries they're Panasonic standard ones. Used for remote
<br\>controls etc. Time to find some good strong ones I reckon.
<br\>
<br\>I am so not happy about paying 40 chuffing quid for a half-baked
<br\>dodgy copy. When I get paid next week I will be buying a licence for
<br\>it. If some monkey on ebay is going to make money from this, then
<br\>I'm gonna make sure the programmer gets his slice.
<br\>
<br\>Cheers for the help. Much appreciated.
<br\>
<br\>
<br\>> The LSDj cartridges originally sold had LSDj labels on them. What
<br\>you
<br\>> have was originally sold as an empty cartridge from a shop like Rob
<br\>> Webb's. What you have bought is most probably a cartridge sold
<br\>without
<br\>> proper permission.
<br\>> As for the battery question, some cartridges are known to be
<br\>drainers.
<br\>> There has been at least one report of this before. Maybe this is
<br\>> because the people have been using batteries that are improper for
<br\>the
<br\>> way the Gameboy extracts energy.
<br\>> If using alkaline batteires, you should make sure they are marked
<br\>for
<br\>> high power or digital applications. Avoid batteries marked with
<br\>heavy
<br\>> duty. (The name is misleading)
<br\>> The best way is probably NiMH rechargeables.
<br\>> If your and some other's problems are not battery problems, it
<br\>could
<br\>> be that some cartridges suffer from a malfunction that makes them
<br\>use
<br\>> too much energy. If that is the case you've been fooled twice,
<br\>maybe
<br\>> by someone who didn't know what to do with his cartridge.
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>


Message:
<br\>
I'd still check with the seller.  Maybe it slipped his mind and he'll have
<br\>no problem transferring his license over to you... doubtful, but you never
<br\>know.
<br\>
<br\>
<br\>
<br\>--
<br\>"If you will it, it is no dream."
<br\>                              -Theodor Herzl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
hi LSDj liste(ne)rs,
<br\>
<br\>Here are some new tracks, made using just the wave channel..
<br\>some sound quite harsh, but over all it was a successful experiment (i
<br\>think).
<br\>
<br\>http://gieskes.nl/music/?file=WC
<br\>
<br\>greets, Gijs
<br\>
<br\>--
<br\>http://gieskes.nl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Hey Marc,
<br\>fantastic set man. Nothing "sickening" here!
<br\>Tardline (1st trk) is really great and it's cool to hear all my old
<br\>favorites (somewhat tweaked I think). Like Usabiktch. BTW, you know
<br\>it's not easy being an M-.-n fan, trying to remember such names...
<br\>I agree that a little crowd noise would have been cool. Why don't you
<br\>do what the KLF did and just lift some crowd noise from live U2 records?
<br\>
<br\>On Jul 20, 2007, at 9:04 AM, lsdj@yahoogroups.com wrote:
<br\>
<br\>> The super nice people of chipcult have recorded my liveset in Saint
<br\>> Petersburg last week and uploaded it to their web site. It's a sort
<br\>> of a
<br\>> sickening giant megamix of my tracks (I believe about all of them
<br\>> are in
<br\>> there) and I hope you people won't get ennoyed by too much cheesy
<br\>> efforts.
<br\>>
<br\>> It sorts of reflects my current intermediate state where I combine
<br\>> my older
<br\>> gameboy stuff and newer littlegptracker one. Hope you guys can
<br\>> stand it !
<br\>>
<br\>> Here's the link.; a hefty 100Mb & 68 mins of disccodirt. Hope it
<br\>> can be of
<br\>> some inspiration.
<br\>>
<br\>> http://chipcult.ru/m-.-n_live_SPB_130707.mp3
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
I called the society for the prevention of cruelty to handheld gaming
<br\>devices, but it did no good, as they are also Gieskes fans.
<br\>These are wickedly cool, Gijs. I guess it's because the wave
<br\>instrument is analogous to the "S" instrument that some of these
<br\>sound similar to Nanoloop 1.2 distortions to me.
<br\>
<br\>/glomag
<br\>proudly top-posting since 1994
<br\>
<br\>On Jul 22, 2007, at 9:30 AM, lsdj@yahoogroups.com wrote:
<br\>
<br\>> Posted by: "Gijs Gieskes" gieskes@...   vhtspamer
<br\>>
<br\>> Sat Jul 21, 2007 1:40 pm (PST)
<br\>>
<br\>> hi LSDj liste(ne)rs,
<br\>>
<br\>> Here are some new tracks, made using just the wave channel..
<br\>> some sound quite harsh, but over all it was a successful experiment (i
<br\>> think).
<br\>>
<br\>> http://gieskes.nl/music/?file=WC
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
Re: [LSDj!] Re: some wave channel tracks

Message:
<br\>
Hi Chris,
<br\>
<br\>thanks!
<br\>yes they sometimes sound a bit like NL (not just because i'm dutch (-;)
<br\>it would be cool to make tracks with lsdj that sound like they were made
<br\>with nanoloop.. and or the other way around.. maybe something for a compo,
<br\>on a online lable somewhere? but i guess it would be just asking for trouble
<br\>if that were to happen...
<br\>
<br\>greets Gijs
<br\>
<br\>
<br\>
<br\>On 7/22/07, chris burke <cburke@...> wrote:
<br\>>
<br\>>   I called the society for the prevention of cruelty to handheld gaming
<br\>> devices, but it did no good, as they are also Gieskes fans.
<br\>> These are wickedly cool, Gijs. I guess it's because the wave
<br\>> instrument is analogous to the "S" instrument that some of these
<br\>> sound similar to Nanoloop 1.2 distortions to me.
<br\>>
<br\>> /glomag
<br\>> proudly top-posting since 1994
<br\>>
<br\>> On Jul 22, 2007, at 9:30 AM, lsdj@yahoogroups.com
<br\><lsdj%40yahoogroups.com>wrote:
<br\>>
<br\>> > Posted by: "Gijs Gieskes" gieskes@... <gieskes%40gmail.com>vhtspamer
<br\>> >
<br\>> > Sat Jul 21, 2007 1:40 pm (PST)
<br\>> >
<br\>> > hi LSDj liste(ne)rs,
<br\>> >
<br\>> > Here are some new tracks, made using just the wave channel..
<br\>> > some sound quite harsh, but over all it was a successful experiment (i
<br\>> > think).
<br\>> >
<br\>> > http://gieskes.nl/music/?file=WC
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>http://gieskes.nl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Hih,
<br\>Wicked ideas :)
<br\>
<br\>Hey, that are really amazing works!
<br\>Gameboy forced to its very extreme sound capabilities :)
<br\>Uhhh! Gijs, I love all your works.
<br\>
<br\>These ones have that minimal aproach (not meaning that minimal techno thing at
<br\>all)
<br\>
<br\>I mean minimal concept properly told. Restriction in elements.
<br\>Nice, btw, that channel is the less restrictive of hardwares in gameboy.
<br\>
<br\>Time ago I made with a friend (pink void) some tracks using just bared bips with
<br\>gameboy.
<br\>
<br\>And using only noise channel
<br\>would be another great idea for a compo.
<br\>
<br\>I'll invite for a only noise channel compilation in gamelad.com
<br\>
<br\>some volunteers ? =)
<br\>
<br\>oh, I also like to work like: just as bared syntesis and less twitch or preset /
<br\>defaul
<br\>like as possible.
<br\>sometimes people would think my sound is crap, and maybe it is.
<br\>conceptual crap?
<br\>
<br\>Please let me know about noise channel innovators!
<br\>
<br\>love. Ignat/neotericz.
<br\>
<br\>http://myspace.com/ignat
<br\>
<br\>
<br\>--- Gijs Gieskes <gieskes@...> escribió:
<br\>
<br\>> Hi Chris,
<br\>>
<br\>> thanks!
<br\>> yes they sometimes sound a bit like NL (not just because i'm dutch (-;)
<br\>> it would be cool to make tracks with lsdj that sound like they were made
<br\>> with nanoloop.. and or the other way around.. maybe something for a compo,
<br\>> on a online lable somewhere? but i guess it would be just asking for trouble
<br\>> if that were to happen...
<br\>>
<br\>> greets Gijs
<br\>>
<br\>>
<br\>>
<br\>> On 7/22/07, chris burke <cburke@...> wrote:
<br\>> >
<br\>> >   I called the society for the prevention of cruelty to handheld gaming
<br\>> > devices, but it did no good, as they are also Gieskes fans.
<br\>> > These are wickedly cool, Gijs. I guess it's because the wave
<br\>> > instrument is analogous to the "S" instrument that some of these
<br\>> > sound similar to Nanoloop 1.2 distortions to me.
<br\>> >
<br\>> > /glomag
<br\>> > proudly top-posting since 1994
<br\>> >
<br\>> > On Jul 22, 2007, at 9:30 AM, lsdj@yahoogroups.com
<br\><lsdj%40yahoogroups.com>wrote:
<br\>> >
<br\>> > > Posted by: "Gijs Gieskes" gieskes@... <gieskes%40gmail.com>vhtspamer
<br\>> > >
<br\>> > > Sat Jul 21, 2007 1:40 pm (PST)
<br\>> > >
<br\>> > > hi LSDj liste(ne)rs,
<br\>> > >
<br\>> > > Here are some new tracks, made using just the wave channel..
<br\>> > > some sound quite harsh, but over all it was a successful experiment (i
<br\>> > > think).
<br\>> > >
<br\>> > > http://gieskes.nl/music/?file=WC
<br\>> >
<br\>> > [Non-text portions of this message have been removed]
<br\>> >
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>> --
<br\>> http://gieskes.nl
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>
<br\>Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>starting a competition for LSDj songs using only ch3, aka the wave
<br\>channel. Sorry for stealing your idea, Gijs...
<br\>
<br\>The rules are as follows:
<br\>* The song should be composed using Little Sound Dj on your favourite
<br\>Gameboy model or emulator.
<br\>* Every person may submit up to three tracks to the competition.
<br\>* The song(s) must only use channel 3 for producing. If needed an
<br\>additional track may be used for using the T and M commands. This
<br\>track is not allowed to do anything else than that.
<br\>* For the sake of keeping it fair, only the 16 standard kits included
<br\>in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>* The song(s) should each be under 3 minutes long
<br\>* The song(s) should be uploaded to 8bc and linked from this thread to
<br\>be counted as entries.
<br\>* The deadline is three weeks from now, in other words Sunday, August 12.
<br\>* The compo will be decided through a vote process among members of
<br\>8bc and te LSDj mailing list. Details will follow.
<br\>* At the moment I can't give a prize to the winner, except the honor.
<br\>The objective of the compo is rather to inspire people to create and
<br\>push the software and hardware to the limits.
<br\>
<br\>Good luck!
<br\>
<br\>Some valuable discussion and information:
<br\>http://8bc.org/forums/viewtopic.php?id=381
<br\>
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Hih,
<br\>
<br\>Great Idea!
<br\>I'll try to take part (lazyness please let me do it! )
<br\>
<br\>After that hopefully will start my noise channel compo ( lsdj, nanoloop or
<br\>gameboy cam
<br\>can be used)
<br\>
<br\>some carrillion or black box music box users there?
<br\>
<br\>In the meantime, I'll start a only kit track right now..
<br\>I dont push it to the limit, just push to the less effort work :D
<br\>
<br\>love, miniman. ignat / neotericz
<br\>
<br\>http://myspace.com/ignat
<br\>http://gainlad.com
<br\>
<br\>--- Sam Albaniensson <nitro2k01@...> escribió:
<br\>
<br\>> Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>>
<br\>> Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> starting a competition for LSDj songs using only ch3, aka the wave
<br\>> channel. Sorry for stealing your idea, Gijs...
<br\>>
<br\>> The rules are as follows:
<br\>> * The song should be composed using Little Sound Dj on your favourite
<br\>> Gameboy model or emulator.
<br\>> * Every person may submit up to three tracks to the competition.
<br\>> * The song(s) must only use channel 3 for producing. If needed an
<br\>> additional track may be used for using the T and M commands. This
<br\>> track is not allowed to do anything else than that.
<br\>> * For the sake of keeping it fair, only the 16 standard kits included
<br\>> in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> * The song(s) should each be under 3 minutes long
<br\>> * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> be counted as entries.
<br\>> * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> * The compo will be decided through a vote process among members of
<br\>> 8bc and te LSDj mailing list. Details will follow.
<br\>> * At the moment I can't give a prize to the winner, except the honor.
<br\>> The objective of the compo is rather to inspire people to create and
<br\>> push the software and hardware to the limits.
<br\>>
<br\>> Good luck!
<br\>>
<br\>> Some valuable discussion and information:
<br\>> http://8bc.org/forums/viewtopic.php?id=381
<br\>>
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Oh,
<br\>I may sound lame with this but, please,
<br\>list the 16 official default kits alowed.
<br\>
<br\>I use a custom version and cant remember wich ones were originally included.
<br\>
<br\>Thanks!
<br\>
<br\>love. Ignat / neotericz.
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
On 23/07/07, Ignatz <quiebre@...> wrote:
<br\>>  After that hopefully will start my noise channel compo ( lsdj, nanoloop or
<br\>gameboy cam
<br\>>  can be used)
<br\>Also a great idea!
<br\>
<br\>>  In the meantime, I'll start a only kit track right now..
<br\>>  I dont push it to the limit, just push to the less effort work :D
<br\>Remember that wave type instruments are allowed to!
<br\>
<br\>> Oh,
<br\>> I may sound lame with this but, please,
<br\>> list the 16 official default kits alowed.
<br\>
<br\>> I use a custom version and cant remember wich ones were originally included.
<br\>Here goes:
<br\>TR-606, TR-707, TR-727, TR-808, TR-909, CR-78, CR8000, DR-55, DR-110,
<br\>DRUMUL, DMX, KR-55, LINNDR, RHYACE, TOM, ACIEED, GHETTO
<br\>And the phonem banks: AA-EL, EL-KK2, KK3-TH, TT-ZZ (Ooops, got the
<br\>count wrong before)
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Here's an extensive article about software and hardware used to create
<br\>Gameboy music. Hopefully it's good enough to be the standard reply to
<br\>curious newcomers. ;)
<br\>
<br\><http://gameboygenius.8bitcollective.com/wordpress/?page_id=55>
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Nitro! Thank you so much. Rabato and I were just about to make a page
<br\>like this as a teaching guide for our gameboy music workshops in
<br\>Spain this week with Bubblyfish and Yes, Robot. You did it for us!
<br\>Perfect timing too.
<br\>That's a relief. I will send our participants to check this out. Thanks.
<br\>


Message:
<br\>
i like it (but that could have been expected)..
<br\>so i will contribute a track to the wave channel compo, and also to gainlads
<br\>compo if there is a deadline there, that info will be online soon also i
<br\>gues..
<br\>
<br\>greets Gijs
<br\>
<br\>On 7/23/07, Sam Albaniensson <nitro2k01@...> wrote:
<br\>>
<br\>>   Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>>
<br\>> Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> starting a competition for LSDj songs using only ch3, aka the wave
<br\>> channel. Sorry for stealing your idea, Gijs...
<br\>>
<br\>> The rules are as follows:
<br\>> * The song should be composed using Little Sound Dj on your favourite
<br\>> Gameboy model or emulator.
<br\>> * Every person may submit up to three tracks to the competition.
<br\>> * The song(s) must only use channel 3 for producing. If needed an
<br\>> additional track may be used for using the T and M commands. This
<br\>> track is not allowed to do anything else than that.
<br\>> * For the sake of keeping it fair, only the 16 standard kits included
<br\>> in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> * The song(s) should each be under 3 minutes long
<br\>> * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> be counted as entries.
<br\>> * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> * The compo will be decided through a vote process among members of
<br\>> 8bc and te LSDj mailing list. Details will follow.
<br\>> * At the moment I can't give a prize to the winner, except the honor.
<br\>> The objective of the compo is rather to inspire people to create and
<br\>> push the software and hardware to the limits.
<br\>>
<br\>> Good luck!
<br\>>
<br\>> Some valuable discussion and information:
<br\>> http://8bc.org/forums/viewtopic.php?id=381
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>http://gieskes.nl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
> I'd still check with the seller.  Maybe it slipped his mind and he'll have
<br\>> no problem transferring his license over to you... doubtful, but you never
<br\>> know.
<br\>
<br\>Hi there,
<br\>I checked at eBay, and it seems like there are really some people
<br\>copying and selling LSDj in a large scale...
<br\>
<br\>It's a good thing that used LSDj cartridges pop up once in a while,
<br\>but I just really feel weird about people putting it into a business
<br\>without my knowledge. So from now on I will report any auctions I
<br\>find, so that the eBay people can remove them.
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Is there any way to see something as authorized, like "this auction
<br\>includes a license transfer", or would you prefer the carts be a
<br\>separate commodity, and the roms only are for personal use?
<br\>
<br\>Peter
<br\>
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "Johan Kotlinski" <kotlinski@...> wrote:
<br\>>
<br\>> > I'd still check with the seller.  Maybe it slipped his mind and
<br\>he'll have
<br\>> > no problem transferring his license over to you... doubtful, but
<br\>you never
<br\>> > know.
<br\>>
<br\>> Hi there,
<br\>> I checked at eBay, and it seems like there are really some people
<br\>> copying and selling LSDj in a large scale...
<br\>>
<br\>> It's a good thing that used LSDj cartridges pop up once in a while,
<br\>> but I just really feel weird about people putting it into a business
<br\>> without my knowledge. So from now on I will report any auctions I
<br\>> find, so that the eBay people can remove them.
<br\>>
<br\>> Johan
<br\>>
<br\>> --
<br\>> http://www.rebelpetset.com
<br\>> http://www.littlesounddj.com
<br\>>
<br\>


Message:
<br\>
> Is there any way to see something as authorized, like "this auction
<br\>> includes a license transfer", or would you prefer the carts be a
<br\>> separate commodity, and the roms only are for personal use?
<br\>
<br\>Well, that's a good idea and I would like people to be able to sell
<br\>off carts if they get tired of the program. I will try to ensure that
<br\>all LSDJ auctions on eBay are "legit" in the future. Unfortunately,
<br\>this means that if someone wants to sell their carts + transfer their
<br\>license in the process, they would have to clear it with me in
<br\>advance.
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Hey Gijs and Folks,
<br\>
<br\>Great to hear you will be in!
<br\>
<br\>The Deadline for Gainlad's noise channel compilation
<br\>is August 25.
<br\>
<br\>You can use only noise channel of lsdj, nanoloop 1.* or even gameboy cam.
<br\>nanoloop 2 or cubase/reason/live/fruity are not alowed and we would prefer
<br\>hardware
<br\>gameboys (any model)
<br\>than emulators. Some tracks would be rejected during selection...
<br\>Unprocessed recordings rock harder ;)
<br\>
<br\>Submit tracks to quiebre@... with the subject: Gainlad Noise Channel
<br\>Compilation
<br\>
<br\>Some "official" bulletin will be posted tomorrow or so.
<br\>
<br\>>movh /Sam Albaniensson Falsum wrote:
<br\>>Here goes:
<br\>>TR-606, TR-707, TR-727, TR-808, TR-909, CR-78, CR8000, DR-55, DR-110,
<br\>>DRUMUL, DMX, KR-55, LINNDR, RHYACE, TOM, ACIEED, GHETTO
<br\>>And the phonem banks: AA-EL, EL-KK2, KK3-TH, TT-ZZ (Ooops, got the
<br\>>count wrong before)
<br\>Hey Nitro, big thanks for the info! :)
<br\>still working in my wave channel track(s?)
<br\>
<br\>Woha! this is great fun :)
<br\>
<br\>Love . Ignacio.
<br\>
<br\>--- Gijs Gieskes <gieskes@...> escribió:
<br\>
<br\>> i like it (but that could have been expected)..
<br\>> so i will contribute a track to the wave channel compo, and also to gainlads
<br\>> compo if there is a deadline there, that info will be online soon also i
<br\>> gues..
<br\>>
<br\>> greets Gijs
<br\>>
<br\>> On 7/23/07, Sam Albaniensson <nitro2k01@...> wrote:
<br\>> >
<br\>> >   Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>> >
<br\>> > Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> > by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> > starting a competition for LSDj songs using only ch3, aka the wave
<br\>> > channel. Sorry for stealing your idea, Gijs...
<br\>> >
<br\>> > The rules are as follows:
<br\>> > * The song should be composed using Little Sound Dj on your favourite
<br\>> > Gameboy model or emulator.
<br\>> > * Every person may submit up to three tracks to the competition.
<br\>> > * The song(s) must only use channel 3 for producing. If needed an
<br\>> > additional track may be used for using the T and M commands. This
<br\>> > track is not allowed to do anything else than that.
<br\>> > * For the sake of keeping it fair, only the 16 standard kits included
<br\>> > in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> > * The song(s) should each be under 3 minutes long
<br\>> > * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> > be counted as entries.
<br\>> > * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> > * The compo will be decided through a vote process among members of
<br\>> > 8bc and te LSDj mailing list. Details will follow.
<br\>> > * At the moment I can't give a prize to the winner, except the honor.
<br\>> > The objective of the compo is rather to inspire people to create and
<br\>> > push the software and hardware to the limits.
<br\>> >
<br\>> > Good luck!
<br\>> >
<br\>> > Some valuable discussion and information:
<br\>> > http://8bc.org/forums/viewtopic.php?id=381
<br\>> >
<br\>> > movh /Sam Albaniensson Falsum
<br\>> >
<br\>> > -----BEGIN 2ROT13 MESSAGE-----
<br\>> > Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> > Blog:
<br\>> > <http://gameboygenius.8bitcollective.com/>
<br\>> > SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> > <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> > Sätt på ett par flipflops, vippa på rumpan
<br\>> > och gör det här till en minnesvärd sommar!
<br\>> > -----END 2ROT13 MESSAGE-----
<br\>> >
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>> --
<br\>> http://gieskes.nl
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
> You can use only noise channel of lsdj, nanoloop 1.* or even gameboy cam.
<br\>
<br\>Can you use any number of gameboys?
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
Great idea. I'm going to side track it and do a LGPT based track using only
<br\>WAV channels sample data. Not sure it'll fit the comp but I was thinking
<br\>about doing it anyway so now is the good moment I guess.
<br\>
<br\>> -----Original Message-----
<br\>> From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of Sam
<br\>> Albaniensson
<br\>> Sent: lundi 23 juillet 2007 3:59
<br\>> To: lsdj@yahoogroups.com
<br\>> Subject: [LSDj!] Channel 3 compo
<br\>>
<br\>>
<br\>> Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>>
<br\>> Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> starting a competition for LSDj songs using only ch3, aka the wave
<br\>> channel. Sorry for stealing your idea, Gijs...
<br\>>
<br\>> The rules are as follows:
<br\>> * The song should be composed using Little Sound Dj on your favourite
<br\>> Gameboy model or emulator.
<br\>> * Every person may submit up to three tracks to the competition.
<br\>> * The song(s) must only use channel 3 for producing. If needed an
<br\>> additional track may be used for using the T and M commands. This
<br\>> track is not allowed to do anything else than that.
<br\>> * For the sake of keeping it fair, only the 16 standard kits included
<br\>> in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> * The song(s) should each be under 3 minutes long
<br\>> * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> be counted as entries.
<br\>> * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> * The compo will be decided through a vote process among members of
<br\>> 8bc and te LSDj mailing list. Details will follow.
<br\>> * At the moment I can't give a prize to the winner, except the honor.
<br\>> The objective of the compo is rather to inspire people to create and
<br\>> push the software and hardware to the limits.
<br\>>
<br\>> Good luck!
<br\>>
<br\>> Some valuable discussion and information:
<br\>> http://8bc.org/forums/viewtopic.php?id=381
<br\>>
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>


Message:
<br\>
Hi.Im trying to make beats on 7/8 and 5/8.is there anyone that can help me?And
<br\>where can i upload a gameboy tune to  tell me what you guys think??
<br\>   cheers.
<br\>
<br\>
<br\>---------------------------------
<br\>  ×ñçóéìïðïéåßôå Yahoo!
<br\>  ÂáñåèÞêáôå ôá åíï÷ëçôéêÜ ìçíý ìáôá (spam); Ôï Yahoo! Mail äéáèÝôåé ôçí êáëýôåñç
<br\>äõíáôÞ ðñïóôáóßá êáôÜ ôùí åíï÷ëçôéêþí ìçíõìÜôùí
<br\>  http://login.yahoo.com/config/mail?.intl=gr
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>Bit Shifter and every single other awesome fucking release on 8BP, how
<br\>these guys record their stuff? It sounds so clean, loud, and precise,
<br\>with as little noise as possible.
<br\>
<br\>I'm aware probably all of these guys use more than one gameboy, but
<br\>what is the best method of recording for this? I've found a couple
<br\>emulators with WAV recording options, which seems might do the ticket
<br\>if you back up your songs to a PC, as the audio would never leave the
<br\>digital realm.
<br\>
<br\>Any possibilities on this?
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "neutral_insomniac"
<br\><neutral_insomniac@...> wrote:
<br\>>
<br\>> I recently sent nullsleep a message on myspace asking what kind of
<br\>> watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> sad being ignored by one of my idols. Should I take it personally?
<br\>> Unfortunately I've never met the guy and don't know what kind of a
<br\>> person he is. :(
<br\>>
<br\>
<br\>
<br\>You should have seen how he reacted when I asked him what kind of
<br\>cologne he wears. I found out eventually when I broke into his house
<br\>(Stetson.) I also managed to nab a sweet pair of silk boxers. They
<br\>smell just like him.
<br\>
<br\>--Nullsleep's biggest fan.
<br\>
<br\>P.S. After doing a bunch of research I found out that Nullsleep has
<br\>many different watches. In fact, when he's not making chiptunes he
<br\>spends most of his time collecting watches. One might call him a
<br\>watch-enthusiast. I believe it started when he got his
<br\>great-grandfather's freemason pocketwatch (That one looks
<br\>super-retro!) In fact, he's the moderator of the "Chiptunes and
<br\>Timepieces" group. I'm the only member other than him, and I don't
<br\>even like watches! I freaking HATE time! I just think he's so neato
<br\>that I joined.
<br\>


Message:
<br\>
I use Korg Electribes - EA-1, ER-1 and ES-1 - together with that I've
<br\>got a Korg Poly 800 that I modded myself and a Kaoss Pad. Just
<br\>recently I bought (because I always liked the sound) an old GBC with
<br\>LSDJ 3.6 and a GBA SP that I run with nanoloop 1.2. It all runs over a
<br\>Yamaha MG12/4 Mixer and is synchronized by a M-Audio Midisport 2x2. I
<br\>record everything into my Computer with 2 M-Audio Delta 66s and Cubase
<br\>SX3.
<br\>


Message:
<br\>
Kill yourself.
<br\>
<br\>Greg Schroeder
<br\>gmschroeder@...
<br\>http://gmschroeder.wordpress.com
<br\>
<br\>
<br\>On Jul 15, 2007, at 11:51 AM, neutral_insomniac wrote:
<br\>
<br\>I recently sent nullsleep a message on myspace asking what kind of
<br\>watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>sad being ignored by one of my idols. Should I take it personally?
<br\>Unfortunately I've never met the guy and don't know what kind of a
<br\>person he is. :(
<br\>
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Subject:
Re: [LSDj!] Re: LSDj synced to Prophet 64!

Message:
<br\>
there are two solutions
<br\>lsdj in nano mode and a special , but easy to make cable.
<br\>gameboy = master
<br\>but : several dropouts , and how it seems ,without reason.
<br\>
<br\>better : p64 : master , dtronics interface - midi cable - firestarter
<br\>interface.
<br\>this solution has latency compensation and is stable too.
<br\>
<br\>
<br\>startpusher schrieb:
<br\>>
<br\>> MMMMMMMMMMMMMMMMMMMMMMMMMMMMM..........
<br\>> I'm so confused!
<br\>> Anybody can tell me what is the BEST SOLUTION to syncing lsdj with
<br\>> prophet64?
<br\>>
<br\>> Have anybody tried to plug the data and the clock output on an
<br\>> oscilloscope and see wath happen when starts a phrase?
<br\>>
<br\>> --- In lsdj@yahoogroups.com <mailto:lsdj%40yahoogroups.com>, Bram van
<br\>> Oort <ezblade@...> wrote:
<br\>> >
<br\>> > I don't know if this is usefull:
<br\>> >
<br\>> > http://www.dil.nl/UK/details.asp?artcode=PG24
<br\>> <http://www.dil.nl/UK/details.asp?artcode=PG24>
<br\>> >
<br\>> >
<br\>> >
<br\>> > On 6/15/05, h4x_2x <h4x_2x@...> wrote:
<br\>> > > --- In lsdj@yahoogroups.com <mailto:lsdj%40yahoogroups.com>,
<br\>> nitro2k01 <nitro2k01@g...> wrote:
<br\>> > > > > I tride to connect to a tr-808, using a cable that is
<br\>> connected
<br\>> > > like this...
<br\>> > > > > http://gieskes.nl/sync.gif <http://gieskes.nl/sync.gif>
<br\>> > > > > But it didn't work, did i connect it wrong? ore dos the tr-
<br\>> 808
<br\>> > > need some
<br\>> > > > > singnal to get started?
<br\>> > > > Yes, a signal is needed to start! This is not needed on the
<br\>> C64
<br\>> > > > because it has pullup resistors though, don't know about the
<br\>> 808...
<br\>> > > > However it seems that you connected the wires wrong too. Look
<br\>> at
<br\>> > > this
<br\>> > > > picture:
<br\>> > > > http://www2.hemsida.net/dtd/stuff/thispin.gif
<br\>> <http://www2.hemsida.net/dtd/stuff/thispin.gif>
<br\>> > > > You see the "Or???" thing. That's because nocash
<br\>> documentation isn't
<br\>> > > > very clear about which side is left and right. Try both.
<br\>> Myself I
<br\>> > > > usually go by color and connect wire ends instead.
<br\>> > >
<br\>> > > I know this is kind of an old topic, but I thought if anyone was
<br\>> > > interested/curious to know the wire to pin layout of an
<br\>> original link
<br\>> > > cable it'd be handy.
<br\>> > >
<br\>> > > /-----\ So using this
<br\>> > > http://www2.hemsida.net/dtd/stuff/gb-proph64.gif
<br\>> <http://www2.hemsida.net/dtd/stuff/gb-proph64.gif>
<br\>> > > |- R G| to sync to a c64 I'd use the orange to D right?
<br\>> > > |O - B| either way I'll find out later tonight.
<br\>> > > -------
<br\>> > >
<br\>> > > Sorry if this is old news to everyone or just garbled jibberish.
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > >
<br\>> > > ________________________________
<br\>> > > Yahoo! Groups Links
<br\>> > >
<br\>> > >
<br\>> > > To visit your group on the web, go to:
<br\>> > > http://groups.yahoo.com/group/lsdj/
<br\>> <http://groups.yahoo.com/group/lsdj/>
<br\>> > >
<br\>> > > To unsubscribe from this group, send an email to:
<br\>> > > lsdj-unsubscribe@yahoogroups.com
<br\>> <mailto:lsdj-unsubscribe%40yahoogroups.com>
<br\>> > >
<br\>> > > Your use of Yahoo! Groups is subject to the Yahoo! Terms of
<br\>> Service.
<br\>> >
<br\>>
<br\>>
<br\>


Subject:
Re: [LSDj!] Re: What kind of hardware setups do you guys use?

Message:
<br\>
I like syncing two original game boys together and letting the beatwork be
<br\>handled by one and sequences and blirps on the other. I use R and L settings
<br\>on the instruments to get 4 separate channels to be processed by a desktop
<br\>evolver and other machines (nord modular and so on) and finally going into a
<br\>machinedrum userwave ... i haven't built a LSDJ-MC2 yet, so the integration
<br\>of the machine drum is pretty basic right now.
<br\>
<br\>I like extracting trigs from the game boy signals to sync with a fat
<br\>controller or some other sequencer that accepts trig in, so as to generate
<br\>some polyrhythmic effects also.
<br\>
<br\>There are so many things one can do! LSDJ has by far the best user interface
<br\>on non-PC hardware.. letting extensive onboard synthesis option come
<br\>together with a tracker interface really makes sound creation as fun as when
<br\>I first sat with fast tracker I.
<br\>
<br\>Mikael Altemark
<br\>
<br\>On 7/17/07, eat_rabbit69 <human@...> wrote:
<br\>>
<br\>>   Depend of the audience:
<br\>>
<br\>> 1////
<br\>>
<br\>> Gameboys (old fat grey dotmatrix) with LSDJ ( nanoloop when people
<br\>> whant some nasty hardcore beats).
<br\>>
<br\>> A noisegate to kill the noise of the gameboyz ( anoying on big PA)
<br\>>
<br\>> Laptop with live3 to put all my différents tracks made will différents
<br\>> keyboards.
<br\>>
<br\>> Microphone routed thru Live3 with a crappy VST to have dodgy dark voice.
<br\>>
<br\>> Microkorg to add some hand melody or to route the gameboy thru.
<br\>>
<br\>> Some toys.
<br\>>
<br\>> 2///
<br\>>
<br\>> 2GB synched via an SP505 with a DJ mix table wich i break via cross fader.
<br\>>
<br\>> Microphone with Digitech Vocal 300
<br\>>
<br\>> 3///
<br\>>
<br\>> 1 gameboy only ( to pirate clubs music) Drunk action anyway.
<br\>>
<br\>> Word up!
<br\>>
<br\>> --- In lsdj@yahoogroups.com <lsdj%40yahoogroups.com>, Jeremy O'Brien
<br\>> <obrien654j@...> wrote:
<br\>> >
<br\>> > Just a curiousity question. I know everyone has his or her preferred
<br\>> setups
<br\>> > when doing lsdj work. I'm just curious what kinds of setups you guys
<br\>> use. Do
<br\>> > you prefer the ol' DMG with headphones, the SP, the color, what? How
<br\>> about
<br\>> > recording equipment? Laptop input? Mixers? One gameboy? Two? A
<br\>> different
<br\>> > setup for on-the-go or at-home? How about song organization styles?
<br\>> How do
<br\>> > you decide the numbering system for your patterns? Instruments?
<br\>> Anything
<br\>> > systematic to keep yourself organized? I'm really just curious about
<br\>> > everyone's own personal tastes. Inspiration, if you will. Just put
<br\>> anything
<br\>> > you want about how you lsdj-it-up. Let's share some ideas :)
<br\>> >
<br\>> > --
<br\>> >
<br\>> > _n_________________
<br\>> > |_|_______________|_|
<br\>> > | ,-------------. |
<br\>> > | | .---------. | |
<br\>> > | | | | | |
<br\>> > | | | neutral | | |
<br\>> > | | |insomniac| | |
<br\>> > | | | | | |
<br\>> > | | `---------' | |
<br\>> > | `---------------' |
<br\>> > | _ GAME BOY |
<br\>> > | _| |_ ,-. |
<br\>> > ||_ O _| ,-. "._,"|
<br\>> > | |_| "._," A | hjw
<br\>> > | _ _ B | `97
<br\>> > | // // |
<br\>> > | // // \\\\\\ |
<br\>> > | ` ` \\\\\\ ,
<br\>> > |________...______,"
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Why... is there something special about his watch?
<br\>
<br\>Does it run emulators?
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>
<br\>
<br\>Sounds like another optimized version waiting to happen . . .
<br\>


Message:
<br\>
Hi & let's go for my first message :)
<br\>
<br\>I compose the main structure with one DMG-01 and crappy headphones
<br\>(generally on the road)
<br\>Then I work on it with (generally) two DMG-01 and a console from
<br\>behringer.
<br\>Got the lsdjmc2 to control game boy with my microkorg.
<br\>Got no structure. Chaos reigns in my songs hehe. But I write every
<br\>pattern, table, Instruments on (a) sheet(s) with their 'signification'
<br\>and the usual order they have to be played ... got no sense for
<br\>instance (not a lot of songs done) but maybe one day it will be usefull.
<br\>For the name of the instruments, I use M for melody (so M1A, M1B,
<br\>M2,...), D for drums (for kits), K1 K2... for Kicks, S for Snares and
<br\>so on
<br\>That's the way I learn :)
<br\>I read that neutral insomniac uses a noise gate and I realize it can
<br\>be really helpfull for me :) Some advices ?
<br\>
<br\>Santé !
<br\>
<br\>Sherlockness
<br\>
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, Jeremy O'Brien <obrien654j@...> wrote:
<br\>>
<br\>> Just a curiousity question. I know everyone has his or her preferred
<br\>setups
<br\>> when doing lsdj work. I'm just curious what kinds of setups you guys
<br\>use. Do
<br\>> you prefer the ol' DMG with headphones, the SP, the color, what? How
<br\>about
<br\>> recording equipment? Laptop input? Mixers? One gameboy? Two? A
<br\>different
<br\>> setup for on-the-go or at-home? How about song organization styles?
<br\>How do
<br\>> you decide the numbering system for your patterns? Instruments?
<br\>Anything
<br\>> systematic to keep yourself organized? I'm really just curious about
<br\>> everyone's own personal tastes. Inspiration, if you will. Just put
<br\>anything
<br\>> you want about how you lsdj-it-up. Let's share some ideas :)
<br\>>
<br\>> --
<br\>>
<br\>>    _n_________________
<br\>>   |_|_______________|_|
<br\>>   |  ,-------------.  |
<br\>>   | |  .---------.  | |
<br\>>   | |  |         |  | |
<br\>>   | |  | neutral |  | |
<br\>>   | |  |insomniac|  | |
<br\>>   | |  |         |  | |
<br\>>   | |  `---------'  | |
<br\>>   | `---------------' |
<br\>>   |   _ GAME BOY      |
<br\>>   | _| |_         ,-. |
<br\>>   ||_ O _|   ,-. "._,"|
<br\>>   |  |_|    "._,"   A | hjw
<br\>>   |    _  _    B      | `97
<br\>>   |   // //           |
<br\>>   |  // //    \\\\\\  |
<br\>>   |  `  `      \\\\\\ ,
<br\>>   |________...______,"
<br\>>
<br\>


Message:
<br\>
On 7/17/07, eat_rabbit69 <human@...> wrote:
<br\>> 3///
<br\>>
<br\>> 1 gameboy only ( to pirate clubs music) Drunk action anyway.
<br\>>
<br\>> Word up!
<br\>>
<br\>
<br\>my favorite style!
<br\>
<br\>i always have a black GBSP in my backpack (or the gp2x) and a
<br\>1/8"->RCA+RCA->1/4" ends ... for this situation =)
<br\>
<br\>when i know i'm going to play i bring both gb and gp2x so i can go
<br\>back and forth. it's still awesome being able to show up somewhere on
<br\>my bike and bump big soundsystems!
<br\>
<br\>when i visited europe to play some gigs i had a laptop running
<br\>audiomulch with some acid wrecks and for mixing the gameboy/gamepark
<br\>... seems like overkills now so i just got a micromodular that i plan
<br\>to use as a mixer and some fx or something ... still backpackable.
<br\>
<br\>at home i do all of my recording with an iRiver running rockbox. then
<br\>i use har-bal to eq and a wave editor for volume levels and limiting.
<br\>if either of those steps robs the recording of anything i skip it.
<br\>
<br\>choose zero polys and shaders,
<br\><3.jhr0hdn
<br\>
<br\>--
<br\>http://mp3death.us/~k9d/
<br\>


Message:
<br\>
On 22/07/07, marios mix <mariosmixal@...> wrote:
<br\>> Hi.Im trying to make beats on 7/8 and 5/8.is there anyone that can help me?
<br\>What you need to do is a so called pattern break, which you do with
<br\>the H command in LSDj. This command jumps to the next phrase before
<br\>the current one is finished.
<br\>For 7/8, put an H00 command on step E in _all_ phrases you use. For
<br\>5/8 put an H00 on step C.
<br\>For more advanced approaches, take inspiration from the wiki article
<br\>about triplets: <http://wiki.littlesounddj.com/TripletsHowTo>
<br\>
<br\>> And where can i upload a gameboy tune to  tell me what you guys think??
<br\><http://www.8bitcollective.com/>
<br\>It's recommended that you become a member.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Subject:
Re: [LSDj!] Noise Channel Gainlad compilation

Message:
<br\>
Hey man,
<br\>
<br\>I changed the subject so it's more clear the comunication here.
<br\>Good Point! Just a gameboy. ( Just a channel )
<br\>
<br\>We Accept as many submissions as you want.
<br\>1 track per person/project will be accepted.
<br\>Some selection may take place.
<br\>
<br\>Love- Ignatz
<br\>
<br\>--- tRasH cAn maN <ichbinladin@...> escribió:
<br\>
<br\>> > You can use only noise channel of lsdj, nanoloop 1.* or even gameboy cam.
<br\>>
<br\>> Can you use any number of gameboys?
<br\>>
<br\>> /tRasH
<br\>>
<br\>>
<br\>>
<br\>>       __________________________________________________________
<br\>> Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>> Jämför pris på flygbiljetter och hotellrum här:
<br\>> http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
On 30/07/07, markus schrodt <markus.schrodt@...> wrote:
<br\>> there are two solutions
<br\>>  lsdj in nano mode and a special , but easy to make cable.
<br\>>  gameboy = master
<br\>>  but : several dropouts , and how it seems ,without reason.
<br\>I'm actually in the progress of designing a small circuit to prevent
<br\>dropouts. I just have to sit down and test the circuit, to see if it
<br\>works in practice too.
<br\>There's also another problem, when doing this, P64 runs in half speed the speed.
<br\>
<br\>>  better : p64 : master , dtronics interface - midi cable - firestarter
<br\>>  interface.
<br\>>  this solution has latency compensation and is stable too.
<br\>Agreed.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On 15/07/07, sohonatty <nla1@...> wrote:
<br\>>  You should have seen how he reacted when I asked him what kind of
<br\>>  cologne he wears. I found out eventually when I broke into his house
<br\>>  (Stetson.) I also managed to nab a sweet pair of silk boxers. They
<br\>>  smell just like him.
<br\>I lol'd. Then I came.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> There's also another problem, when doing this, P64 runs in half speed the
<br\>speed.
<br\>Would a possible workaround be to have lsdj run in a 3|3 tick groove?
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       ___________________________________________________
<br\>Sök efter kärleken!
<br\>Hitta din tvillingsjäl på Yahoo! Dejting: http://se.meetic.yahoo.net
<br\>


Message:
<br\>
Hey thanks -- for my part the recording process is pretty basic. I don't
<br\>do any track separation when recording (too lazy) so I just record the
<br\>Game Boy's output straight into my computer's line-in as a single-pass
<br\>recording. I trim and silence the lead-in and lead-out in a waveform
<br\>editor (Peak, which I hate, but it does the job), and apply a little bit
<br\>of EQ to nudge up the low end and roll off the highs a little. If there
<br\>are any silent spots or deliberate gaps where line noise / GB hum has no
<br\>music to hide behind, I'll silence the gaps, if I feel inspired. I
<br\>forget if I used any compression for the specific example of the
<br\>8bitpeoples release, but if I did it would have been relatively gentle
<br\>-- when I was recording those tracks I was consciously trying to steer
<br\>clear of the heavy-handed "crush-and-crank" recording strategy I'm used
<br\>to using. But yeah, not a lot of studio intervention involved for me --
<br\>one GB recorded as a single pass, silence the quiet parts, bump up the
<br\>lows, unleash . . . into the night. *sax solo and synth pads over
<br\>midnight cityscape*
<br\>Some of these other guys are a lot less lazy than I am though, so you
<br\>should listen to them about recording technique and not to me.
<br\>
<br\>Josh
<br\>
<br\>
<br\>On Tue, 24 Jul 2007 1:38 pm, iheartdoublebass wrote:
<br\>> Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>> Bit Shifter and every single other awesome fucking release on 8BP, how
<br\>> these guys record their stuff? It sounds so clean, loud, and precise,
<br\>> with as little noise as possible.
<br\>>
<br\>> I'm aware probably all of these guys use more than one gameboy, but
<br\>> what is the best method of recording for this? I've found a couple
<br\>> emulators with WAV recording options, which seems might do the ticket
<br\>> if you back up your songs to a PC, as the audio would never leave the
<br\>> digital realm.
<br\>>
<br\>> Any possibilities on this?
<br\>
<br\>
<br\>.: BIT SHIFTER ::.:..:::.::.. ::. .:::. ::.:.. . .:: .    .
<br\>.: http://bit.shifter.net/
<br\>


Message:
<br\>
Hi,
<br\>My best advice is to make it sound as good as possible on the gameboy itself.
<br\>Use the kill command a lot (it also kills noise) specialy when you're using
<br\>drumkits. (I cut away the noisy tail in the instrument settings most of the
<br\>time) and be carefull when you use the wavetable, some waves just work better
<br\>then others. Specialy more quiet, subtle waveforms are noisy, use them wisely. I
<br\>always tweak my waveforms by hand if I think somethings not perfect.
<br\>I often layer sounds to make them more punchy (for instance use the attack of a
<br\>drum and use the noise channel for the tail), it increases the overall power and
<br\>makes your gameboy sound less 'thin'.
<br\>
<br\>It's true that I somethimes use 2 gameboys hooked together but most of the time
<br\>there's no real need. I mainly did it to be able to use two wavechannels. And I
<br\>wouldn't say it lowered the amount of noise, probably did exactly the opposite.
<br\>When I look back I think my punchiest songs are the ones I composed on one
<br\>gameboy (like 'the big scratch', 'white russian', ' a room broom guy and a
<br\>mirror', 'bibibi' - god, those titles :-)
<br\>They're just the songs where all the sounds work good together, a matter of
<br\>tweaking and re-tweaking until you drop.
<br\>
<br\>When it comes to recording I've tried it all but if you're after high controll
<br\>you might best export all your channels separately from an emulator and bring
<br\>them back together in something like Acid. you then can add EQ, compression,
<br\>noise reduction and all the likes. you might do that for a release but again, it
<br\>should sound good straight from the gameboy! I've heard most of covox and
<br\>bitshifter's songs like that and they kick ass even without noisereduction and
<br\>compression ! :-)
<br\>
<br\>Personally I don't like too much tweaking afterwards, for me the real fun is in
<br\>lsdj and somethimes the noise is just part of it (I lively remember one of
<br\>rabato's first songs -was it DR bass?- with a verry gritty-noisy feel to it :-)
<br\>.
<br\>
<br\>My two cents, now I give the word to covox, M-.-n and all those other lunatics
<br\>who do such an amazing job mastering their stuff. I never quite got the hang of
<br\>that.
<br\>
<br\>Lo-bat.
<br\>
<br\>----- Original Message -----
<br\>   From: iheartdoublebass
<br\>   To: lsdj@yahoogroups.com
<br\>   Sent: Tuesday, July 24, 2007 4:01 AM
<br\>   Subject: [LSDj!] Recording your chipmusik!
<br\>
<br\>
<br\>   Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>   Bit Shifter and every single other awesome fucking release on 8BP, how
<br\>   these guys record their stuff? It sounds so clean, loud, and precise,
<br\>   with as little noise as possible.
<br\>
<br\>   I'm aware probably all of these guys use more than one gameboy, but
<br\>   what is the best method of recording for this? I've found a couple
<br\>   emulators with WAV recording options, which seems might do the ticket
<br\>   if you back up your songs to a PC, as the audio would never leave the
<br\>   digital realm.
<br\>
<br\>   Any possibilities on this?
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
On 24/07/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> > There's also another problem, when doing this, P64 runs in half speed the
<br\>speed.
<br\>>  Would a possible workaround be to have lsdj run in a 3|3 tick groove?
<br\>You're thinking about it the wrong way around. A 3/3 groove will make
<br\>LSDj play in double speed, while leaving P64 in half speed, making
<br\>LSDj 4 times faster than P64 instead of just 2 times faster.
<br\>You could run LSDj in double BPM and use a C/C groove, but LSDj only
<br\>goes to 255 BPM, so P64 will still not reach above 127 BPM using this
<br\>method. But, I'm working on a solution to this, as those who are
<br\>patient will see.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
You guys are so fool of shit. I know Bit Shifter hired the New York
<br\>Philharmonic Orchestra for his latest release.
<br\>
<br\>rabato
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "Wauter" <Wauterm@...> wrote:
<br\>>
<br\>> Hi,
<br\>> My best advice is to make it sound as good as possible on the
<br\>gameboy itself.
<br\>> Use the kill command a lot (it also kills noise) specialy when
<br\>you're using drumkits. (I cut away the noisy tail in the instrument
<br\>settings most of the time) and be carefull when you use the wavetable,
<br\>some waves just work better then others. Specialy more quiet, subtle
<br\>waveforms are noisy, use them wisely. I always tweak my waveforms by
<br\>hand if I think somethings not perfect.
<br\>> I often layer sounds to make them more punchy (for instance use the
<br\>attack of a drum and use the noise channel for the tail), it increases
<br\>the overall power and makes your gameboy sound less 'thin'.
<br\>>
<br\>> It's true that I somethimes use 2 gameboys hooked together but most
<br\>of the time there's no real need. I mainly did it to be able to use
<br\>two wavechannels. And I wouldn't say it lowered the amount of noise,
<br\>probably did exactly the opposite. When I look back I think my
<br\>punchiest songs are the ones I composed on one gameboy (like 'the big
<br\>scratch', 'white russian', ' a room broom guy and a mirror', 'bibibi'
<br\>- god, those titles :-)
<br\>> They're just the songs where all the sounds work good together, a
<br\>matter of tweaking and re-tweaking until you drop.
<br\>>
<br\>> When it comes to recording I've tried it all but if you're after
<br\>high controll you might best export all your channels separately from
<br\>an emulator and bring them back together in something like Acid. you
<br\>then can add EQ, compression, noise reduction and all the likes. you
<br\>might do that for a release but again, it should sound good straight
<br\>from the gameboy! I've heard most of covox and bitshifter's songs like
<br\>that and they kick ass even without noisereduction and compression ! :-)
<br\>>
<br\>> Personally I don't like too much tweaking afterwards, for me the
<br\>real fun is in lsdj and somethimes the noise is just part of it (I
<br\>lively remember one of rabato's first songs -was it DR bass?- with a
<br\>verry gritty-noisy feel to it :-) .
<br\>>
<br\>> My two cents, now I give the word to covox, M-.-n and all those
<br\>other lunatics who do such an amazing job mastering their stuff. I
<br\>never quite got the hang of that.
<br\>>
<br\>> Lo-bat.
<br\>>
<br\>> ----- Original Message -----
<br\>>   From: iheartdoublebass
<br\>>   To: lsdj@yahoogroups.com
<br\>>   Sent: Tuesday, July 24, 2007 4:01 AM
<br\>>   Subject: [LSDj!] Recording your chipmusik!
<br\>>
<br\>>
<br\>>   Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>>   Bit Shifter and every single other awesome fucking release on 8BP, how
<br\>>   these guys record their stuff? It sounds so clean, loud, and precise,
<br\>>   with as little noise as possible.
<br\>>
<br\>>   I'm aware probably all of these guys use more than one gameboy, but
<br\>>   what is the best method of recording for this? I've found a couple
<br\>>   emulators with WAV recording options, which seems might do the ticket
<br\>>   if you back up your songs to a PC, as the audio would never leave the
<br\>>   digital realm.
<br\>>
<br\>>   Any possibilities on this?
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>


Message:
<br\>
Only for the tympani and harp though.
<br\>
<br\>On Tue, 24 Jul 2007 5:34 pm, el_pibe_ramiro wrote:
<br\>> You guys are so fool of shit. I know Bit Shifter hired the New York
<br\>> Philharmonic Orchestra for his latest release.
<br\>>
<br\>> rabato
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "Wauter" <Wauterm@...> wrote:
<br\>>>
<br\>>>  Hi,
<br\>>>  My best advice is to make it sound as good as possible on the
<br\>> gameboy itself.
<br\>>>  Use the kill command a lot (it also kills noise) specialy when
<br\>> you're using drumkits. (I cut away the noisy tail in the instrument
<br\>> settings most of the time) and be carefull when you use the wavetable,
<br\>> some waves just work better then others. Specialy more quiet, subtle
<br\>> waveforms are noisy, use them wisely. I always tweak my waveforms by
<br\>> hand if I think somethings not perfect.
<br\>>>  I often layer sounds to make them more punchy (for instance use the
<br\>> attack of a drum and use the noise channel for the tail), it increases
<br\>> the overall power and makes your gameboy sound less 'thin'.
<br\>>>
<br\>>>  It's true that I somethimes use 2 gameboys hooked together but most
<br\>> of the time there's no real need. I mainly did it to be able to use
<br\>> two wavechannels. And I wouldn't say it lowered the amount of noise,
<br\>> probably did exactly the opposite. When I look back I think my
<br\>> punchiest songs are the ones I composed on one gameboy (like 'the big
<br\>> scratch', 'white russian', ' a room broom guy and a mirror', 'bibibi'
<br\>> - god, those titles :-)
<br\>>>  They're just the songs where all the sounds work good together, a
<br\>> matter of tweaking and re-tweaking until you drop.
<br\>>>
<br\>>>  When it comes to recording I've tried it all but if you're after
<br\>> high controll you might best export all your channels separately from
<br\>> an emulator and bring them back together in something like Acid. you
<br\>> then can add EQ, compression, noise reduction and all the likes. you
<br\>> might do that for a release but again, it should sound good straight
<br\>> from the gameboy! I've heard most of covox and bitshifter's songs like
<br\>> that and they kick ass even without noisereduction and compression !
<br\>> :-)
<br\>>>
<br\>>>  Personally I don't like too much tweaking afterwards, for me the
<br\>> real fun is in lsdj and somethimes the noise is just part of it (I
<br\>> lively remember one of rabato's first songs -was it DR bass?- with a
<br\>> verry gritty-noisy feel to it :-) .
<br\>>>
<br\>>>  My two cents, now I give the word to covox, M-.-n and all those
<br\>> other lunatics who do such an amazing job mastering their stuff. I
<br\>> never quite got the hang of that.
<br\>>>
<br\>>>  Lo-bat.
<br\>>>
<br\>>>  ----- Original Message -----
<br\>>>  From: iheartdoublebass
<br\>>>  To: lsdj@yahoogroups.com
<br\>>>  Sent: Tuesday, July 24, 2007 4:01 AM
<br\>>>  Subject: [LSDj!] Recording your chipmusik!
<br\>>>
<br\>>>
<br\>>>  Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>>>  Bit Shifter and every single other awesome fucking release on 8BP, how
<br\>>>  these guys record their stuff? It sounds so clean, loud, and precise,
<br\>>>  with as little noise as possible.
<br\>>>
<br\>>>  I'm aware probably all of these guys use more than one gameboy, but
<br\>>>  what is the best method of recording for this? I've found a couple
<br\>>>  emulators with WAV recording options, which seems might do the ticket
<br\>>>  if you back up your songs to a PC, as the audio would never leave the
<br\>>>  digital realm.
<br\>>>
<br\>>>  Any possibilities on this?
<br\>
<br\>
<br\>.: BIT SHIFTER ::.:..:::.::.. ::. .:::. ::.:.. . .:: .    .
<br\>.: http://bit.shifter.net/
<br\>


Subject:
RE: [LSDj!] Re: LSDj synced to Prophet 64!

Message:
<br\>
Are you running P64 in S24 or S48 mode?
<br\>
<br\>
<br\>
<br\>If it’s s48, switch to s24… if that’s not the problem then sorry L
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] On Behalf Of Sam
<br\>Albaniensson
<br\>Sent: Tuesday, July 24, 2007 4:11 PM
<br\>To: lsdj@yahoogroups.com
<br\>Subject: Re: [LSDj!] Re: LSDj synced to Prophet 64!
<br\>
<br\>
<br\>
<br\>On 24/07/07, tRasH cAn maN <ichbinladin@...
<br\><mailto:ichbinladin%40yahoo.se> > wrote:
<br\>> > There's also another problem, when doing this, P64 runs in half speed
<br\>the speed.
<br\>> Would a possible workaround be to have lsdj run in a 3|3 tick groove?
<br\>You're thinking about it the wrong way around. A 3/3 groove will make
<br\>LSDj play in double speed, while leaving P64 in half speed, making
<br\>LSDj 4 times faster than P64 instead of just 2 times faster.
<br\>You could run LSDj in double BPM and use a C/C groove, but LSDj only
<br\>goes to 255 BPM, so P64 will still not reach above 127 BPM using this
<br\>method. But, I'm working on a solution to this, as those who are
<br\>patient will see.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Awesome stuff. One man's two cents is another mans, um, more money? I
<br\>found your post both provocative and informing. Thank you!
<br\>
<br\>
<br\>
<br\>Cypress Hill ordered an orchestra, possible while high.
<br\>
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, Bit Shifter <bit.shifter@...> wrote:
<br\>>
<br\>> Only for the tympani and harp though.
<br\>>
<br\>> On Tue, 24 Jul 2007 5:34 pm, el_pibe_ramiro wrote:
<br\>> > You guys are so fool of shit. I know Bit Shifter hired the New York
<br\>> > Philharmonic Orchestra for his latest release.
<br\>> >
<br\>> > rabato
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, "Wauter" <Wauterm@> wrote:
<br\>> >>
<br\>> >>  Hi,
<br\>> >>  My best advice is to make it sound as good as possible on the
<br\>> > gameboy itself.
<br\>> >>  Use the kill command a lot (it also kills noise) specialy when
<br\>> > you're using drumkits. (I cut away the noisy tail in the instrument
<br\>> > settings most of the time) and be carefull when you use the wavetable,
<br\>> > some waves just work better then others. Specialy more quiet, subtle
<br\>> > waveforms are noisy, use them wisely. I always tweak my waveforms by
<br\>> > hand if I think somethings not perfect.
<br\>> >>  I often layer sounds to make them more punchy (for instance use the
<br\>> > attack of a drum and use the noise channel for the tail), it increases
<br\>> > the overall power and makes your gameboy sound less 'thin'.
<br\>> >>
<br\>> >>  It's true that I somethimes use 2 gameboys hooked together but most
<br\>> > of the time there's no real need. I mainly did it to be able to use
<br\>> > two wavechannels. And I wouldn't say it lowered the amount of noise,
<br\>> > probably did exactly the opposite. When I look back I think my
<br\>> > punchiest songs are the ones I composed on one gameboy (like 'the big
<br\>> > scratch', 'white russian', ' a room broom guy and a mirror', 'bibibi'
<br\>> > - god, those titles :-)
<br\>> >>  They're just the songs where all the sounds work good together, a
<br\>> > matter of tweaking and re-tweaking until you drop.
<br\>> >>
<br\>> >>  When it comes to recording I've tried it all but if you're after
<br\>> > high controll you might best export all your channels separately from
<br\>> > an emulator and bring them back together in something like Acid. you
<br\>> > then can add EQ, compression, noise reduction and all the likes. you
<br\>> > might do that for a release but again, it should sound good straight
<br\>> > from the gameboy! I've heard most of covox and bitshifter's songs like
<br\>> > that and they kick ass even without noisereduction and compression !
<br\>> > :-)
<br\>> >>
<br\>> >>  Personally I don't like too much tweaking afterwards, for me the
<br\>> > real fun is in lsdj and somethimes the noise is just part of it (I
<br\>> > lively remember one of rabato's first songs -was it DR bass?- with a
<br\>> > verry gritty-noisy feel to it :-) .
<br\>> >>
<br\>> >>  My two cents, now I give the word to covox, M-.-n and all those
<br\>> > other lunatics who do such an amazing job mastering their stuff. I
<br\>> > never quite got the hang of that.
<br\>> >>
<br\>> >>  Lo-bat.
<br\>> >>
<br\>> >>  ----- Original Message -----
<br\>> >>  From: iheartdoublebass
<br\>> >>  To: lsdj@yahoogroups.com
<br\>> >>  Sent: Tuesday, July 24, 2007 4:01 AM
<br\>> >>  Subject: [LSDj!] Recording your chipmusik!
<br\>> >>
<br\>> >>
<br\>> >>  Hello. I was curious, after listening to much Random and Lo-Bat and
<br\>> >>  Bit Shifter and every single other awesome fucking release on
<br\>8BP, how
<br\>> >>  these guys record their stuff? It sounds so clean, loud, and
<br\>precise,
<br\>> >>  with as little noise as possible.
<br\>> >>
<br\>> >>  I'm aware probably all of these guys use more than one gameboy, but
<br\>> >>  what is the best method of recording for this? I've found a couple
<br\>> >>  emulators with WAV recording options, which seems might do the
<br\>ticket
<br\>> >>  if you back up your songs to a PC, as the audio would never
<br\>leave the
<br\>> >>  digital realm.
<br\>> >>
<br\>> >>  Any possibilities on this?
<br\>>
<br\>>
<br\>> .: BIT SHIFTER ::.:..:::.::.. ::. .:::. ::.:.. . .:: .    .
<br\>> .: http://bit.shifter.net/
<br\>>
<br\>


Message:
<br\>
On Wednesday 18 July 2007 15:34:05 sherlockness wrote:
<br\>> Hi & let's go for my first message :)
<br\>>
<br\>> I compose the main structure with one DMG-01 and crappy headphones
<br\>> (generally on the road)
<br\>> Then I work on it with (generally) two DMG-01 and a console from
<br\>> behringer.
<br\>> Got the lsdjmc2 to control game boy with my microkorg.
<br\>> Got no structure. Chaos reigns in my songs hehe. But I write every
<br\>> pattern, table, Instruments on (a) sheet(s) with their 'signification'
<br\>> and the usual order they have to be played ... got no sense for
<br\>> instance (not a lot of songs done) but maybe one day it will be usefull.
<br\>> For the name of the instruments, I use M for melody (so M1A, M1B,
<br\>> M2,...), D for drums (for kits), K1 K2... for Kicks, S for Snares and
<br\>> so on
<br\>> That's the way I learn :)
<br\>> I read that neutral insomniac uses a noise gate and I realize it can
<br\>> be really helpfull for me :) Some advices ?
<br\>>
<br\>> Santé !
<br\>>
<br\>> Sherlockness
<br\>>
<br\>
<br\>For a noise gate I am doing output into my laptop using the software noise
<br\>gate provided in jack-rack (jack-rack.sourceforge.net) Nothing fancy there
<br\>and free! (Minus the laptop of course) ;)
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
I already did. Oh, wait...
<br\>
<br\>On Sunday 15 July 2007 00:02:32 Greg Schroeder wrote:
<br\>> Kill yourself.
<br\>>
<br\>> Greg Schroeder
<br\>> gmschroeder@...
<br\>> http://gmschroeder.wordpress.com
<br\>>
<br\>>
<br\>> On Jul 15, 2007, at 11:51 AM, neutral_insomniac wrote:
<br\>>
<br\>> I recently sent nullsleep a message on myspace asking what kind of
<br\>> watch he wears. He read it but ended up ignoring it :( I feel kinda
<br\>> sad being ignored by one of my idols. Should I take it personally?
<br\>> Unfortunately I've never met the guy and don't know what kind of a
<br\>> person he is. :(
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>
<br\>
<br\>--
<br\>
<br\>__neutral__insomniac__
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
I might be very wrong on this but I think it's pretty simple to do.
<br\>You can use the Hop command in the phrase screen to make it jump to the next
<br\>phrase, that way you can make for instance a 3/4 beat (by putting a Hop on
<br\>'C' in the phrase), for a 5/4 add a second phrase and put a Hop on '4')
<br\>to make it */8 it's probably easiest to change your groove to 3 instead of 6
<br\>(so that every note lasts only 3 ticks, half of 6)
<br\>It's still early and I was never good with math, but can anybody confirm
<br\>this?
<br\>
<br\>But of course you shouldn't stop there, you could combine 5/4 and 4/4 once
<br\>in a while for instance. You will need a 5/4 beat with groove 4 (20*4=80 and
<br\>a 4/4 beat with groove 5 (16*5=80)
<br\>Any other combinations people tried? Overthruster?
<br\>
<br\>As for uploading, you best find yourself some serverspace, if that's for
<br\>some reason impossible I'm always willing to host your experiments!
<br\>
<br\>lo-bat.
<br\>
<br\>----- Original Message -----
<br\>From: "marios mix" <mariosmixal@...>
<br\>To: <lsdj@yahoogroups.com>
<br\>Sent: Sunday, July 22, 2007 8:59 PM
<br\>Subject: [LSDj!] 8bit prog :D
<br\>
<br\>
<br\>Hi.Im trying to make beats on 7/8 and 5/8.is there anyone that can help
<br\>me?And where can i upload a gameboy tune to  tell me what you guys think??
<br\>   cheers.
<br\>
<br\>
<br\>---------------------------------
<br\>  ×ñçóéìïðïéåßôå Yahoo!
<br\>  ÂáñåèÞêáôå ôá åíï÷ëçôéêÜ ìçíý ìáôá (spam); Ôï Yahoo! Mail äéáèÝôåé ôçí
<br\>êáëýôåñç äõíáôÞ ðñïóôáóßá êáôÜ ôùí åíï÷ëçôéêþí ìçíõìÜôùí
<br\>  http://login.yahoo.com/config/mail?.intl=gr
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Message:
<br\>
On 25/07/07, Wauter <Wauterm@...> wrote:
<br\>>  As for uploading, you best find yourself some serverspace, if that's for
<br\>>  some reason impossible I'm always willing to host your experiments!
<br\>8-bit collective is good for mp3 files: <http://8bitcollective.com/>
<br\>Sav can be uploaded to the yahoo file area.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> I read that neutral insomniac uses a noise gate and I realize it can
<br\>> be really helpfull for me :) Some advices ?
<br\>
<br\>I am totally against using a noise gate. Seems just pointless and
<br\>besides the point - noise just adds to the flavor IMO.
<br\>
<br\>Listen to Kraftwerk "Man Machine" - there is very clearly a lot of
<br\>static noise in some of the parts. And still it's one of the
<br\>surprisingly few "important" albums to come out of Europe.
<br\>
<br\>Maybe it's a different problem if you over-compress your music so that
<br\>the silent parts become very loud. Don't do that :)
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
> My best advice is to make it sound as good as possible on the
<br\>> gameboy itself.
<br\>
<br\>This is really what you need to do and only piece of advice that is really
<br\>worthwhile.
<br\>
<br\>Basically: you can't fix it with processing if it is broken at the source.
<br\>Have the best balance straight of the gameboy and you'll end up with the
<br\>best track in the end, even without separation.
<br\>
<br\>A related advice is that you need to work with a listening environment (your
<br\>headphones for example) that allow you to judge your sound balance. If you
<br\>use typical shitty iPod like in-hear headphones that screws up your
<br\>perception of music, you can't have the best result. I'm personally in love
<br\>with my Koss portaphone as they are very lightweight, have a tromendous bass
<br\>response and good volume, allows me to know exactly where I'm at even if I'm
<br\>in the bus.
<br\>
<br\>> My two cents, now I give the word to covox, M-.-n and all those
<br\>> other lunatics who do such an amazing job mastering their stuff.
<br\>> I never quite got the hang of that.
<br\>
<br\><lunatic>
<br\>
<br\>I actually did very few separation/mixing session with LSDj tracks. The only
<br\>one was my cover of Kraftwerk's 'numbers' (mm.... where is that one gone
<br\>again ? :) and I find it very difficult. A lot of the 'magic' comes from
<br\>interactions between track and if you separate them too much using proper
<br\>mixing you will end with something that sounds like it has only 4 separate
<br\>instrument and it will sound pretty cheap/empty. Unless you add more
<br\>material of course.
<br\>
<br\>I usually get my tracks done by tracking the gameboy mix directly, then a
<br\>bit of EQ (2,3 points) to make it sound a little better, normalize and
<br\>compression. Cool edit's dynamic amplitude works very well with gameboy
<br\>tracks for that last stage.
<br\>
<br\></lunatic>
<br\>


Subject:
RE: [LSDj!] Re: What kind of hardware setups do you guys use?

Message:
<br\>
Agreed for recordings but when you have two gameboy connected on a big PA, I
<br\>find the static very ennoying (especially the SP is very noisy). Having a noise
<br\>gate that comes in action only when all GB are silent works nicely.
<br\>
<br\>> I am totally against using a noise gate. Seems just pointless and
<br\>> besides the point - noise just adds to the flavor IMO.
<br\>


Message:
<br\>
I've actually been working on a 5/4 song for a while, and it can work
<br\>well if you have the patience. I made each chain contain 4 measures,
<br\>but, since each phrase has 16 slots and this is 5/4, I used 5 phrases
<br\>per 4 measures. Each measure then takes up 1 and 1/4 phrases -- in
<br\>other words, the first measure takes up all of phrase 01 and goes to
<br\>slot 3 of phrase 02, the second measure goes from slot 4 of phrase 02
<br\>to slot 8 of phrase 03, and so on. It might be confusing at first, but
<br\>you can easily get used to it.
<br\>
<br\>Sorry if this has been confusing... if you try it out I think you'll
<br\>see what I mean.
<br\>
<br\>  -- Zeke
<br\>
<br\>P.S.: A simple 8/4 (66%) swing made my 5/4 song sound a hell of a lot
<br\>better, but it just depends on what you're going for. :)
<br\>
<br\>--- In lsdj@yahoogroups.com, marios mix <mariosmixal@...> wrote:
<br\>>
<br\>> Hi.Im trying to make beats on 7/8 and 5/8.is there anyone that can
<br\>help me?And where can i upload a gameboy tune to  tell me what you
<br\>guys think??
<br\>>   cheers.
<br\>


Message:
<br\>
I've been linking my gameboy from headphone socket to the mic socket
<br\>of my laptop to record. I'm recording using Audacity. Everything is as
<br\>I like it, sounds okay. When I set audacity to record in stereo it
<br\>doesn't. It'll only record in mono. Is this usual for recording in
<br\>this way? Or should I be looking at how my laptop is set up?
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "porkpie98uk" <porkpie98uk@...> wrote:
<br\>>
<br\>> I've been linking my gameboy from headphone socket to the mic socket
<br\>> of my laptop to record. I'm recording using Audacity. Everything is as
<br\>> I like it, sounds okay. When I set audacity to record in stereo it
<br\>> doesn't. It'll only record in mono. Is this usual for recording in
<br\>> this way? Or should I be looking at how my laptop is set up?
<br\>>
<br\>
<br\>Are you using your built insound card? Of thee only have a mono inut
<br\>nowadays.
<br\>
<br\>Peter
<br\>


Message:
<br\>
--- In lsdj@yahoogroups.com, "PeLeSwi" <kradlabs@...> wrote:
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "porkpie98uk" <porkpie98uk@> wrote:
<br\>> >
<br\>> > I've been linking my gameboy from headphone socket to the mic socket
<br\>> > of my laptop to record. I'm recording using Audacity. Everything is as
<br\>> > I like it, sounds okay. When I set audacity to record in stereo it
<br\>> > doesn't. It'll only record in mono. Is this usual for recording in
<br\>> > this way? Or should I be looking at how my laptop is set up?
<br\>> >
<br\>>
<br\>> Are you using your built insound card? Of thee only have a mono inut
<br\>> nowadays.
<br\>>
<br\>> Peter
<br\>>
<br\>
<br\>Really? Hell ! I thought laptops nowadays, with their mobile raedons
<br\>and dvd burners, could easily slap a stereo input in there. Or are
<br\>they different to a standard 3.5mm plug? I wouldn't know :)
<br\>
<br\>But yes, I'm using the standard inbuilt sound card. If its nothing to
<br\>do with XP or the software I'll have to look into external/pcmcia
<br\>sound cards.
<br\>
<br\>Thanks for the tip
<br\>


Message:
<br\>
> Or should I be looking at how my laptop is set up?
<br\>
<br\>I believe so.
<br\>
<br\>> Are you using your built insound card? Of thee only have a mono inut
<br\>> nowadays.
<br\>
<br\>Never heard of such a thing.
<br\>On sound cards with only one physical input however it usually doubles as both
<br\>stereo line in and
<br\>mono microphone in. Input impedance and amplification is then software
<br\>controlled.
<br\>So, make sure you've set line in rather than mic in as your source.
<br\>
<br\>Cheers,
<br\>tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Går det långsamt? Skaffa dig en snabbare bredbandsuppkoppling.
<br\>Sök och jämför hos Yahoo! Shopping.
<br\>http://shopping.yahoo.se/b/a/c_100015813_bredband.html?partnerId=96914325
<br\>


Message:
<br\>
>
<br\>> Never heard of such a thing.
<br\>
<br\>Ive had three laptops in a row that pulled this on me. Two of them
<br\>dells. Maybe its a dell thing?
<br\>
<br\>Peter
<br\>


Message:
<br\>
Wow! I actually disagree with M-.-n for once.
<br\>As long as you get a clean recording with separated tracks (levels
<br\>are not so important in the digital realm because boosting volume
<br\>will not add noise) you can make decision about levels and EQ in the
<br\>mix and more importantly, be able to change your mind later. Maybe I
<br\>misunderstood what M-.-n meant though. Not sure.
<br\>
<br\>I agree totally that good monitoring is very important, but I would
<br\>never use ANY headphones as a way to monitor. Maybe for sound levels
<br\>it's fine, but an input level meter is fine for that too. You should
<br\>CHECK your mix on headphones, but as a secondary source, in my
<br\>opinion. "True" (not artifically colored) passive speakers are best
<br\>for monitoring, especially at the mix stage (which I think M-.-n
<br\>would agree with). Powered (Active) speakers are usually not good for
<br\>monitoring a mix because they usually have a colored sound.
<br\>
<br\>My 2 cents.
<br\>
<br\>glomag
<br\>http://www.glomag.com
<br\>
<br\>On Jul 25, 2007, at 8:53 AM, lsdj@yahoogroups.com wrote:
<br\>
<br\>> Basically: you can't fix it with processing if it is broken at the
<br\>> source.
<br\>> Have the best balance straight of the gameboy and you'll end up
<br\>> with the
<br\>> best track in the end, even without separation.
<br\>>
<br\>> A related advice is that you need to work with a listening
<br\>> environment (your
<br\>> headphones for example) that allow you to judge your sound balance.
<br\>> If you
<br\>> use typical shitty iPod like in-hear headphones that screws up your
<br\>> perception of music, you can't have the best result. I'm personally
<br\>> in love
<br\>> with my Koss portaphone as they are very lightweight, have a
<br\>> tromendous bass
<br\>> response and good volume, allows me to know exactly where I'm at
<br\>> even if I'm
<br\>> in the bus.
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
MIX FIGHT
<br\>
<br\>I disagree with glomag! Noise is very important, cause if you raise
<br\>the level of a quiet sound, it will also raise the noise floor with
<br\>it. You dont need to track as hot as possible (please lord dynamics
<br\>are good!) but try to get it at a level where you dont have to do as
<br\>much work getting the track to sound right.
<br\>
<br\>  ALL Monitors color sound, thats what they are for! The key is to
<br\>learn HOW your monitors color the sound, and be able to test your
<br\>mixes on different setups. Once you know how your speakers (and your
<br\>room) fuck your mix, you can basically mix around it in your head. You
<br\>want it to sound equally bad(good) on as many systems as possible. The
<br\>end user is gonna play it in the shittiest sound setup you can imagine
<br\>anyways.
<br\>
<br\>Digital is great, but i am finding that too many options can be as bad
<br\>as not enough. Find a good sound and stick with it.
<br\>
<br\>PS; I found that the noise gate that comes in the waves bundle helps
<br\>alot with making the gb percussive stuff come alive. I try to
<br\>multitrack with the gameboy salved via midi, cause it seems to be,
<br\>especially on a greyboy that the timing can shift in "busy" parts
<br\>where its cpu is being taxed, and if you are playing one track at a
<br\>time it may react differently, then playing all fur on da floor.
<br\>
<br\>PPS: Mixing in the gameboy is the most important. Lobatt tracks are
<br\>some of my favorites cause how different frequncies mix together. Im
<br\>sure glomag can tell you how harsh gameboy tones are too mix when you
<br\>split them out, so doing a stereo mix may be the way to go if you dont
<br\>have lots of gear or software.
<br\>
<br\>
<br\>pater
<br\>
<br\>--- In lsdj@yahoogroups.com, chris burke <cburke@...> wrote:
<br\>>
<br\>> Wow! I actually disagree with M-.-n for once.
<br\>> As long as you get a clean recording with separated tracks (levels
<br\>> are not so important in the digital realm because boosting volume
<br\>> will not add noise) you can make decision about levels and EQ in the
<br\>> mix and more importantly, be able to change your mind later. Maybe I
<br\>> misunderstood what M-.-n meant though. Not sure.
<br\>>
<br\>> I agree totally that good monitoring is very important, but I would
<br\>> never use ANY headphones as a way to monitor. Maybe for sound levels
<br\>> it's fine, but an input level meter is fine for that too. You should
<br\>> CHECK your mix on headphones, but as a secondary source, in my
<br\>> opinion. "True" (not artifically colored) passive speakers are best
<br\>> for monitoring, especially at the mix stage (which I think M-.-n
<br\>> would agree with). Powered (Active) speakers are usually not good for
<br\>> monitoring a mix because they usually have a colored sound.
<br\>>
<br\>


Subject:
Re: [LSDj!] Re: Recording your chipmusik!

Message:
<br\>
--- chris burke <cburke@...> wrote:
<br\>
<br\>> As long as you get a clean recording with separated tracks (levels
<br\>> are not so important in the digital realm because boosting volume
<br\>> will not add noise)
<br\>
<br\>Of course raising the volume also raises the noise floor.
<br\>
<br\>>
<br\>> I agree totally that good monitoring is very important, but I would
<br\>> never use ANY headphones as a way to monitor. Maybe for sound levels
<br\>> it's fine, but an input level meter is fine for that too. You should
<br\>> CHECK your mix on headphones, but as a secondary source, in my
<br\>> opinion.
<br\>
<br\>Agreed. But I would NEVER rely on headphones to set volume levels.
<br\>But if you must use headphones, use open back ones. Personally I like the
<br\>HD600/650.
<br\>
<br\>> "True" (not artifically colored) passive speakers are best
<br\>> for monitoring, especially at the mix stage (which I think M-.-n
<br\>> would agree with). Powered (Active) speakers are usually not good for
<br\>> monitoring a mix because they usually have a colored sound.
<br\>
<br\>If you feel like forking out somewhere around $4000 for good amp, I agree.
<br\>However I see no real
<br\>point in not getting actives today. Genelec, PCM, Quested e.g. all have
<br\>excellent built in amps.
<br\>And more importantly, they're matched to the speaker.
<br\>
<br\>
<br\>--- PeLeSwi <kradlabs@...> skrev:
<br\>
<br\>>  ALL Monitors color sound, thats what they are for! The key is to
<br\>> learn HOW your monitors color the sound, and be able to test your
<br\>> mixes on different setups. Once you know how your speakers (and your
<br\>> room) fuck your mix, you can basically mix around it in your head. You
<br\>> want it to sound equally bad(good) on as many systems as possible. The
<br\>> end user is gonna play it in the shittiest sound setup you can imagine
<br\>> anyways.
<br\>
<br\>Basically, having good acoustics in your room is more valuable than the quality
<br\>of your monitors.
<br\>Having said that, as Peter mentioned, you can work less ideal monitoring if you
<br\>really get to know
<br\>the sound of it well and test your mix on lots of systems, taking notes on what
<br\>might need to be
<br\>changed.
<br\>
<br\>Cheers,
<br\>tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>


Subject:
RE: [LSDj!] Re: Recording your chipmusik!

Message:
<br\>
Uh,
<br\>Hey Folks,
<br\>
<br\>so much to think about in this topic.
<br\>
<br\>Well, I try to keep my gameboy tracks enjoyable while I do them,
<br\>until I abandon ready or not.
<br\>
<br\>Uhm, yes, noise floor is always present, I use a noise reduction,
<br\>from steinberg I guess.. But there will be always noise from the gameboy and
<br\>the cheap soundcard I have.
<br\>
<br\>Sometimes record in cubase or sound forge if I dont want permanent backup
<br\>waves in my hard disk.
<br\>I try to reduce dirty frequencies with eq in more hi fi intended tracks.
<br\>Sometimes I even dont use noise reduction or eq filtering at all,
<br\>just some hi cut for keeping listeners ears healthy as possible.
<br\>
<br\>Yes, my preference is whole mix in gameboy, I found it more authentic.
<br\>Just my personal aproach, but there are some experiments with cut loops from
<br\>gameboy, gb cam or other soft/cart. Also noise gate is useful sometimes.
<br\>Specially in separate tracks, but I only made that for electric cafe (my 8 bit
<br\>ops track)
<br\>
<br\>I toke lsdj, nano, sidstation and lovely distorted pcm casio SA-1, patchy...
<br\>
<br\>Monitoring, uhm thats other side I need to improve, but my sony MDR-V700 dj
<br\>earphones
<br\>sometimes are more true than the jvc micro component I use for monitoring
<br\>usually.
<br\>My money resources are restricting most times.
<br\>
<br\>I dont stress and asume chip music ass less anal as I can.
<br\>
<br\>Keep it fresh!
<br\>
<br\>Knowledge is great anyway! I want to experiment with keychain side chiained comp
<br\>and so.
<br\>Oh, my compression setup in cubase (Also mastering... ) is not as good as it
<br\>should be.
<br\>
<br\>No parametric compression still. but with gameboy is just a final touch.
<br\>Hi fi tracks.. huh... thats exhausting.
<br\>
<br\>So much production may kill creation?
<br\>
<br\>l1- ultramaximizer (I know may suck for some), steinberg loudness maximizer,
<br\>stereo image (waves?), then a final -0,3comp  -0,3 limiting (celling) 16 bit
<br\>quant with
<br\>L1 again...  ( I guess I should use yamaha final master and izotope for stereo
<br\>enh... but
<br\>I'm lazy, for some more time at less... )
<br\>
<br\>Composing with gameboy in the bus is the best ever! (for me :)
<br\>
<br\>Walking in the street is my usual inspiration, specially for pop songs.
<br\>
<br\>Enoght of my confusing words. Thanks for reading.
<br\>
<br\>
<br\>Love. Ignacio
<br\>
<br\>http://myspace.com/ignat
<br\>
<br\>--- PeLeSwi <kradlabs@...> escribió:
<br\>
<br\>> MIX FIGHT
<br\>>
<br\>> I disagree with glomag! Noise is very important, cause if you raise
<br\>> the level of a quiet sound, it will also raise the noise floor with
<br\>> it. You dont need to track as hot as possible (please lord dynamics
<br\>> are good!) but try to get it at a level where you dont have to do as
<br\>> much work getting the track to sound right.
<br\>>
<br\>>  ALL Monitors color sound, thats what they are for! The key is to
<br\>> learn HOW your monitors color the sound, and be able to test your
<br\>> mixes on different setups. Once you know how your speakers (and your
<br\>> room) fuck your mix, you can basically mix around it in your head. You
<br\>> want it to sound equally bad(good) on as many systems as possible. The
<br\>> end user is gonna play it in the shittiest sound setup you can imagine
<br\>> anyways.
<br\>>
<br\>> Digital is great, but i am finding that too many options can be as bad
<br\>> as not enough. Find a good sound and stick with it.
<br\>>
<br\>> PS; I found that the noise gate that comes in the waves bundle helps
<br\>> alot with making the gb percussive stuff come alive. I try to
<br\>> multitrack with the gameboy salved via midi, cause it seems to be,
<br\>> especially on a greyboy that the timing can shift in "busy" parts
<br\>> where its cpu is being taxed, and if you are playing one track at a
<br\>> time it may react differently, then playing all fur on da floor.
<br\>>
<br\>> PPS: Mixing in the gameboy is the most important. Lobatt tracks are
<br\>> some of my favorites cause how different frequncies mix together. Im
<br\>> sure glomag can tell you how harsh gameboy tones are too mix when you
<br\>> split them out, so doing a stereo mix may be the way to go if you dont
<br\>> have lots of gear or software.
<br\>>
<br\>>
<br\>> pater
<br\>>
<br\>> --- In lsdj@yahoogroups.com, chris burke <cburke@...> wrote:
<br\>> >
<br\>> > Wow! I actually disagree with M-.-n for once.
<br\>> > As long as you get a clean recording with separated tracks (levels
<br\>> > are not so important in the digital realm because boosting volume
<br\>> > will not add noise) you can make decision about levels and EQ in the
<br\>> > mix and more importantly, be able to change your mind later. Maybe I
<br\>> > misunderstood what M-.-n meant though. Not sure.
<br\>> >
<br\>> > I agree totally that good monitoring is very important, but I would
<br\>> > never use ANY headphones as a way to monitor. Maybe for sound levels
<br\>> > it's fine, but an input level meter is fine for that too. You should
<br\>> > CHECK your mix on headphones, but as a secondary source, in my
<br\>> > opinion. "True" (not artifically colored) passive speakers are best
<br\>> > for monitoring, especially at the mix stage (which I think M-.-n
<br\>> > would agree with). Powered (Active) speakers are usually not good for
<br\>> > monitoring a mix because they usually have a colored sound.
<br\>> >
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
> I agree totally that good monitoring is very important, but I would
<br\>> never use ANY headphones as a way to monitor.
<br\>
<br\>Maybe I wasn't clear enough here.. when I talked about getting a good
<br\>balance with headphones, I meant on the gameboy itself to make sure the
<br\>track is as good as possible *before* dumping it to the computer. I'm never
<br\>home when writing tracks so I don't really have any other choice than
<br\>headphones.
<br\>
<br\>If you go to a separation and mixing phase, sure enough monitors are a lot
<br\>better.
<br\>
<br\>> "True" (not artifically colored) passive speakers are best
<br\>> for monitoring, especially at the mix stage (which I think M-.-n
<br\>> would agree with). Powered (Active) speakers are usually not good for
<br\>> monitoring a mix because they usually have a colored sound.
<br\>
<br\>TBH, I don't have that much experience with different type of speakers and
<br\>to tell you the truth, my setup is pretty bad. But, no matter what speakers
<br\>you use, you have to know them, how they react and get a reference base. For
<br\>example, listen to the 150 songs from the 8BP 50 CD in a row and u'll know
<br\>what your song should sound like on those monitors (if you're still alive
<br\>after that that is :)
<br\>
<br\>Marc
<br\>


Message:
<br\>
Not sure if any of you are here on the front range but...
<br\>
<br\>I'll be throwing down a quick lsdj/shouting set on Wed. August 1st at
<br\>Hodi's Half Note (the starlight) here in Fort Collins.
<br\>
<br\>I'll be opening the Foco Loco Perfecto show at around 21:30 the show's
<br\>also a visual art opening featuring about 10 artists.  Later beats
<br\>will be provided by MFA: Loop Lab w/ Listen and Pretty Lights.
<br\>
<br\>Brandon
<br\>Professor Zero One Zero
<br\>www.yoursistersmusic.com
<br\>


Message:
<br\>
> Wow! I actually disagree with M-.-n for once.
<br\>> As long as you get a clean recording with separated tracks (levels
<br\>> are not so important in the digital realm because boosting volume
<br\>> will not add noise)
<br\>
<br\>haha and now I will disagree with you.  Levels are definitely
<br\>important in digital.  The closer you can get to 0 without clipping,
<br\>the better the resolution for the vertical axis of the waveform.
<br\>


Message:
<br\>
Uhm, One more thing...
<br\>
<br\>4 separate gameboy tracks, will be 4 separate noise walls (in addition! ).
<br\>You can fight against that with a noise reduction and then with a noise gate
<br\>in each track. What will not act the same as in a dump mix.
<br\>
<br\>So the noise remaining to the "noise cleaner" will still be present in
<br\>the gated (open) parts (with sound in each track).
<br\>
<br\>2 tracks with sound at the same time will be the double of noise than in a a
<br\>dump mix.
<br\>
<br\>4 tracks with sound at the same time will be 4 times noise (with the partial
<br\>substraction
<br\>
<br\>of the noise reduction)
<br\>
<br\>I wish to be clear... For me emulators are not a choice, I would even prefer a
<br\>vsti,
<br\>because of dirty (house) joy.
<br\>
<br\>Btw, It's all about your own preferences, there are no rules for me.
<br\>Just enjoy your music, keep it fresh, not anal. Have a nice day. haha...
<br\>
<br\>Carpe Diem.
<br\>
<br\>I would like to get some hints from Overthruster, and my ever clean and tidy
<br\>friend
<br\>K9d.
<br\>
<br\>I was never into violent sound btw. Only pussy electro Industrial like front 242
<br\>or
<br\>belgian new beat :)
<br\>
<br\>Great rant, I love to hear different bells. Why dot to use all outdated cheap
<br\>speakers
<br\>from spika radios or old portable turntables? cheap music would rule,
<br\>the most cheap setup possible? can someone imagine one?
<br\>
<br\>love and confusion. IGnat.
<br\>
<br\>"Entropy, you know...
<br\>Order, into Chaos!
<br\>Certainty into unpredictability.
<br\>Grow Into Deacay"
<br\>
<br\>
<br\>
<br\>--- budmelvin <budmelvin@...> escribió:
<br\>
<br\>> > Wow! I actually disagree with M-.-n for once.
<br\>> > As long as you get a clean recording with separated tracks (levels
<br\>> > are not so important in the digital realm because boosting volume
<br\>> > will not add noise)
<br\>>
<br\>> haha and now I will disagree with you.  Levels are definitely
<br\>> important in digital.  The closer you can get to 0 without clipping,
<br\>> the better the resolution for the vertical axis of the waveform.
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
2 new gameboy tracks available at
<br\>
<br\>
<br\>http://myspace.com/receptorsmusic
<br\>
<br\>
<br\>Receptors - Hear In My Head - (1 gameboy w lsdj, 1 voice , 1 guitar)
<br\>
<br\>Mommy Was an Asteroid - Knew Life 2 - (1 gameboy w nanoloop 1.3)
<br\>
<br\>
<br\>ALSO OUT NOW on RETINASCAN:
<br\>
<br\>http://www.retinascan.de/phpshop/themes/kategorie/aktion.php
<br\>
<br\>
<br\>MOMMY WAS an ASTEROID's "JUMPIN JACK FLASHCART"
<br\>
<br\>http://www.retinascan.de/phpshop/themes/kategorie/aktion.php
<br\>
<br\>
<br\>thanks
<br\>
<br\>
<br\>jksine
<br\>
<br\>http://receptorsmusic.com
<br\>


Message:
<br\>
> The closer you can get to 0 without clipping,
<br\>> the better the resolution for the vertical axis of the waveform.
<br\>
<br\>As long as you're aware of the fact that few meters pick up the fastest
<br\>transient. I.e., just
<br\>because your meters aren't detecting any clipping, there could very well be
<br\>clipping going on.
<br\>
<br\>If you're recording at higher bitrates (24bit+), there's no need to get as close
<br\>to 0dBfs as you
<br\>can due to higher headroom. I usually try and keep around -5, -6dBfs on 24bit
<br\>recording.
<br\>
<br\>This is more of a general, digital recording advice. Gameboy doesn't have to
<br\>much transient
<br\>anyway! :p
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       ___________________________________________________
<br\>Sök efter kärleken!
<br\>Hitta din tvillingsjäl på Yahoo! Dejting: http://se.meetic.yahoo.net
<br\>


Message:
<br\>
<http://www.myspace.com/moshpitopen2007>
<br\>Den första septembet anordnar Moshpit en endags musikfestival, med tre
<br\>scener. På den sk battle-scenen, så ska de tydligen bara köra
<br\>elektronisk musik i år, och de vill visst gärna se flera chip-artister
<br\>där.
<br\>(Soptunnemannen, jag tittar åt ditt håll!)
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
On Jul 27, 2007, at 9:23 AM, lsdj@yahoogroups.com wrote:
<br\>>
<br\>> > As long as you get a clean recording with separated tracks (levels
<br\>> > are not so important in the digital realm because boosting volume
<br\>> > will not add noise)
<br\>>
<br\>> Of course raising the volume also raises the noise floor.
<br\>
<br\>Yes, but I said it will not ADD noise. I meant "tape noise."
<br\>/chris
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Bud wrote:
<br\>
<br\>haha and now I will disagree with you. Levels are definitely
<br\>important in digital. The closer you can get to 0 without clipping,
<br\>the better the resolution for the vertical axis of the waveform.
<br\>
<br\>
<br\>Yes, that is true. But it is no where near as important as it was
<br\>when recording to tape, and that was my point. As for the resolution
<br\>advantage you get from really being anal about getting as hot as
<br\>possible, I have never heard the difference between being somewhat
<br\>close, which is easy, and being very close, which can be quite time
<br\>consuming and dangerous as you can clip and not see it on your meters.
<br\>
<br\>As for the monitoring debate, hmm. I think some of you misunderstood
<br\>me. Yes powered speakers are great. I have some. They make my music
<br\>sound lovely- but- no one will ever hear it that way, so for mixing
<br\>they are nearly useless. Flat speakers are still the best option by
<br\>far in my opinion. It is the best way to be sure that what you hear
<br\>is what they hear.
<br\>
<br\>Ingacio wrote:
<br\>> 4 separate gameboy tracks, will be 4 separate noise walls (in
<br\>> addition! ).
<br\>> You can fight against that with a noise reduction and then with a
<br\>> noise gate
<br\>> in each track. What will not act the same as in a dump mix.
<br\>
<br\>
<br\>I usually silence the spaces between notes in any part where the
<br\>notes are sparse. Generally, unless you have a very sparse mix, GB
<br\>noise is drowned out easily by the music, at least to my ear.
<br\>
<br\>I do believe separating tracks simply gives you the most options in
<br\>the end. I disagree that mixing in the gameboy sounds better in all
<br\>situations. Certain instruments seem to benefit from it, others just
<br\>get muddier. Certainly to me, any extra "authenticity" you might get
<br\>from going stereo out of the gameboy is far outweighed by the extra
<br\>options afforded to you by outputting to individual tracks. In every
<br\>single mix I have done, there is some point where I have to shape one
<br\>track with EQ that would destroy the sound and quality of another
<br\>track. I have learned to EQ judiciously, so as to still treat the
<br\>gameboy as an instrument rather than as a band, but this ability to
<br\>separate when needed allows me to make the mix work the way I want it
<br\>to.
<br\>
<br\>peace and love
<br\>glomag
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
> As for the monitoring debate, hmm. I think some of you misunderstood
<br\>> me. Yes powered speakers are great. I have some. They make my music
<br\>> sound lovely- but- no one will ever hear it that way, so for mixing
<br\>> they are nearly useless. Flat speakers are still the best option by
<br\>> far in my opinion. It is the best way to be sure that what you hear
<br\>> is what they hear.
<br\>
<br\>Interesting viewpoint.
<br\>I would think all studios strive to have a flat frequency response from their
<br\>mix monitors.
<br\>But what makes you think passive monitors in general would be more "flat" that
<br\>active ones?
<br\>You still have to have an amp, be it an external or built in...
<br\>As I wrote before, PMC, Genelec, Quested are a few examples of manufacturers of
<br\>active monitors of
<br\>excellent quality and their products are found in many major studios around the
<br\>world.
<br\>It's also worth noting that actives only been able to truly compete with a
<br\>passive setup the last
<br\>few years it. especially in terms of price.
<br\>
<br\>Either way, the acoustics of your control room is by far more important than the
<br\>choice between
<br\>active or passive monitors.
<br\>
<br\>Regarding recording technique/channel separation.
<br\>I've never recorded each channel by it's own. I can see both the pro's and con's
<br\>in doing so
<br\>though. I only one GB onto 2 tracks. Usually the wave channel gets it's own
<br\>output as it's volume
<br\>is harder to tame within the GB itself.
<br\>Compression I use very sparsely (often not at all) on chip music. Instead I
<br\>prefer some fader
<br\>riding when needed.
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       ___________________________________________________
<br\>Sök efter kärleken!
<br\>Hitta din tvillingsjäl på Yahoo! Dejting: http://se.meetic.yahoo.net
<br\>


Message:
<br\>
> But what makes you think passive monitors in general would be
<br\>> more "flat" that active ones?
<br\>
<br\>I think Chris means more like consumer grade speakers rather than passive
<br\>studio monitors.. something like the good ol' NS-10 theory: check your mix
<br\>on shitty speakers so u'll know what the average will hear.
<br\>
<br\>
<br\>> Regarding recording technique/channel separation.
<br\>> I've never recorded each channel by it's own. I can see both the
<br\>> pro's and con's in doing so
<br\>> though. I only one GB onto 2 tracks. Usually the wave channel
<br\>> gets it's own output as it's volume
<br\>> is harder to tame within the GB itself.
<br\>> Compression I use very sparsely (often not at all) on chip music.
<br\>> Instead I prefer some fader
<br\>> riding when needed.
<br\>
<br\>Indeed, compression on separate tracks is pretty difficult, especially with
<br\>the very coarse dynamic range of the gameboy's output. I guess if you start
<br\>processing it a lot and get off the 'pure' / 'original' sound, then your
<br\>signal might end being more 'subtle' and you might be able to use some.
<br\>
<br\>I only use a hard compression on the master to blow the level off the scale
<br\>:)
<br\>


Message:
<br\>
> I think Chris means more like consumer grade speakers rather than passive
<br\>> studio monitors.. something like the good ol' NS-10 theory: check your mix
<br\>> on shitty speakers so u'll know what the average will hear.
<br\>
<br\>I'm in favour of checking a mix on many different speakers and hifi setups. I
<br\>even have a pair of
<br\>shitty Creative computer speakers for this purpose in my studio.
<br\>But if this is what Chris means, then I find the term "flat" a tad misleading.
<br\>:)
<br\>
<br\>Btw, the ns-10's are actually very good speaker if only properly amp'ed. That's
<br\>unfortunately
<br\>rarely the case though. :(
<br\>
<br\>> I only use a hard compression on the master to blow the level off the scale
<br\>
<br\>:D
<br\>
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
What will also work quite well is to test how your track sounds on the
<br\>internal speaker of the gameboy.
<br\>If it sounds good there it will probably sound quite good everywhere..
<br\>
<br\>greets, Gijs
<br\>
<br\>On 7/30/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>>
<br\>>
<br\>> > I think Chris means more like consumer grade speakers rather than
<br\>> passive
<br\>> > studio monitors.. something like the good ol' NS-10 theory: check your
<br\>> mix
<br\>> > on shitty speakers so u'll know what the average will hear.
<br\>>
<br\>> I'm in favour of checking a mix on many different speakers and hifi
<br\>> setups. I even have a pair of
<br\>> shitty Creative computer speakers for this purpose in my studio.
<br\>> But if this is what Chris means, then I find the term "flat" a tad
<br\>> misleading. :)
<br\>>
<br\>> Btw, the ns-10's are actually very good speaker if only properly amp'ed.
<br\>> That's unfortunately
<br\>> rarely the case though. :(
<br\>>
<br\>> > I only use a hard compression on the master to blow the level off the
<br\>> scale
<br\>>
<br\>> :D
<br\>>
<br\>> /tRasH
<br\>>
<br\>> __________________________________________________________
<br\>> Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>> Jämför pris på flygbiljetter och hotellrum här:
<br\>> http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>http://gieskes.nl
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
hi list,
<br\>
<br\>I produce and record my chiptune tracks on a Sony TC-156 cassette
<br\>recorder.
<br\>
<br\>Sometimes I go thru a 4 channel mixer with the mic gains on plus.
<br\>So i got some nice tape distortion.then i recorded the tunes via adc.
<br\>
<br\>If i feel tweaky i record the channels one by one and put some effects
<br\>like filter and delay on it.in this case arrangement is done with
<br\>ableton live.
<br\>
<br\>
<br\>carfil
<br\>


Message:
<br\>
Being a big Trashcanman fan, I find it hard to push this too hard. :-)
<br\>
<br\>////////
<br\>tRasH cAn maN wrote:
<br\>
<br\>I'm in favour of checking a mix on many different speakers and hifi
<br\>setups. I even have a pair of
<br\>shitty Creative computer speakers for this purpose in my studio.
<br\>But if this is what Chris means, then I find the term "flat" a tad
<br\>misleading. :)
<br\>
<br\>Btw, the ns-10's are actually very good speaker if only properly
<br\>amp'ed. That's unfortunately
<br\>rarely the case though. :(
<br\>/////////
<br\>
<br\>I meant flat, not just cheap. NS-10M's were the standard for flat
<br\>speakers for a long time and I used them for a while. I moved to KRKs
<br\>more recently which are not great, but good, relatively flat response
<br\>monitors for the money. Yes, you are right I should not equate
<br\>passive with flat- in the past it was more true. I love the genelecs
<br\>but they were always too expensive for me and they did color the
<br\>sound  somewhat. Maybe that has changed since I last shopped for
<br\>speakers.
<br\>
<br\>I agree that mix room acoustics is very important also. I sometimes
<br\>monitor very quietly to get around too much interference from the
<br\>crappy acoustics of my room. Checking a mix at a low volume can be
<br\>really useful. Something like the same idea as Gijs mentioned with
<br\>checking it on a gameboy speaker.
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
--- chris burke <cburke@...> wrote:
<br\>
<br\>> Being a big Trashcanman fan, I find it hard to push this too hard. :-)
<br\>
<br\>I think I can take it! ;)
<br\>I find it especially fun that there are chippers here also into pro audio.
<br\>
<br\>> I love the genelecs
<br\>> but they were always too expensive for me and they did color the
<br\>> sound  somewhat. Maybe that has changed since I last shopped for
<br\>> speakers.
<br\>
<br\>I think the newer genelecs (80x0 series) have a slightly hyped bottom. The 103x
<br\>series however are
<br\>nothing short of excellent! A bit expensive though...
<br\>
<br\>> Checking a mix at a low volume can be
<br\>> really useful.
<br\>
<br\>Absolutely. As you say, better to mix at a lower volume if you're acoustics
<br\>aren't the best.
<br\>Personally I find it easier to hear compression settings at lower volumes.
<br\>
<br\>Cheers,
<br\>tRasH cAn maN
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
i have to own up to being a victim/beneficiary of both approaches...
<br\>but ultimately in my case it's whether it's a professional project,
<br\>and what the point of the project is... if i go the whole seperate
<br\>tracks way , i lay down a 2 track midi triggered 1 gb guide of it gb
<br\>playing all thracks, so to over use one eno's obliques 'when given a
<br\>choice do both'...for a proper release that's what i do, adding the
<br\>seperate tracks (dedicated to 2 tracks each on the recorder so as
<br\>preserve stereocity...) but then one gets tempted to use , say a old
<br\>grey for the noise track for variety(when copled with the other guide
<br\>track too is nice but can get muddy) and maybe a gb color for the wav
<br\>channel track... shit now it's not purist anymore dammit!! but digital
<br\>noise has some interesting layers if allowed to exist even at
<br\>different points of the process imo...
<br\>
<br\>jksine
<br\>
<br\>
<br\>http://receptorsmusic.com
<br\>
<br\>--- In lsdj@yahoogroups.com, chris burke <cburke@...> wrote:
<br\>>
<br\>> Being a big Trashcanman fan, I find it hard to push this too hard. :-)
<br\>>
<br\>> ////////
<br\>> tRasH cAn maN wrote:
<br\>>
<br\>> I'm in favour of checking a mix on many different speakers and hifi
<br\>> setups. I even have a pair of
<br\>> shitty Creative computer speakers for this purpose in my studio.
<br\>> But if this is what Chris means, then I find the term "flat" a tad
<br\>> misleading. :)
<br\>>
<br\>> Btw, the ns-10's are actually very good speaker if only properly
<br\>> amp'ed. That's unfortunately
<br\>> rarely the case though. :(
<br\>> /////////
<br\>>
<br\>> I meant flat, not just cheap. NS-10M's were the standard for flat
<br\>> speakers for a long time and I used them for a while. I moved to KRKs
<br\>> more recently which are not great, but good, relatively flat response
<br\>> monitors for the money. Yes, you are right I should not equate
<br\>> passive with flat- in the past it was more true. I love the genelecs
<br\>> but they were always too expensive for me and they did color the
<br\>> sound  somewhat. Maybe that has changed since I last shopped for
<br\>> speakers.
<br\>>
<br\>> I agree that mix room acoustics is very important also. I sometimes
<br\>> monitor very quietly to get around too much interference from the
<br\>> crappy acoustics of my room. Checking a mix at a low volume can be
<br\>> really useful. Something like the same idea as Gijs mentioned with
<br\>> checking it on a gameboy speaker.
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>


Message:
<br\>
and as a follow up i would like to say that i think farkin glomaggot
<br\>is heads above most everyone i've heard in this scene as far as
<br\>awesome sounding recording, period!
<br\>
<br\>er okey
<br\>
<br\>:)
<br\>
<br\>kslime j
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "receptorsmusic" <jeremy@...> wrote:
<br\>>
<br\>>
<br\>>
<br\>> i have to own up to being a victim/beneficiary of both approaches...
<br\>> but ultimately in my case it's whether it's a professional project,
<br\>> and what the point of the project is... if i go the whole seperate
<br\>> tracks way , i lay down a 2 track midi triggered 1 gb guide of it gb
<br\>> playing all thracks, so to over use one eno's obliques 'when given a
<br\>> choice do both'...for a proper release that's what i do, adding the
<br\>> seperate tracks (dedicated to 2 tracks each on the recorder so as
<br\>> preserve stereocity...) but then one gets tempted to use , say a old
<br\>> grey for the noise track for variety(when copled with the other guide
<br\>> track too is nice but can get muddy) and maybe a gb color for the wav
<br\>> channel track... shit now it's not purist anymore dammit!! but digital
<br\>> noise has some interesting layers if allowed to exist even at
<br\>> different points of the process imo...
<br\>>
<br\>> jksine
<br\>>
<br\>>
<br\>> http://receptorsmusic.com
<br\>>
<br\>> --- In lsdj@yahoogroups.com, chris burke <cburke@> wrote:
<br\>> >
<br\>> > Being a big Trashcanman fan, I find it hard to push this too hard. :-)
<br\>> >
<br\>> > ////////
<br\>> > tRasH cAn maN wrote:
<br\>> >
<br\>> > I'm in favour of checking a mix on many different speakers and hifi
<br\>> > setups. I even have a pair of
<br\>> > shitty Creative computer speakers for this purpose in my studio.
<br\>> > But if this is what Chris means, then I find the term "flat" a tad
<br\>> > misleading. :)
<br\>> >
<br\>> > Btw, the ns-10's are actually very good speaker if only properly
<br\>> > amp'ed. That's unfortunately
<br\>> > rarely the case though. :(
<br\>> > /////////
<br\>> >
<br\>> > I meant flat, not just cheap. NS-10M's were the standard for flat
<br\>> > speakers for a long time and I used them for a while. I moved to
<br\>KRKs
<br\>> > more recently which are not great, but good, relatively flat
<br\>response
<br\>> > monitors for the money. Yes, you are right I should not equate
<br\>> > passive with flat- in the past it was more true. I love the genelecs
<br\>> > but they were always too expensive for me and they did color the
<br\>> > sound  somewhat. Maybe that has changed since I last shopped for
<br\>> > speakers.
<br\>> >
<br\>> > I agree that mix room acoustics is very important also. I sometimes
<br\>> > monitor very quietly to get around too much interference from the
<br\>> > crappy acoustics of my room. Checking a mix at a low volume can be
<br\>> > really useful. Something like the same idea as Gijs mentioned with
<br\>> > checking it on a gameboy speaker.
<br\>> >
<br\>> > [Non-text portions of this message have been removed]
<br\>> >
<br\>>
<br\>


Message:
<br\>
and of course firestARTer's stuff sounds amazing.. which i'm guessing
<br\>must be seperately tracked ...
<br\>
<br\>
<br\>
<br\>on my last mwa thing for retinscan i went straight in 2 channels, but
<br\>that was the point of that album.. i must say it sounds as good as
<br\>when i tracked too, but that may be some great mastering from burkhard
<br\>maybe ..
<br\>
<br\>
<br\>> and as a follow up i would like to say that i think farkin glomaggot
<br\>> is heads above most everyone i've heard in this scene as far as
<br\>> awesome sounding recording, period!
<br\>>
<br\>> er okey
<br\>>
<br\>> :)
<br\>>
<br\>> kslime j
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "receptorsmusic" <jeremy@> wrote:
<br\>> >
<br\>> >
<br\>> >
<br\>> > i have to own up to being a victim/beneficiary of both approaches...
<br\>> > but ultimately in my case it's whether it's a professional project,
<br\>> > and what the point of the project is... if i go the whole seperate
<br\>> > tracks way , i lay down a 2 track midi triggered 1 gb guide of it gb
<br\>> > playing all thracks, so to over use one eno's obliques 'when given a
<br\>> > choice do both'...for a proper release that's what i do, adding the
<br\>> > seperate tracks (dedicated to 2 tracks each on the recorder so as
<br\>> > preserve stereocity...) but then one gets tempted to use , say a old
<br\>> > grey for the noise track for variety(when copled with the other guide
<br\>> > track too is nice but can get muddy) and maybe a gb color for the wav
<br\>> > channel track... shit now it's not purist anymore dammit!! but digital
<br\>> > noise has some interesting layers if allowed to exist even at
<br\>> > different points of the process imo...
<br\>> >
<br\>> > jksine
<br\>> >
<br\>> >
<br\>> > http://receptorsmusic.com
<br\>> >
<br\>> > --- In lsdj@yahoogroups.com, chris burke <cburke@> wrote:
<br\>> > >
<br\>> > > Being a big Trashcanman fan, I find it hard to push this too
<br\>hard. :-)
<br\>> > >
<br\>> > > ////////
<br\>> > > tRasH cAn maN wrote:
<br\>> > >
<br\>> > > I'm in favour of checking a mix on many different speakers and
<br\>hifi
<br\>> > > setups. I even have a pair of
<br\>> > > shitty Creative computer speakers for this purpose in my studio.
<br\>> > > But if this is what Chris means, then I find the term "flat" a tad
<br\>> > > misleading. :)
<br\>> > >
<br\>> > > Btw, the ns-10's are actually very good speaker if only properly
<br\>> > > amp'ed. That's unfortunately
<br\>> > > rarely the case though. :(
<br\>> > > /////////
<br\>> > >
<br\>> > > I meant flat, not just cheap. NS-10M's were the standard for flat
<br\>> > > speakers for a long time and I used them for a while. I moved to
<br\>> KRKs
<br\>> > > more recently which are not great, but good, relatively flat
<br\>> response
<br\>> > > monitors for the money. Yes, you are right I should not equate
<br\>> > > passive with flat- in the past it was more true. I love the
<br\>genelecs
<br\>> > > but they were always too expensive for me and they did color the
<br\>> > > sound  somewhat. Maybe that has changed since I last shopped for
<br\>> > > speakers.
<br\>> > >
<br\>> > > I agree that mix room acoustics is very important also. I
<br\>sometimes
<br\>> > > monitor very quietly to get around too much interference from the
<br\>> > > crappy acoustics of my room. Checking a mix at a low volume can be
<br\>> > > really useful. Something like the same idea as Gijs mentioned with
<br\>> > > checking it on a gameboy speaker.
<br\>> > >
<br\>> > > [Non-text portions of this message have been removed]
<br\>> > >
<br\>> >
<br\>>
<br\>


Message:
<br\>
uh. friends...
<br\>
<br\>I'm just lazy.
<br\>
<br\>I love easyness in gameboy.
<br\>
<br\>will try to mix with cheaper as possible gear some time...
<br\>
<br\>like a conceptual thing :)
<br\>
<br\>cheap music.
<br\>
<br\>love you all! this list is just great.
<br\>
<br\>love. Ignacio.
<br\>anyone technique is the best. heaven is in our works.
<br\>
<br\>
<br\>--- chris burke <cburke@...> escribió:
<br\>
<br\>>
<br\>> Bud wrote:
<br\>>
<br\>> haha and now I will disagree with you. Levels are definitely
<br\>> important in digital. The closer you can get to 0 without clipping,
<br\>> the better the resolution for the vertical axis of the waveform.
<br\>>
<br\>>
<br\>> Yes, that is true. But it is no where near as important as it was
<br\>> when recording to tape, and that was my point. As for the resolution
<br\>> advantage you get from really being anal about getting as hot as
<br\>> possible, I have never heard the difference between being somewhat
<br\>> close, which is easy, and being very close, which can be quite time
<br\>> consuming and dangerous as you can clip and not see it on your meters.
<br\>>
<br\>> As for the monitoring debate, hmm. I think some of you misunderstood
<br\>> me. Yes powered speakers are great. I have some. They make my music
<br\>> sound lovely- but- no one will ever hear it that way, so for mixing
<br\>> they are nearly useless. Flat speakers are still the best option by
<br\>> far in my opinion. It is the best way to be sure that what you hear
<br\>> is what they hear.
<br\>>
<br\>> Ingacio wrote:
<br\>> > 4 separate gameboy tracks, will be 4 separate noise walls (in
<br\>> > addition! ).
<br\>> > You can fight against that with a noise reduction and then with a
<br\>> > noise gate
<br\>> > in each track. What will not act the same as in a dump mix.
<br\>>
<br\>>
<br\>> I usually silence the spaces between notes in any part where the
<br\>> notes are sparse. Generally, unless you have a very sparse mix, GB
<br\>> noise is drowned out easily by the music, at least to my ear.
<br\>>
<br\>> I do believe separating tracks simply gives you the most options in
<br\>> the end. I disagree that mixing in the gameboy sounds better in all
<br\>> situations. Certain instruments seem to benefit from it, others just
<br\>> get muddier. Certainly to me, any extra "authenticity" you might get
<br\>> from going stereo out of the gameboy is far outweighed by the extra
<br\>> options afforded to you by outputting to individual tracks. In every
<br\>> single mix I have done, there is some point where I have to shape one
<br\>> track with EQ that would destroy the sound and quality of another
<br\>> track. I have learned to EQ judiciously, so as to still treat the
<br\>> gameboy as an instrument rather than as a band, but this ability to
<br\>> separate when needed allows me to make the mix work the way I want it
<br\>> to.
<br\>>
<br\>> peace and love
<br\>> glomag
<br\>>
<br\>>
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Is it possible to have the HFF command stop a running table?
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Går det långsamt? Skaffa dig en snabbare bredbandsuppkoppling.
<br\>Sök och jämför hos Yahoo! Shopping.
<br\>http://shopping.yahoo.se/c-100015813-bredband.html?partnerId=96914325
<br\>


Message:
<br\>
On 03/08/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> Is it possible to have the HFF command stop a running table?
<br\>>
<br\>>  /tRasH
<br\>No need. Put a H0E on step F to get the same effect. (Or use the A00
<br\>command to jump to an empty table.)
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> No need. Put a H0E on step F to get the same effect. (Or use the A00
<br\>> command to jump to an empty table.)
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>
<br\>The former is what I've been doing so far, but I thought you could save some cpu
<br\>cycles with an
<br\>HFF. And since HFF already is implemented in phrases...
<br\>
<br\>
<br\>/t
<br\>
<br\>
<br\>       ___________________________________________________
<br\>Sök efter kärleken!
<br\>Hitta din tvillingsjäl på Yahoo! Dejting: http://se.meetic.yahoo.net
<br\>


Message:
<br\>
> Is it possible to have the HFF command stop a running table?
<br\>
<br\>I think you can already use AFF (or another invalid table number) to
<br\>get the same effect.
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
> > Is it possible to have the HFF command stop a running table?
<br\>>
<br\>> I think you can already use AFF (or another invalid table number) to
<br\>> get the same effect.
<br\>>
<br\>> Johan
<br\>
<br\>Thanks! Never thought of that.
<br\>Unfortunately the AFF command also stops an ongoing pitchbend(P) or vibrato(V)
<br\>command. A chord(C)
<br\>command however keeps going.
<br\>Perhaps this is a logic behaviour but personally I would prefer P and V to
<br\>continue.
<br\>
<br\>Cheers,
<br\>tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
> On sound cards with only one physical input however it usually
<br\>doubles as both stereo line in and
<br\>> mono microphone in. Input impedance and amplification is then
<br\>software controlled.
<br\>> So, make sure you've set line in rather than mic in as your source.
<br\>>
<br\>> Cheers,
<br\>> tRasH
<br\>
<br\>Well that certainly helps me. It clarifies what my socket is doing.
<br\>Audacity doesn't seem to like me setting line in as the source.
<br\>Doesn't recognise any signal using that setting. Further investigation
<br\>is in order....
<br\>
<br\>Cheers tRasH
<br\>


Message:
<br\>
Not seperately tracked.
<br\>Only recording and some processing which i am sure i can't repeat again ;)
<br\>
<br\>receptorsmusic schrieb:
<br\>> and of course firestARTer's stuff sounds amazing.. which i'm guessing
<br\>> must be seperately tracked ...
<br\>>
<br\>>
<br\>>
<br\>> on my last mwa thing for retinscan i went straight in 2 channels, but
<br\>> that was the point of that album.. i must say it sounds as good as
<br\>> when i tracked too, but that may be some great mastering from burkhard
<br\>> maybe ..
<br\>>
<br\>>
<br\>>
<br\>>> and as a follow up i would like to say that i think farkin glomaggot
<br\>>> is heads above most everyone i've heard in this scene as far as
<br\>>> awesome sounding recording, period!
<br\>>>
<br\>>> er okey
<br\>>>
<br\>>> :)
<br\>>>
<br\>>> kslime j
<br\>>>
<br\>>>
<br\>>> --- In lsdj@yahoogroups.com, "receptorsmusic" <jeremy@> wrote:
<br\>>>
<br\>>>>
<br\>>>> i have to own up to being a victim/beneficiary of both approaches...
<br\>>>> but ultimately in my case it's whether it's a professional project,
<br\>>>> and what the point of the project is... if i go the whole seperate
<br\>>>> tracks way , i lay down a 2 track midi triggered 1 gb guide of it gb
<br\>>>> playing all thracks, so to over use one eno's obliques 'when given a
<br\>>>> choice do both'...for a proper release that's what i do, adding the
<br\>>>> seperate tracks (dedicated to 2 tracks each on the recorder so as
<br\>>>> preserve stereocity...) but then one gets tempted to use , say a old
<br\>>>> grey for the noise track for variety(when copled with the other guide
<br\>>>> track too is nice but can get muddy) and maybe a gb color for the wav
<br\>>>> channel track... shit now it's not purist anymore dammit!! but digital
<br\>>>> noise has some interesting layers if allowed to exist even at
<br\>>>> different points of the process imo...
<br\>>>>
<br\>>>> jksine
<br\>>>>
<br\>>>>
<br\>>>> http://receptorsmusic.com
<br\>>>>
<br\>>>> --- In lsdj@yahoogroups.com, chris burke <cburke@> wrote:
<br\>>>>
<br\>>>>> Being a big Trashcanman fan, I find it hard to push this too
<br\>>>>>
<br\>> hard. :-)
<br\>>
<br\>>>>> ////////
<br\>>>>> tRasH cAn maN wrote:
<br\>>>>>
<br\>>>>> I'm in favour of checking a mix on many different speakers and
<br\>>>>>
<br\>> hifi
<br\>>
<br\>>>>> setups. I even have a pair of
<br\>>>>> shitty Creative computer speakers for this purpose in my studio.
<br\>>>>> But if this is what Chris means, then I find the term "flat" a tad
<br\>>>>> misleading. :)
<br\>>>>>
<br\>>>>> Btw, the ns-10's are actually very good speaker if only properly
<br\>>>>> amp'ed. That's unfortunately
<br\>>>>> rarely the case though. :(
<br\>>>>> /////////
<br\>>>>>
<br\>>>>> I meant flat, not just cheap. NS-10M's were the standard for flat
<br\>>>>> speakers for a long time and I used them for a while. I moved to
<br\>>>>>
<br\>>> KRKs
<br\>>>
<br\>>>>> more recently which are not great, but good, relatively flat
<br\>>>>>
<br\>>> response
<br\>>>
<br\>>>>> monitors for the money. Yes, you are right I should not equate
<br\>>>>> passive with flat- in the past it was more true. I love the
<br\>>>>>
<br\>> genelecs
<br\>>
<br\>>>>> but they were always too expensive for me and they did color the
<br\>>>>> sound  somewhat. Maybe that has changed since I last shopped for
<br\>>>>> speakers.
<br\>>>>>
<br\>>>>> I agree that mix room acoustics is very important also. I
<br\>>>>>
<br\>> sometimes
<br\>>
<br\>>>>> monitor very quietly to get around too much interference from the
<br\>>>>> crappy acoustics of my room. Checking a mix at a low volume can be
<br\>>>>> really useful. Something like the same idea as Gijs mentioned with
<br\>>>>> checking it on a gameboy speaker.
<br\>>>>>
<br\>>>>> [Non-text portions of this message have been removed]
<br\>>>>>
<br\>>>>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
Anyone use LSDJ without the drum kit samples?

Message:
<br\>
I run LSDJ on Goomba emulator on a DS so my drum samples don't work
<br\>properly.
<br\>
<br\>I'm just wondering if this is a major drawback for me.  Anyone have
<br\>examples of music which dont use the kits?
<br\>


Message:
<br\>
Just for the record;
<br\>I made a few compares and none of them added up.
<br\>A new battery from Rob Webb did the trick though!
<br\>Now it's all good.
<br\>
<br\>/t
<br\>
<br\>--- Bruce Harris <nitro2k01@...> wrote:
<br\>> Do this:
<br\>> 1) Transfer the sav to the cart
<br\>> 2) Put the cart in the GB, turn it on, but turn it off immediately.
<br\>> (Don't let the Nintendo graphis scroll to the end so that LSDj starts)
<br\>> 3) Transfer the S-RAM back to the computer and save it to a new file.
<br\>> 4) Compare the two files. If you don't know how to compare files, zip
<br\>> them up and send to me in private, and I'll compare them for you.
<br\>>
<br\>> On 15/06/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> > A while ago I had a crash which resulted in all the song data getting
<br\>scrambled.
<br\>> >  The strange thing is that I can't transfer any .sav to my 32MB Rob Webb
<br\>cart without it
<br\>> appearing
<br\>> >  corrupt on the gameboy. The .sav's are fine as I've check them in Visual
<br\>Boy Advance and the
<br\>> >  result is the same on two different grayboys.
<br\>> >  If the battery on the cart is running out of juice, could it result in such
<br\>a behaviour?
<br\>> >
<br\>> >  I've had a quick look inside the cart and it doesn't look all that easy
<br\>replacing it. It's
<br\>> kinda
<br\>> >  small and tight in there.
<br\>> >
<br\>> >  Has anyone replaced a battery in a Rob Webb cart and could give some tips
<br\>on how to go about
<br\>> >  without messing everything in there up?
<br\>> >
<br\>> >  Thanks,
<br\>> >  tRasH
<br\>> >
<br\>> >  __________________________________________________________
<br\>> >  Hitta din nästa resa på Yahoo! Shopping.
<br\>> >  Jämför pris på flygbiljetter och hotellrum här:
<br\>> >
<br\>http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>> --
<br\>> Love. /Bruce Harris
<br\>>
<br\>> --
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>Jämför pris på flygbiljetter och hotellrum här:
<br\>http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>


Message:
<br\>
I had a rad corruption last night where a kit had a numerical value on
<br\>the distortion command and it super fucked in a good way. I was able
<br\>to select different levles of this random numerical value and get
<br\>differing levles of fuckyness. Eventually it showed the correct
<br\>distortion settings, but now I may think something like this would be
<br\>a feature request (I went back to the saved version scause the drums
<br\>just sound better).
<br\>
<br\><aybe it can be hacked with a game genie or something?
<br\>
<br\>Peter
<br\>
<br\>
<br\>
<br\>> Just for the record;
<br\>> I made a few compares and none of them added up.
<br\>> A new battery from Rob Webb did the trick though!
<br\>> Now it's all good.
<br\>>
<br\>> /t
<br\>>
<br\>> --- Bruce Harris <nitro2k01@...> wrote:
<br\>> > Do this:
<br\>> > 1) Transfer the sav to the cart
<br\>> > 2) Put the cart in the GB, turn it on, but turn it off immediately.
<br\>> > (Don't let the Nintendo graphis scroll to the end so that LSDj starts)
<br\>> > 3) Transfer the S-RAM back to the computer and save it to a new file.
<br\>> > 4) Compare the two files. If you don't know how to compare files, zip
<br\>> > them up and send to me in private, and I'll compare them for you.
<br\>> >
<br\>> > On 15/06/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> > > A while ago I had a crash which resulted in all the song data
<br\>getting scrambled.
<br\>> > >  The strange thing is that I can't transfer any .sav to my 32MB
<br\>Rob Webb cart without it
<br\>> > appearing
<br\>> > >  corrupt on the gameboy. The .sav's are fine as I've check them
<br\>in Visual Boy Advance and the
<br\>> > >  result is the same on two different grayboys.
<br\>> > >  If the battery on the cart is running out of juice, could it
<br\>result in such a behaviour?
<br\>> > >
<br\>> > >  I've had a quick look inside the cart and it doesn't look all
<br\>that easy replacing it. It's
<br\>> > kinda
<br\>> > >  small and tight in there.
<br\>> > >
<br\>> > >  Has anyone replaced a battery in a Rob Webb cart and could give
<br\>some tips on how to go about
<br\>> > >  without messing everything in there up?
<br\>> > >
<br\>> > >  Thanks,
<br\>> > >  tRasH
<br\>> > >
<br\>> > >  __________________________________________________________
<br\>> > >  Hitta din nästa resa på Yahoo! Shopping.
<br\>> > >  Jämför pris på flygbiljetter och hotellrum här:
<br\>> > >
<br\>http://shopping.yahoo.se/b/a/c_169901_resor_biljetter.html?partnerId=96914052
<br\>> > >
<br\>> >
<br\>> >
<br\>> >
<br\>> > --
<br\>> > Love. /Bruce Harris
<br\>> >
<br\>> > --
<br\>> > -----BEGIN 2ROT13 MESSAGE-----
<br\>> > Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> > Blog:
<br\>> > <http://gameboygenius.8bitcollective.com/>
<br\>> > Sätt på ett par flipflops, vippa på rumpan
<br\>> > och gör det här till en minnesvärd sommar!
<br\>> > -----END 2ROT13 MESSAGE-----
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>>       __________________________________________________________
<br\>> Fly(g) från regnet - sök efter resor hos Yahoo! Shopping.
<br\>> Jämför pris på flygbiljetter och hotellrum här:
<br\>>
<br\>http://shopping.yahoo.se/c-169901-resor-biljetter.html?partnerId=96914052
<br\>>
<br\>


Message:
<br\>
> I had a rad corruption last night where a kit had a numerical value on
<br\>> the distortion command and it super fucked in a good way. I was able
<br\>> to select different levles of this random numerical value and get
<br\>> differing levles of fuckyness. Eventually it showed the correct
<br\>> distortion settings, but now I may think something like this would be
<br\>> a feature request (I went back to the saved version scause the drums
<br\>
<br\>I think (if I remember right) if you press A+LEFT enough times, it's
<br\>possible to set the distortion to any crazy value.
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
I uploaded a 7 minute video of excerpts from each of the performances
<br\>at Laboral Centro De Arte y Architectura in Gijon, Spain on July 27th.
<br\>
<br\>glomag
<br\>rabato
<br\>bubblyfish
<br\>yes, robot
<br\>
<br\>and Entter on video!
<br\>
<br\>http://www.glomag.com/video/Laboral_8Bit_S3.mov
<br\>
<br\>The sound is pretty distorted in parts. Couldn't tell while shooting.
<br\>
<br\>We also ran 2 days of LSDJ and Nanoloop workshops at Laboral  which,
<br\>while under-attended, were great fun.
<br\>First lesson: Fist Pump! On the pulse-kick!
<br\>Thanks to Johan and Oliver for the use of your amazing software.
<br\>
<br\>A very important shout-out is in order to the 8 Bit Operators who
<br\>contributed pieces of Pocket Calculator for the mega mix. My live
<br\>performance of this track starts with my version and segues into the
<br\>mega mix on laptop using Reason and/or Live. The artists who
<br\>contributed parts (some of which you can hear in the video) are:
<br\>0x7f, Bit Shifter, glomag, Hey Kid Nice Robot, Ladybug, M-.-n,
<br\>Nullsleep, Psilodump, Random, Sidabitball, and David E Sugar.
<br\>
<br\>We had a really great time in Spain. Laboral is amazing and the
<br\>Gameworld Exhibit was exceptional.
<br\>
<br\>w00t!
<br\>
<br\>glomaggot
<br\>


Message:
<br\>
>Well that certainly helps me. It clarifies what my socket is doing.
<br\>  >Audacity doesn't seem to like me setting line in as the source.
<br\>  >Doesn't recognise any signal using that setting. Further investigation
<br\>  >is in order....
<br\>
<br\>I have a HP nx7000 and I had to find out that the mic in really is only
<br\>a mic in, meaning: mono and with crappy preamp. I had to find this ot
<br\>the hard way, too. Guess you have to be very lucky to find a laptop
<br\>computer that has a line in...
<br\>


Message:
<br\>
Something happened to me last saturday quite weird.
<br\>I've took the plane for gig last saturday. And while i was waiting, i
<br\>was about to finish a track on the GB.
<br\>Then i went to check-in and all, and then to the X-ray.
<br\>For the moment no problem.
<br\>
<br\>I get in the plan, switch on the gameboy. Load my bloody acid track
<br\>and then! Boom! LSDJ was just loading, loading loading........ in
<br\>loop! Never stop loading! i switched off the gameboy, then i've tried
<br\>to load another track. Same thing!
<br\>
<br\>So i've loaded an empty track. it loaded succesfully. Done some quick
<br\>paterns and instruments, then i've saved. Reloaded it. And it works!!!
<br\>
<br\>But no way to load all my new tracks i was meant to play this night!
<br\>
<br\>Quite disapointing!
<br\>
<br\>But thx, the other cardbridges was ok.
<br\>
<br\>
<br\>So back home i've tried to save the .sav file, and reload it to
<br\>another cardbridge, and it was the same!!! Any clue?? I can post the
<br\>.sav somewhere so u can see the prbl if u feel like to fix it.
<br\>
<br\>peace out!
<br\>
<br\>yvan
<br\>


Message:
<br\>
>I think (if I remember right) if you press A+LEFT enough times, it's
<br\>  >possible to set the distortion to any crazy value.
<br\>
<br\>Seems like LSDJ got too complex, finally. You're forgetting features
<br\>you've implemented. Or does that happen all the time?
<br\>


Message:
<br\>
> I think (if I remember right) if you press A+LEFT enough times, it's
<br\>> possible to set the distortion to any crazy value.
<br\>>
<br\>> Johan
<br\>
<br\>Wow! An easter egg!
<br\>
<br\>Thanks!
<br\>[/tRasH off to seriously distort stuff/]
<br\>
<br\>/tRasH
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Går det långsamt? Skaffa dig en snabbare bredbandsuppkoppling.
<br\>Sök och jämför hos Yahoo! Shopping.
<br\>http://shopping.yahoo.se/c-100015813-bredband.html?partnerId=96914325
<br\>


Message:
<br\>
On 09/08/07, tRasH cAn maN <ichbinladin@...> wrote:
<br\>> > I think (if I remember right) if you press A+LEFT enough times, it's
<br\>>  > possible to set the distortion to any crazy value.
<br\>>  >
<br\>>  > Johan
<br\>>
<br\>>  Wow! An easter egg!
<br\>Nah, I think it's even covered in the manual. (Maybe not in new
<br\>versions of the manual?)
<br\>Also, the sound might differ between LSDj versions since this feature
<br\>reads data from the memory locations you choose, which maight be code
<br\>that changes between program versions.
<br\>
<br\>Check out the beginning of my song jump, available here:
<br\><http://tunesquare.com/default.asp?pg=profile&mID=84>
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
>  >I think (if I remember right) if you press A+LEFT enough times, it's
<br\>>  >possible to set the distortion to any crazy value.
<br\>>
<br\>> Seems like LSDJ got too complex, finally. You're forgetting features
<br\>> you've implemented. Or does that happen all the time?
<br\>
<br\>See it as a kind of faked humble attitude.  In reality, of course I
<br\>have 100% iron control over all features of the program, external,
<br\>internal and even implied. But I wouldn't admit this to people who
<br\>haven't even rote learned the manual yet.
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Yo!
<br\>
<br\>Back from summer lazyness I discovered this thread, and saw my name
<br\>mentioned :-)
<br\>
<br\>Great compo idea, dunno if I'll have time to make it in time, I still
<br\>have the good ole "enkanalaren" ("theonechanneler") laying about, but
<br\>it's a bit rough, and I would like to make something new but I'll be
<br\>busy this weekend. Perhaps the contest end time could be delayed?
<br\>
<br\>I got the idea from Crazy Q who performed at microdisko with a
<br\>one-track atari song who blew me away (like all his tracks does, heh).
<br\>
<br\>This is a very cool thing to try out for anyone who haven't. Having
<br\>that creative limitation does things to the structure and groove of
<br\>the song, that you wouldn't normally think of creating. And it's good
<br\>thing to practice in order to use when you're out of channels.
<br\>
<br\>Cornbeast / Fredrik
<br\>
<br\>> > -----Original Message-----
<br\>> > From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of Sam
<br\>> > Albaniensson
<br\>> > Sent: lundi 23 juillet 2007 3:59
<br\>> > To: lsdj@yahoogroups.com
<br\>> > Subject: [LSDj!] Channel 3 compo
<br\>> >
<br\>> >
<br\>> > Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>> >
<br\>> > Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> > by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> > starting a competition for LSDj songs using only ch3, aka the wave
<br\>> > channel. Sorry for stealing your idea, Gijs...
<br\>> >
<br\>> > The rules are as follows:
<br\>> > * The song should be composed using Little Sound Dj on your favourite
<br\>> > Gameboy model or emulator.
<br\>> > * Every person may submit up to three tracks to the competition.
<br\>> > * The song(s) must only use channel 3 for producing. If needed an
<br\>> > additional track may be used for using the T and M commands. This
<br\>> > track is not allowed to do anything else than that.
<br\>> > * For the sake of keeping it fair, only the 16 standard kits included
<br\>> > in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> > * The song(s) should each be under 3 minutes long
<br\>> > * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> > be counted as entries.
<br\>> > * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> > * The compo will be decided through a vote process among members of
<br\>> > 8bc and te LSDj mailing list. Details will follow.
<br\>> > * At the moment I can't give a prize to the winner, except the honor.
<br\>> > The objective of the compo is rather to inspire people to create and
<br\>> > push the software and hardware to the limits.
<br\>> >
<br\>> > Good luck!
<br\>> >
<br\>> > Some valuable discussion and information:
<br\>> > http://8bc.org/forums/viewtopic.php?id=381
<br\>


Message:
<br\>
> internal and even implied. But I wouldn't admit this to people who
<br\>> haven't even rote learned the manual yet.
<br\>
<br\>There's a manual??  ;)
<br\>


Message:
<br\>
awesome! Entter's video work is great too..
<br\>looks like it was a great show all round! thanks
<br\>hope you don't mind i posted it on the 8bops myspace page etc..
<br\>
<br\>j
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, chris burke <cburke@...> wrote:
<br\>>
<br\>> I uploaded a 7 minute video of excerpts from each of the performances
<br\>> at Laboral Centro De Arte y Architectura in Gijon, Spain on July 27th.
<br\>>
<br\>> glomag
<br\>> rabato
<br\>> bubblyfish
<br\>> yes, robot
<br\>>
<br\>> and Entter on video!
<br\>>
<br\>> http://www.glomag.com/video/Laboral_8Bit_S3.mov
<br\>>
<br\>> The sound is pretty distorted in parts. Couldn't tell while shooting.
<br\>>
<br\>> We also ran 2 days of LSDJ and Nanoloop workshops at Laboral  which,
<br\>> while under-attended, were great fun.
<br\>> First lesson: Fist Pump! On the pulse-kick!
<br\>> Thanks to Johan and Oliver for the use of your amazing software.
<br\>>
<br\>> A very important shout-out is in order to the 8 Bit Operators who
<br\>> contributed pieces of Pocket Calculator for the mega mix. My live
<br\>> performance of this track starts with my version and segues into the
<br\>> mega mix on laptop using Reason and/or Live. The artists who
<br\>> contributed parts (some of which you can hear in the video) are:
<br\>> 0x7f, Bit Shifter, glomag, Hey Kid Nice Robot, Ladybug, M-.-n,
<br\>> Nullsleep, Psilodump, Random, Sidabitball, and David E Sugar.
<br\>>
<br\>> We had a really great time in Spain. Laboral is amazing and the
<br\>> Gameworld Exhibit was exceptional.
<br\>>
<br\>> w00t!
<br\>>
<br\>> glomaggot
<br\>>
<br\>


Message:
<br\>
On 09/08/07, budmelvin <budmelvin@...> wrote:
<br\>> > internal and even implied. But I wouldn't admit this to people who
<br\>>  > haven't even rote learned the manual yet.
<br\>>
<br\>>  There's a manual??  ;)
<br\>Of course! How have you gotten around with only the automatic gear for
<br\>so long? (;
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
Does anybody knows where can i find(download) the 8 bit movie?
<br\>   Here is the trailer : http://www.youtube.com/watch?v=78mZVgLye5Q
<br\>
<br\>   cheers.
<br\>
<br\>
<br\>---------------------------------
<br\>  ×ñçóéìïðïéåßôå Yahoo!
<br\>  ÂáñåèÞêáôå ôá åíï÷ëçôéêÜ ìçíý ìáôá (spam); Ôï Yahoo! Mail äéáèÝôåé ôçí êáëýôåñç
<br\>äõíáôÞ ðñïóôáóßá êáôÜ ôùí åíï÷ëçôéêþí ìçíõìÜôùí
<br\>  http://login.yahoo.com/config/mail?.intl=gr
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
<http://www.8bitmovie.com/>
<br\>The official homepage ^^, but I don't think it's for sale/download, AFAICS.
<br\>
<br\>On 09/08/07, marios mix <mariosmixal@...> wrote:
<br\>> Does anybody knows where can i find(download) the 8 bit movie?
<br\>>   Here is the trailer : http://www.youtube.com/watch?v=78mZVgLye5Q
<br\>>
<br\>>   cheers.
<br\>>
<br\>>
<br\>> ---------------------------------
<br\>>  Î§ÏÎ·ÏƒÎ¹Î¼Î¿Ï€Î¿Î¹ÎµÎ¯Ï„Îµ Yahoo!
<br\>>  Î’Î±ÏÎµÎ¸Î®ÎºÎ±Ï„Îµ Ï„Î± ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÎ¬ Î¼Î·Î½Ï Î¼Î±Ï„Î± (spam); Î¤Î¿
<br\>Yahoo! Mail Î´Î¹Î±Î¸Î­Ï„ÎµÎ¹ Ï„Î·Î½ ÎºÎ±Î»ÏÏ„ÎµÏÎ· Î´Ï…Î½Î±Ï„Î®
<br\>Ï€ÏÎ¿ÏƒÏ„Î±ÏƒÎ¯Î± ÎºÎ±Ï„Î¬ Ï„Ï‰Î½ ÎµÎ½Î¿Ï‡Î»Î·Ï„Î¹ÎºÏŽÎ½ Î¼Î·Î½Ï…Î¼Î¬Ï„Ï‰Î½
<br\>>  http://login.yahoo.com/config/mail?.intl=gr
<br\>>
<br\>> [Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>--
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA pÃ¥ Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>SÃ¤tt pÃ¥ ett par flipflops, vippa pÃ¥ rumpan
<br\>och gÃ¶r det hÃ¤r till en minnesvÃ¤rd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
...And there were like five people there with Gameboys and LSDJ and no
<br\>one could help you with a transferer...
<br\>
<br\>Still, your show was absolutely amazing. It was a shame I had a bad
<br\>headache, otherwise I would have danced my ass off.
<br\>Apart from that... You told me you do your massive basses and kicks with
<br\>the Wave channel. When I got home, I immediately fired up LSDJ to try if
<br\>I can coax out something similar. As always, I got all kinds of weird
<br\>sounds, but nothig near to yours. Would you explain how exactly you do
<br\>those Kicks, please?
<br\>
<br\>please?
<br\>
<br\>thanks,
<br\>der Warst
<br\>


Message:
<br\>
Hey Cris Cristofferson (or Chryssie Hynde)
<br\>
<br\>You guys are exceptional!  Great job!
<br\>
<br\>K!
<br\>
<br\>On 8/8/07, chris burke <cburke@...> wrote:
<br\>>
<br\>>   I uploaded a 7 minute video of excerpts from each of the performances
<br\>> at Laboral Centro De Arte y Architectura in Gijon, Spain on July 27th.
<br\>>
<br\>> glomag
<br\>> rabato
<br\>> bubblyfish
<br\>> yes, robot
<br\>>
<br\>> and Entter on video!
<br\>>
<br\>> http://www.glomag.com/video/Laboral_8Bit_S3.mov
<br\>>
<br\>> The sound is pretty distorted in parts. Couldn't tell while shooting.
<br\>>
<br\>> We also ran 2 days of LSDJ and Nanoloop workshops at Laboral which,
<br\>> while under-attended, were great fun.
<br\>> First lesson: Fist Pump! On the pulse-kick!
<br\>> Thanks to Johan and Oliver for the use of your amazing software.
<br\>>
<br\>> A very important shout-out is in order to the 8 Bit Operators who
<br\>> contributed pieces of Pocket Calculator for the mega mix. My live
<br\>> performance of this track starts with my version and segues into the
<br\>> mega mix on laptop using Reason and/or Live. The artists who
<br\>> contributed parts (some of which you can hear in the video) are:
<br\>> 0x7f, Bit Shifter, glomag, Hey Kid Nice Robot, Ladybug, M-.-n,
<br\>> Nullsleep, Psilodump, Random, Sidabitball, and David E Sugar.
<br\>>
<br\>> We had a really great time in Spain. Laboral is amazing and the
<br\>> Gameworld Exhibit was exceptional.
<br\>>
<br\>> w00t!
<br\>>
<br\>> glomaggot
<br\>>
<br\>>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Hi all
<br\>
<br\>I use LSDJ demo on a DS so Im pretty much screwed when it comes to the
<br\>drum samples.
<br\>
<br\>Im just wondering how many of you do not use the drum samples? Does
<br\>anyone have song samples which do not use them?
<br\>


Message:
<br\>
Hello, everyone.  I've been inspired to step into the realm of
<br\>chiptunes and LSDj.  I am at the very beginning.. hoping to make
<br\>contact with some people who know something.  I understand that LSDj
<br\>is no longer being produced on cartridges but that there are still
<br\>ways around this.  Right now, I am trying my best to figure out what
<br\>equipment to buy (for starters, I'm looking into GameBoys and am
<br\>thinking of getting one of the old, classic gray ones or a GB Color.
<br\>I hardly know where to begin my quest of being able to use LSDj,
<br\>though.  Can anyone offer a suggestion or two on a) equipment, and b)
<br\>how to acquire LSDj and start making some tunes?  I apologize if this
<br\>type of question should not be asked here.
<br\>
<br\>Jon
<br\>


Message:
<br\>
> Im just wondering how many of you do not use the drum samples? Does
<br\>> anyone have song samples which do not use them?
<br\>
<br\>Hi!
<br\>
<br\>Honestly most of the Gameboy tracks I made use samples. But I also
<br\>made a few that don't use them - and I like them among the best. Drum
<br\>samples can be a little lazy sometimes, I think tracks that don't use
<br\>sampled drums generally come off as more organic, interesting and
<br\>dynamic to me.
<br\>
<br\>Johan
<br\>
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Subject:
Re: [LSDj!] Anyone use LSDJ without the drum kit samples?

Message:
<br\>
I seldom use the kits lately, as I like to use the wav
<br\>channel for other things...
<br\>
<br\>Kjell / flegmatical
<br\>
<br\>--- jonny_g2000uk <jonny_g2000uk@...> wrote:
<br\>
<br\>> I run LSDJ on Goomba emulator on a DS so my drum
<br\>> samples don't work
<br\>> properly.
<br\>>
<br\>> I'm just wondering if this is a major drawback for
<br\>> me.  Anyone have
<br\>> examples of music which dont use the kits?
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Choose the right car based on your needs.  Check out Yahoo! Autos new Car Finder
<br\>tool.
<br\>http://autos.yahoo.com/carfinder/
<br\>


Message:
<br\>
Yeah.. same here. Using samples on the wav channels kills one possible
<br\>melodic channel so better of using the noise channels to emulate drums. I
<br\>nearly never used the kits.
<br\>
<br\>> I seldom use the kits lately, as I like to use the wav
<br\>> channel for other things...
<br\>


Message:
<br\>
On Sat, Aug 11, 2007 at 01:22:44AM -0000, jonrossijon wrote:
<br\>> Hello, everyone.  I've been inspired to step into the realm of
<br\>> chiptunes and LSDj.  I am at the very beginning.. hoping to make
<br\>> contact with some people who know something.  I understand that LSDj
<br\>> is no longer being produced on cartridges but that there are still
<br\>> ways around this.  Right now, I am trying my best to figure out what
<br\>> equipment to buy (for starters, I'm looking into GameBoys and am
<br\>> thinking of getting one of the old, classic gray ones or a GB Color.
<br\>> I hardly know where to begin my quest of being able to use LSDj,
<br\>> though.  Can anyone offer a suggestion or two on a) equipment, and b)
<br\>> how to acquire LSDj and start making some tunes?  I apologize if this
<br\>> type of question should not be asked here.
<br\>>
<br\>> Jon
<br\>>
<br\>
<br\>Welcome to the group Jon! I just got into LSDJ less than a year ago, and
<br\>here's what I did.  Minimally, you need a gameboy (obviously), of which
<br\>I'd definitely recommend the old grey style for its superior sound
<br\>output. You will also need a writable gameboy cart and a device to write
<br\>to it. You can acquire both of these at either Robb Webb's site:
<br\>http://www.rob.clara.co.uk/shop/copiers/copiers.htm or Lameboy's site:
<br\>http://lowgain-audio.com/shop.htm  Personally, I purchased the
<br\>transferer/two cartridge set from Robb Webb because Lameboy had just
<br\>started selling cartridges and I hadn't known about him yet. And last
<br\>(but certainly not least) you have to buy a license to download and use
<br\>the LSDJ rom from http://littlesounddj.com for $30. Once all of your
<br\>items are acquired, you simply write LSDJ onto a cartridge using the
<br\>software on Robb Webb's site, and voila! You have an LSDJ cart to start
<br\>jammin with. This may help you as well: http://wiki.littlesounddj.com
<br\>Good luck!
<br\>
<br\>--
<br\>Jeremy O'Brien aka neutral_insomniac GPG key: 0xB1140FDB
<br\>http://pohl.ececs.uc.edu/~jeremy/jeremy.asc Linux ambelina 2.6.22.1 ppc
<br\>7447A, altivec supported PowerBook5,8 GNU/Linux
<br\>


Message:
<br\>
Hey I Got my track to submmit since a few days ago,
<br\>sorry I lacked of connection for a week or more.
<br\>
<br\>I understood it right?
<br\>submmit to 8bitcollective.com
<br\>and post the link here, ok?
<br\>
<br\>sorry for the delay.
<br\>
<br\>posting asap.
<br\>
<br\>love. Ignat.
<br\>
<br\>
<br\>--- Fredrik Stolpe <fredrik.stolpe@...> escribió:
<br\>
<br\>> Yo!
<br\>>
<br\>> Back from summer lazyness I discovered this thread, and saw my name
<br\>> mentioned :-)
<br\>>
<br\>> Great compo idea, dunno if I'll have time to make it in time, I still
<br\>> have the good ole "enkanalaren" ("theonechanneler") laying about, but
<br\>> it's a bit rough, and I would like to make something new but I'll be
<br\>> busy this weekend. Perhaps the contest end time could be delayed?
<br\>>
<br\>> I got the idea from Crazy Q who performed at microdisko with a
<br\>> one-track atari song who blew me away (like all his tracks does, heh).
<br\>>
<br\>> This is a very cool thing to try out for anyone who haven't. Having
<br\>> that creative limitation does things to the structure and groove of
<br\>> the song, that you wouldn't normally think of creating. And it's good
<br\>> thing to practice in order to use when you're out of channels.
<br\>>
<br\>> Cornbeast / Fredrik
<br\>>
<br\>> > > -----Original Message-----
<br\>> > > From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of Sam
<br\>> > > Albaniensson
<br\>> > > Sent: lundi 23 juillet 2007 3:59
<br\>> > > To: lsdj@yahoogroups.com
<br\>> > > Subject: [LSDj!] Channel 3 compo
<br\>> > >
<br\>> > >
<br\>> > > Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>> > >
<br\>> > > Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> > > by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> > > starting a competition for LSDj songs using only ch3, aka the wave
<br\>> > > channel. Sorry for stealing your idea, Gijs...
<br\>> > >
<br\>> > > The rules are as follows:
<br\>> > > * The song should be composed using Little Sound Dj on your favourite
<br\>> > > Gameboy model or emulator.
<br\>> > > * Every person may submit up to three tracks to the competition.
<br\>> > > * The song(s) must only use channel 3 for producing. If needed an
<br\>> > > additional track may be used for using the T and M commands. This
<br\>> > > track is not allowed to do anything else than that.
<br\>> > > * For the sake of keeping it fair, only the 16 standard kits included
<br\>> > > in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> > > * The song(s) should each be under 3 minutes long
<br\>> > > * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> > > be counted as entries.
<br\>> > > * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> > > * The compo will be decided through a vote process among members of
<br\>> > > 8bc and te LSDj mailing list. Details will follow.
<br\>> > > * At the moment I can't give a prize to the winner, except the honor.
<br\>> > > The objective of the compo is rather to inspire people to create and
<br\>> > > push the software and hardware to the limits.
<br\>> > >
<br\>> > > Good luck!
<br\>> > >
<br\>> > > Some valuable discussion and information:
<br\>> > > http://8bc.org/forums/viewtopic.php?id=381
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Just before the deadline!
<br\>
<br\>One Wave Tsunami
<br\>http://www.zshare.net/audio/3089431c353384/
<br\>
<br\>
<br\>(8bc.org currently has some issues with their upload system. Hence the zshare
<br\>link. I'll up it @
<br\>8bc as soon as they sorted it out.)
<br\>
<br\>/tRasH cAn maN
<br\>
<br\>
<br\>       __________________________________________________________
<br\>Låna pengar utan säkerhet. Jämför vilkor online hos Yahoo!
<br\>http://shopping.yahoo.se/c-100390123-lan-utan-sakerhet.html?partnerId=96915014
<br\>


Message:
<br\>
Finally...
<br\>
<br\>My submmision for the Channel 3 compo:
<br\>
<br\>http://8bc.org/music/neotericz/Smile/
<br\>
<br\>LSDJ in Gameboy Color, using just the wave channel with the default kits and
<br\>some gb
<br\>synth/commands.
<br\>Recorded directly in Creative Nano Zen with no eq or processing for emphasis on
<br\>resources
<br\>cut.
<br\>
<br\>Thanks for listening!
<br\>
<br\>much love. Ignat / neotericz
<br\>http://myspace.com/ignat
<br\>http://gainlad.com
<br\>
<br\>> > > -----Original Message-----
<br\>> > > From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com]On Behalf Of Sam
<br\>> > > Albaniensson
<br\>> > > Sent: lundi 23 juillet 2007 3:59
<br\>> > > To: lsdj@yahoogroups.com
<br\>> > > Subject: [LSDj!] Channel 3 compo
<br\>> > >
<br\>> > >
<br\>> > > Info: <http://8bc.org/forums/viewtopic.php?pid=3272>
<br\>> > >
<br\>> > > Inspired by Gijs' tracks, and also the very funky track "enkanalaren"
<br\>> > > by Cornbeast (Nowhere to be found, I think) I'm hereby starting
<br\>> > > starting a competition for LSDj songs using only ch3, aka the wave
<br\>> > > channel. Sorry for stealing your idea, Gijs...
<br\>> > >
<br\>> > > The rules are as follows:
<br\>> > > * The song should be composed using Little Sound Dj on your favourite
<br\>> > > Gameboy model or emulator.
<br\>> > > * Every person may submit up to three tracks to the competition.
<br\>> > > * The song(s) must only use channel 3 for producing. If needed an
<br\>> > > additional track may be used for using the T and M commands. This
<br\>> > > track is not allowed to do anything else than that.
<br\>> > > * For the sake of keeping it fair, only the 16 standard kits included
<br\>> > > in LSDj are allowed. (Including the 3 banks of phonem data)
<br\>> > > * The song(s) should each be under 3 minutes long
<br\>> > > * The song(s) should be uploaded to 8bc and linked from this thread to
<br\>> > > be counted as entries.
<br\>> > > * The deadline is three weeks from now, in other words Sunday, August 12.
<br\>> > > * The compo will be decided through a vote process among members of
<br\>> > > 8bc and te LSDj mailing list. Details will follow.
<br\>> > > * At the moment I can't give a prize to the winner, except the honor.
<br\>> > > The objective of the compo is rather to inspire people to create and
<br\>> > > push the software and hardware to the limits.
<br\>> > >
<br\>> > > Good luck!
<br\>> > >
<br\>> > > Some valuable discussion and information:
<br\>> > > http://8bc.org/forums/viewtopic.php?id=381
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Subject:
Re: [LSDj!] What do you use each channel for?

Message:
<br\>
Unless you are an expert in synthesis . . .
<br\>Just tinker with it. Starpause had a page about simulating tb-303
<br\>lines on the WAV channel awhile back, and adapting that is how I
<br\>learned.
<br\>I've mentioned this in passing before, but I would really like to see
<br\>that put back up. It really was what got me using the wav channel to
<br\>do anything besides drum samples.
<br\>
<br\>Greg Schroeder
<br\>gmschroeder@...
<br\>http://gmschroeder.wordpress.com
<br\>
<br\>
<br\>On Aug 18, 2007, at 10:56 PM, jonny_g2000uk wrote:
<br\>
<br\>PU1 PU2 WAV NOI
<br\>
<br\>Which do you use for leads, bass, drums etc?
<br\>
<br\>Can anyone advise me on how to make good leads and bass on the WAV
<br\>channel?
<br\>
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Message:
<br\>
Ok.  I still dont understand the synth though.  I can tinker with the
<br\>waveform but I don't know my way aroudn the bank screen and stuff like
<br\>that.  Probably need to read the manual! ;p
<br\>
<br\>--- In lsdj@yahoogroups.com, Greg Schroeder <gmschroeder@...> wrote:
<br\>>
<br\>> Unless you are an expert in synthesis . . .
<br\>> Just tinker with it. Starpause had a page about simulating tb-303
<br\>> lines on the WAV channel awhile back, and adapting that is how I
<br\>> learned.
<br\>> I've mentioned this in passing before, but I would really like to see
<br\>> that put back up. It really was what got me using the wav channel to
<br\>> do anything besides drum samples.
<br\>>
<br\>> Greg Schroeder
<br\>> gmschroeder@...
<br\>> http://gmschroeder.wordpress.com
<br\>>
<br\>>
<br\>> On Aug 18, 2007, at 10:56 PM, jonny_g2000uk wrote:
<br\>>
<br\>> PU1 PU2 WAV NOI
<br\>>
<br\>> Which do you use for leads, bass, drums etc?
<br\>>
<br\>> Can anyone advise me on how to make good leads and bass on the WAV
<br\>> channel?
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>


Message:
<br\>
Exactly.
<br\>rtfm.
<br\>Or, just tinker.
<br\>If I take you much beyond that, you won't do fun new things with it.
<br\>There's not a wrong way to do it, remember?
<br\>
<br\>Greg Schroeder
<br\>gmschroeder@...
<br\>http://gmschroeder.wordpress.com
<br\>
<br\>
<br\>On Aug 19, 2007, at 5:21 AM, jonny_g2000uk wrote:
<br\>
<br\>Ok.  I still dont understand the synth though.  I can tinker with the
<br\>waveform but I don't know my way aroudn the bank screen and stuff like
<br\>that.  Probably need to read the manual! ;p
<br\>
<br\>--- In lsdj@yahoogroups.com, Greg Schroeder <gmschroeder@...> wrote:
<br\>>
<br\>> Unless you are an expert in synthesis . . .
<br\>> Just tinker with it. Starpause had a page about simulating tb-303
<br\>> lines on the WAV channel awhile back, and adapting that is how I
<br\>> learned.
<br\>> I've mentioned this in passing before, but I would really like to see
<br\>> that put back up. It really was what got me using the wav channel to
<br\>> do anything besides drum samples.
<br\>>
<br\>> Greg Schroeder
<br\>> gmschroeder@...
<br\>> http://gmschroeder.wordpress.com
<br\>>
<br\>>
<br\>> On Aug 18, 2007, at 10:56 PM, jonny_g2000uk wrote:
<br\>>
<br\>> PU1 PU2 WAV NOI
<br\>>
<br\>> Which do you use for leads, bass, drums etc?
<br\>>
<br\>> Can anyone advise me on how to make good leads and bass on the WAV
<br\>> channel?
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Subject:
My Music On Youtube (Vocoders + Sidstation + Commodore64)

SubjectSrt:
My Music On Youtube (Vocoders + Sidstation + Commodore64)

Message:
<br\>
hello, look and (please) add a comment! (any kind of)
<br\>
<br\>http://www.youtube.com/watch?v=k39EplPNFMQ
<br\>
<br\>thank you!
<br\>
<br\>
<br\>p.s. I used in some tracks(but not in this one) my voice
<br\>filtered\sampled with LSDJ...
<br\>


Message:
<br\>
I'm using the latest full version on KiGB on Mac OS X.
<br\>
<br\>I dont get the save/load option on the project screen.  Also KIGB
<br\>doesnt create a battery save file.  It does automatically save and
<br\>restore states on shutdown and startup but thats not what I want.
<br\>
<br\>Can anyone help?
<br\>


Subject:
Re: [LSDj!] Where is the save/load menu?

Message:
<br\>
Sometimes the FAQ actually contains frequently asked questions.
<br\>Check point 1.1 here:
<br\><http://kigb.emuunlim.com/faq.txt>
<br\>
<br\>On 21/08/07, jonny_g2000uk <jonny_g2000uk@...> wrote:
<br\>> I'm using the latest full version on KiGB on Mac OS X.
<br\>>
<br\>>  I dont get the save/load option on the project screen.  Also KIGB
<br\>>  doesnt create a battery save file.  It does automatically save and
<br\>>  restore states on shutdown and startup but thats not what I want.
<br\>>
<br\>>  Can anyone help?
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>--
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
For load/save to work the emulator also needs to emulate 128 mbit sram...
<br\>
<br\>From what I heard only one of the GBA emultaors does this (visual boy
<br\>advance i think...) but then the sound is crap.
<br\>
<br\>So if I'm not mistaken you cannot work with the same saves or use the LSD
<br\>manager to work on the same songs in emulator and the real gb.
<br\>
<br\>/Fredrik
<br\>
<br\>On 8/22/07, Sam Albaniensson <nitro2k01@...> wrote:
<br\>>
<br\>>   Sometimes the FAQ actually contains frequently asked questions.
<br\>> Check point 1.1 here:
<br\>> <http://kigb.emuunlim.com/faq.txt>
<br\>>
<br\>> On 21/08/07, jonny_g2000uk
<br\><jonny_g2000uk@...<jonny_g2000uk%40yahoo.co.uk>>
<br\>> wrote:
<br\>> > I'm using the latest full version on KiGB on Mac OS X.
<br\>> >
<br\>> > I dont get the save/load option on the project screen. Also KIGB
<br\>> > doesnt create a battery save file. It does automatically save and
<br\>> > restore states on shutdown and startup but thats not what I want.
<br\>> >
<br\>> > Can anyone help?
<br\>> >
<br\>> >
<br\>>
<br\>> --
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Subject:
der Warst on the Road with INOX KAPELL SCHRILL SCHOH

SubjectSrt:
der Warst on the Road with INOX KAPELL SCHRILL SCHOH

Message:
<br\>
He, everybody,
<br\>
<br\>Not really LSDJ related sorry, although I'll take my Gameboy with me
<br\>and there will certainly one or two chippy beats around, so:
<br\>
<br\>I'm gonna be on the Road with the *Inox Kapell Schrill Schoh in
<br\>September. *It'll be lots of fun and I really recommend coming if you
<br\>happen to be near one of the following places:
<br\>
<br\>
<br\>1. sept. berlin, insekteum (Pflügerstr. 70/71, Neu-Köln)
<br\>5. sept. nürnberg, im katana (wilh.spätstr.18) trezinox live plus
<br\>inoxkapell/der warst
<br\>7. sept. schweiz /schwyz im himmel
<br\>9. sept. hamburg astra-stube
<br\>13. sept. niederlande/axel at leos
<br\>14. sept. niederlande/eindhoven t.a.c.
<br\>15. sept. köln/arisokrassie
<br\>
<br\>
<br\>WarstWarstarrr!
<br\>
<br\>
<br\>
<br\>http://www.inoxkapell.de
<br\>http://www.myspace.com/derwarst
<br\>http://www.der-warst.de
<br\>


Message:
<br\>
hi!
<br\>
<br\>4 new tracks on our site:
<br\>http://dotmatrix.at/music
<br\>
<br\>furthermore i've got one new track here:
<br\>http://www.herbertweixelbaum.com/temp.htm
<br\>
<br\>enjoy.
<br\>
<br\>herbert
<br\>


Message:
<br\>
Your march funebre from mozart for beginners is my most played track on my
<br\>ipod.
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>From: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] On Behalf Of
<br\>herbert_weixelbaum
<br\>Sent: Thursday, August 23, 2007 4:01 AM
<br\>To: lsdj@yahoogroups.com
<br\>Subject: [LSDj!] new tracks
<br\>
<br\>
<br\>
<br\>hi!
<br\>
<br\>4 new tracks on our site:
<br\>http://dotmatrix.at/music
<br\>
<br\>furthermore i've got one new track here:
<br\>http://www.herbertweixelbaum.com/temp.htm
<br\>
<br\>enjoy.
<br\>
<br\>herbert
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
yeah, thanks. maybe i'll do something more in the same vein. until
<br\>then you have to make do with the kraftwerk cover, i'm afraid.
<br\>
<br\>herbert
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "<David Dineen-Porter>David
<br\>Dineen-Porter</David Dineen-Porter>" <theddp@...> wrote:
<br\>>
<br\>> Your march funebre from mozart for beginners is my most played track
<br\>on my
<br\>> ipod.
<br\>


Message:
<br\>
http://www.abitbent.com/
<br\>
<br\>Also selling other freeware synth programs.
<br\>
<br\>Peter
<br\>


Message:
<br\>
On 29/08/2007, PeLeSwi <kradlabs@...> wrote:
<br\>> http://www.abitbent.com/
<br\>>
<br\>>  Also selling other freeware synth programs.
<br\>>
<br\>>  Peter
<br\>Looks like the sucker has a private DNS registration, so nic whois is
<br\>impossible.
<br\>However, I have my hunches on this one.
<br\>This is most probably a guy calling himself cpals2002
<br\>(cpals2002@...) and also went under the address
<br\>fun.email@.... The reason I believe so is because he misspelt
<br\>Kotlinski as Kotlinkski in a private conversation, as well as saying
<br\>cards instead of carts. Also, although denying he would be the pirate
<br\>ebay seller, he violently defended the principle behind it and accused
<br\>Johan and Oliver Wittchow for ripping off Nintendo, which he changed
<br\>that to "use".
<br\>He also said fun things like "I thought the LSDJ was an abandoned
<br\>software" and "A guy emailed the ROM to me!" and also trying to milk
<br\>possible information about pirating NL 1.3.
<br\>I'll consider releasing the full chat log for public view.
<br\>Bam! I think we have our guy.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
For those with Paypal accounts, you can send them an email here:
<br\>
<br\>https://www.paypal.com/cgi-bin/webscr?cmd=_contact-general
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "Sam Albaniensson" <nitro2k01@...> wrote:
<br\>>
<br\>> On 29/08/2007, PeLeSwi <kradlabs@...> wrote:
<br\>> > http://www.abitbent.com/
<br\>> >
<br\>> >  Also selling other freeware synth programs.
<br\>> >
<br\>> >  Peter
<br\>> Looks like the sucker has a private DNS registration, so nic whois is
<br\>> impossible.
<br\>


Message:
<br\>
>     Posted by: "PeLeSwi" kradlabs@... kradlabs
<br\>>     Date: Wed Aug 29, 2007 5:37 pm ((PDT))
<br\>>
<br\>> For those with Paypal accounts, you can send them an email here:
<br\>> https://www.paypal.com/cgi-bin/webscr?cmd=_contact-general
<br\>
<br\>Done.
<br\>
<br\>If more people do this quickly, Paypal should shut down this thief's account
<br\>quickly...
<br\>
<br\></daviD>
<br\>
<br\>"Simulating the true sounds and making carefully.
<br\>  Many colours a lot, selected freely by you."
<br\>


Message:
<br\>
Also done. Let's shut this jackass down.
<br\>
<br\>
<br\>On Thu, August 30, 2007 11:07 am, daviD wrote:
<br\>>>     Posted by: "PeLeSwi" kradlabs@... kradlabs
<br\>>>     Date: Wed Aug 29, 2007 5:37 pm ((PDT))
<br\>>>
<br\>>> For those with Paypal accounts, you can send them an email here:
<br\>>> https://www.paypal.com/cgi-bin/webscr?cmd=_contact-general
<br\>>
<br\>> Done.
<br\>>
<br\>> If more people do this quickly, Paypal should shut down this thief's
<br\>> account
<br\>> quickly...
<br\>>
<br\>> </daviD>
<br\>


Message:
<br\>
Thanks Peter. I went to PayPal and registered a complaint about him.
<br\>What a creep.
<br\>


Message:
<br\>
Wouldn't it be possible for someone with a paypal account to pay him
<br\>$1 to see his details? Or will his details be hidden even after you've
<br\>paid someone on PP?
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
> Wouldn't it be possible for someone with a paypal account to pay him
<br\>> $1 to see his details? Or will his details be hidden even after you've
<br\>> paid someone on PP?
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>
<br\>
<br\>It looks like a merchant account, so you cant send him an arbitrary
<br\>value, just buy the product offered. Maybe we can put some money
<br\>together to buy a cart and get his private info.// :(
<br\>
<br\>Peter
<br\>


Message:
<br\>
On 30/08/2007, PeLeSwi <kradlabs@...> wrote:
<br\>>  > Wouldn't it be possible for someone with a paypal account to pay him
<br\>>  > $1 to see his details? Or will his details be hidden even after you've
<br\>>  > paid someone on PP?
<br\>>  It looks like a merchant account, so you cant send him an arbitrary
<br\>>  value, just buy the product offered. Maybe we can put some money
<br\>>  together to buy a cart and get his private info.// :(
<br\>Nah, in that case the right way to go would be to just report the
<br\>seller. (Which is probably something Johan has to do as the creator of
<br\>LSDj)
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
I looked this over and thought I should shut this idierkt down.  But I
<br\>didn't know what complaint to click on, or how to say it.  I'm a fraud
<br\>complaint n00b.  :(
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
Same guy I think.
<br\>
<br\>http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=180154354625
<br\>
<br\>GET HIM!!!
<br\>


Message:
<br\>
On 30/08/2007, Bit Shifter <bit.shifter@...> wrote:
<br\>> Same guy I think.
<br\>>
<br\>> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=180154354625
<br\>>
<br\>>  GET HIM!!!
<br\>Same guy. I remember the omnihit guy linked to abitbent.com before.
<br\>
<br\>Another idea is that we all team up and each buy a flash cart for $10
<br\>or close by not making a promise not to bid. If all turns out well, we
<br\>get cheap flash carts, and he loses money. :D
<br\>Or we can just report.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
We reached the point that some of us had to be fearing of
<br\>
<br\>VSTi and difussion started to become our enemies,
<br\>cloning of ideals started mutation and blending
<br\>
<br\>house and pop music slowly started to leech our sounds,
<br\>ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>
<br\>the end seem to be at sight.
<br\>so, I want to conclude my short words saying:
<br\>
<br\>LET US DESTROY 8-BIT and CHIPTUNE,
<br\>BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-programmed
<br\>clowns.
<br\>
<br\>LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>
<br\>IT IS ALREADY DEAD.
<br\>
<br\>just some weird ideas...
<br\>
<br\>the end is comming. we are doomed. Media will eat us and transform into SHIT.
<br\>
<br\>thanks for reading.
<br\>
<br\>Love. Ignat/neotericz
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>Excuse inacurate english,
<br\>it will give just emphasis to da vordz.
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Subject:
Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto

Message:
<br\>
On 31/08/2007, Ignatz <quiebre@...> wrote:
<br\>> We reached the point that some of us had to be fearing of
<br\>>
<br\>>  VSTi and difussion started to become our enemies,
<br\>>  cloning of ideals started mutation and blending
<br\>I see the conflict between purism/elitism and ease of
<br\>availability/cloning. I'm not really a fan of VST chip sound
<br\>emulation, but who are you (Or anyone else) to play the role of a
<br\>representative for the chip scene and say that only the pure chip
<br\>sounds are correct. Who are you to say that it is morally wrong to try
<br\>to emulate chip sounds?
<br\>(I'm actually more of a purist myself, but open-minded. But with the
<br\>sentence above I played the devil's advocate)
<br\>
<br\>>  house and pop music slowly started to leech our sounds,
<br\>>  ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>It's a common phenomenon that contemporary artists of different kinds
<br\>(Eg musicians, designers etc) look back 15-30 years and look for
<br\>inspiration. It has happened before, it will happen again. The
<br\>leeching from chip music is not unique in this aspect. (Just about)
<br\>Every musical style is a progression from another, and everything
<br\>blends together in a ocmplex way. Everything either hits mainstream
<br\>sooner or later or dies in an obscure corner.
<br\>
<br\>>  the end seem to be at sight.
<br\>>  so, I want to conclude my short words saying:
<br\>>
<br\>>  LET US DESTROY 8-BIT and CHIPTUNE,
<br\>>  BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> programmed clowns.
<br\>No! Te best way to fight it is by doing something else yourself.
<br\>Destroying yourself by stopping your own creation in order to stop the
<br\>clones is just counter productive. Do you think for example that
<br\>hiphop producers will feel less of an appeal to chip sounds and other
<br\>raw synth sounds if we stop doing our thing.
<br\>No. Spread your own music and styles to counterfeit the mainstream.
<br\>
<br\>>  LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>>  TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>>  It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>music is actually softer and less noisy and nervous.
<br\>
<br\>>  IT IS ALREADY DEAD.
<br\>>
<br\>>  the end is comming. we are doomed. Media will eat us and transform into SHIT.
<br\>If nobody ever said it before, I say it now: "A scene does not truly
<br\>start to live until it is declared dead by its members". Just look at
<br\>the demoscene. It's alive and kicking, although its been declared dead
<br\>several times, and although it's different from what it was 10 or 20
<br\>years ago.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>Blog:
<br\><http://gameboygenius.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>


Message:
<br\>
So Let us kill it in an obscure corner before some stupid beings do...
<br\>
<br\>Really, big thanks for answering.
<br\>
<br\>I just blow that manifesto to the wind.
<br\>
<br\>Maybe some brains will help processing it more than my brain can give.
<br\>
<br\>Thanks again!
<br\>
<br\>and eternal rest to chip music.
<br\>
<br\>
<br\>Love . Ignat.
<br\>
<br\>--- Sam Albaniensson <nitro2k01@...> escribió:
<br\>
<br\>> On 31/08/2007, Ignatz <quiebre@...> wrote:
<br\>> > We reached the point that some of us had to be fearing of
<br\>> >
<br\>> >  VSTi and difussion started to become our enemies,
<br\>> >  cloning of ideals started mutation and blending
<br\>> I see the conflict between purism/elitism and ease of
<br\>> availability/cloning. I'm not really a fan of VST chip sound
<br\>> emulation, but who are you (Or anyone else) to play the role of a
<br\>> representative for the chip scene and say that only the pure chip
<br\>> sounds are correct. Who are you to say that it is morally wrong to try
<br\>> to emulate chip sounds?
<br\>> (I'm actually more of a purist myself, but open-minded. But with the
<br\>> sentence above I played the devil's advocate)
<br\>>
<br\>> >  house and pop music slowly started to leech our sounds,
<br\>> >  ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>> It's a common phenomenon that contemporary artists of different kinds
<br\>> (Eg musicians, designers etc) look back 15-30 years and look for
<br\>> inspiration. It has happened before, it will happen again. The
<br\>> leeching from chip music is not unique in this aspect. (Just about)
<br\>> Every musical style is a progression from another, and everything
<br\>> blends together in a ocmplex way. Everything either hits mainstream
<br\>> sooner or later or dies in an obscure corner.
<br\>>
<br\>> >  the end seem to be at sight.
<br\>> >  so, I want to conclude my short words saying:
<br\>> >
<br\>> >  LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> >  BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> > programmed clowns.
<br\>> No! Te best way to fight it is by doing something else yourself.
<br\>> Destroying yourself by stopping your own creation in order to stop the
<br\>> clones is just counter productive. Do you think for example that
<br\>> hiphop producers will feel less of an appeal to chip sounds and other
<br\>> raw synth sounds if we stop doing our thing.
<br\>> No. Spread your own music and styles to counterfeit the mainstream.
<br\>>
<br\>> >  LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> >  TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> >  It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>> I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> music is actually softer and less noisy and nervous.
<br\>>
<br\>> >  IT IS ALREADY DEAD.
<br\>> >
<br\>> >  the end is comming. we are doomed. Media will eat us and transform into
<br\>SHIT.
<br\>> If nobody ever said it before, I say it now: "A scene does not truly
<br\>> start to live until it is declared dead by its members". Just look at
<br\>> the demoscene. It's alive and kicking, although its been declared dead
<br\>> several times, and although it's different from what it was 10 or 20
<br\>> years ago.
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
Well said, Sam. I am a (relative) purist when it comes to this sort of
<br\>stuff but I don't expect everyone else in the world to be the same.
<br\>
<br\>regards,
<br\>Seb Tomczak
<br\>Adelaide, Australia
<br\>
<br\>
<br\>
<br\>
<br\>> On 31/08/2007, Ignatz <quiebre@...> wrote:
<br\>>> We reached the point that some of us had to be fearing of
<br\>>>
<br\>>>  VSTi and difussion started to become our enemies,
<br\>>>  cloning of ideals started mutation and blending
<br\>> I see the conflict between purism/elitism and ease of
<br\>> availability/cloning. I'm not really a fan of VST chip sound
<br\>> emulation, but who are you (Or anyone else) to play the role of a
<br\>> representative for the chip scene and say that only the pure chip
<br\>> sounds are correct. Who are you to say that it is morally wrong to try
<br\>> to emulate chip sounds?
<br\>> (I'm actually more of a purist myself, but open-minded. But with the
<br\>> sentence above I played the devil's advocate)
<br\>>
<br\>>>  house and pop music slowly started to leech our sounds,
<br\>>>  ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>> It's a common phenomenon that contemporary artists of different kinds
<br\>> (Eg musicians, designers etc) look back 15-30 years and look for
<br\>> inspiration. It has happened before, it will happen again. The
<br\>> leeching from chip music is not unique in this aspect. (Just about)
<br\>> Every musical style is a progression from another, and everything
<br\>> blends together in a ocmplex way. Everything either hits mainstream
<br\>> sooner or later or dies in an obscure corner.
<br\>>
<br\>>>  the end seem to be at sight.
<br\>>>  so, I want to conclude my short words saying:
<br\>>>
<br\>>>  LET US DESTROY 8-BIT and CHIPTUNE,
<br\>>>  BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>>> programmed clowns.
<br\>> No! Te best way to fight it is by doing something else yourself.
<br\>> Destroying yourself by stopping your own creation in order to stop the
<br\>> clones is just counter productive. Do you think for example that
<br\>> hiphop producers will feel less of an appeal to chip sounds and other
<br\>> raw synth sounds if we stop doing our thing.
<br\>> No. Spread your own music and styles to counterfeit the mainstream.
<br\>>
<br\>>>  LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>>>  TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>>>  It's a commercial fake! It's just nintendo and big companies
<br\>>> propaganda!
<br\>> I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> music is actually softer and less noisy and nervous.
<br\>>
<br\>>>  IT IS ALREADY DEAD.
<br\>>>
<br\>>>  the end is comming. we are doomed. Media will eat us and transform into
<br\>>> SHIT.
<br\>> If nobody ever said it before, I say it now: "A scene does not truly
<br\>> start to live until it is declared dead by its members". Just look at
<br\>> the demoscene. It's alive and kicking, although its been declared dead
<br\>> several times, and although it's different from what it was 10 or 20
<br\>> years ago.
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> Sätt på ett par flipflops, vippa på rumpan
<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>


Subject:
AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto

SubjectSrt:
AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto

Message:
<br\>
Yep, sam is right. And don`t forget that a lot of the house music, techno
<br\>and especially hardcore have its roots in chiptunes (apart from those Roland
<br\>monsters raveolution =D).
<br\>Shure, there is some kind of sellout. But as advice to you Ignatz: seeing a
<br\>scene dying really isn`t the deal. The first time it is a shock, but than
<br\>don`t stress your self and search The new pure thing. Just sit yourself
<br\>between the chairs and enjoy all influences. That`s the way people start
<br\>making chiprock and glitch house- an open mind. And: chiptune underground
<br\>will never die ;P
<br\>
<br\>my two cents
<br\>
<br\>
<br\>-----Ursprüngliche Nachricht-----
<br\>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von Sam
<br\>Albaniensson
<br\>Gesendet: Freitag, 31. August 2007 04:28
<br\>An: lsdj@yahoogroups.com
<br\>Betreff: Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>
<br\>
<br\>
<br\>On 31/08/2007, Ignatz <quiebre@yahoo. <mailto:quiebre%40yahoo.com> com>
<br\>wrote:
<br\>> We reached the point that some of us had to be fearing of
<br\>>
<br\>> VSTi and difussion started to become our enemies,
<br\>> cloning of ideals started mutation and blending
<br\>I see the conflict between purism/elitism and ease of
<br\>availability/cloning. I'm not really a fan of VST chip sound
<br\>emulation, but who are you (Or anyone else) to play the role of a
<br\>representative for the chip scene and say that only the pure chip
<br\>sounds are correct. Who are you to say that it is morally wrong to try
<br\>to emulate chip sounds?
<br\>(I'm actually more of a purist myself, but open-minded. But with the
<br\>sentence above I played the devil's advocate)
<br\>
<br\>> house and pop music slowly started to leech our sounds,
<br\>> ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>It's a common phenomenon that contemporary artists of different kinds
<br\>(Eg musicians, designers etc) look back 15-30 years and look for
<br\>inspiration. It has happened before, it will happen again. The
<br\>leeching from chip music is not unique in this aspect. (Just about)
<br\>Every musical style is a progression from another, and everything
<br\>blends together in a ocmplex way. Everything either hits mainstream
<br\>sooner or later or dies in an obscure corner.
<br\>
<br\>> the end seem to be at sight.
<br\>> so, I want to conclude my short words saying:
<br\>>
<br\>> LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> programmed clowns.
<br\>No! Te best way to fight it is by doing something else yourself.
<br\>Destroying yourself by stopping your own creation in order to stop the
<br\>clones is just counter productive. Do you think for example that
<br\>hiphop producers will feel less of an appeal to chip sounds and other
<br\>raw synth sounds if we stop doing our thing.
<br\>No. Spread your own music and styles to counterfeit the mainstream.
<br\>
<br\>> LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>music is actually softer and less noisy and nervous.
<br\>
<br\>> IT IS ALREADY DEAD.
<br\>>
<br\>> the end is comming. we are doomed. Media will eat us and transform into
<br\>SHIT.
<br\>If nobody ever said it before, I say it now: "A scene does not truly
<br\>start to live until it is declared dead by its members". Just look at
<br\>the demoscene. It's alive and kicking, although its been declared dead
<br\>several times, and although it's different from what it was 10 or 20
<br\>years ago.
<br\>
<br\>movh /Sam Albaniensson Falsum
<br\>
<br\>-----BEGIN 2ROT13 MESSAGE-----
<br\>Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/> tojt.net/>
<br\>Blog:
<br\><http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>s.8bitcollective.com/>
<br\>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\><http://lists. <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>Sätt på ett par flipflops, vippa på rumpan
<br\>och gör det här till en minnesvärd sommar!
<br\>-----END 2ROT13 MESSAGE-----
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>
<br\>[Non-text portions of this message have been removed]
<br\>


Message:
<br\>
relax,i recently deleted some haters from my carfil list.
<br\>"destroy the rest not the music".tip of the day.
<br\>
<br\>
<br\>--- In lsdj@yahoogroups.com, "Sam Albaniensson" <nitro2k01@...> wrote:
<br\>>
<br\>> On 31/08/2007, Ignatz <quiebre@...> wrote:
<br\>> > We reached the point that some of us had to be fearing of
<br\>> >
<br\>> >  VSTi and difussion started to become our enemies,
<br\>> >  cloning of ideals started mutation and blending
<br\>> I see the conflict between purism/elitism and ease of
<br\>> availability/cloning. I'm not really a fan of VST chip sound
<br\>> emulation, but who are you (Or anyone else) to play the role of a
<br\>> representative for the chip scene and say that only the pure chip
<br\>> sounds are correct. Who are you to say that it is morally wrong to try
<br\>> to emulate chip sounds?
<br\>> (I'm actually more of a purist myself, but open-minded. But with the
<br\>> sentence above I played the devil's advocate)
<br\>>
<br\>> >  house and pop music slowly started to leech our sounds,
<br\>> >  ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>> It's a common phenomenon that contemporary artists of different kinds
<br\>> (Eg musicians, designers etc) look back 15-30 years and look for
<br\>> inspiration. It has happened before, it will happen again. The
<br\>> leeching from chip music is not unique in this aspect. (Just about)
<br\>> Every musical style is a progression from another, and everything
<br\>> blends together in a ocmplex way. Everything either hits mainstream
<br\>> sooner or later or dies in an obscure corner.
<br\>>
<br\>> >  the end seem to be at sight.
<br\>> >  so, I want to conclude my short words saying:
<br\>> >
<br\>> >  LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> >  BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> > programmed clowns.
<br\>> No! Te best way to fight it is by doing something else yourself.
<br\>> Destroying yourself by stopping your own creation in order to stop the
<br\>> clones is just counter productive. Do you think for example that
<br\>> hiphop producers will feel less of an appeal to chip sounds and other
<br\>> raw synth sounds if we stop doing our thing.
<br\>> No. Spread your own music and styles to counterfeit the mainstream.
<br\>>
<br\>> >  LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> >  TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> >  It's a commercial fake! It's just nintendo and big companies
<br\>propaganda!
<br\>> I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> music is actually softer and less noisy and nervous.
<br\>>
<br\>> >  IT IS ALREADY DEAD.
<br\>> >
<br\>> >  the end is comming. we are doomed. Media will eat us and
<br\>transform into SHIT.
<br\>> If nobody ever said it before, I say it now: "A scene does not truly
<br\>> start to live until it is declared dead by its members". Just look at
<br\>> the demoscene. It's alive and kicking, although its been declared dead
<br\>> several times, and although it's different from what it was 10 or 20
<br\>> years ago.
<br\>>
<br\>> movh /Sam Albaniensson Falsum
<br\>>
<br\>> -----BEGIN 2ROT13 MESSAGE-----
<br\>> Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> Blog:
<br\>> <http://gameboygenius.8bitcollective.com/>
<br\>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
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<br\>> och gör det här till en minnesvärd sommar!
<br\>> -----END 2ROT13 MESSAGE-----
<br\>>
<br\>


Subject:
RE: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto

Message:
<br\>
dogmatech, sam: well put!
<br\>
<br\>chipmusic will not die. i dont think that any music genre can actually die.
<br\>every music genre will allways have its followers and offsprings.
<br\>Just look at the metalscene, how many times have it not been copied
<br\>and mutilated by pop-culture?
<br\>But the guys in the metalscene dont care about the pop-shit they just
<br\>keep doing there thing and getting better at it all the time.
<br\>
<br\>i think that at the same time as a genre/style gets copied and mutilated by
<br\>some ppl it will also be more purifyed by others.
<br\>thus creating a broad spectrum of music for ppl to listen to and
<br\>evolving the music.
<br\>wich is a good thing right?
<br\>
<br\>i wouldnt worry about hiphoppers using arpeggios or raw waveforms or
<br\>whatever.
<br\>if they want to mix musical styles, sure. its ok.
<br\>its ok to mix polka with grindcore and sing with a robotic voice or
<br\>whatever.
<br\>you can mix anything as long as you dont steal anybodys material.
<br\>thats just plain wrong. (timbaland..)
<br\>
<br\>just choose the music you want to listen to and let people exeriment
<br\>their little hearts out!
<br\>
<br\>peace
<br\>/salkin
<br\>
<br\>>From: "DOGMATECH" <dogmatech@...>
<br\>>Reply-To: lsdj@yahoogroups.com
<br\>>To: <lsdj@yahoogroups.com>
<br\>>Subject: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>>Date: Fri, 31 Aug 2007 09:41:24 +0200
<br\>>
<br\>>Yep, sam is right. And don`t forget that a lot of the house music, techno
<br\>>and especially hardcore have its roots in chiptunes (apart from those
<br\>>Roland
<br\>>monsters raveolution =D).
<br\>>Shure, there is some kind of sellout. But as advice to you Ignatz: seeing a
<br\>>scene dying really isn`t the deal. The first time it is a shock, but than
<br\>>don`t stress your self and search The new pure thing. Just sit yourself
<br\>>between the chairs and enjoy all influences. That`s the way people start
<br\>>making chiprock and glitch house- an open mind. And: chiptune underground
<br\>>will never die ;P
<br\>>
<br\>>my two cents
<br\>>
<br\>>
<br\>>-----Ursprüngliche Nachricht-----
<br\>>Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von Sam
<br\>>Albaniensson
<br\>>Gesendet: Freitag, 31. August 2007 04:28
<br\>>An: lsdj@yahoogroups.com
<br\>>Betreff: Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>>
<br\>>
<br\>>
<br\>>On 31/08/2007, Ignatz <quiebre@yahoo. <mailto:quiebre%40yahoo.com> com>
<br\>>wrote:
<br\>> > We reached the point that some of us had to be fearing of
<br\>> >
<br\>> > VSTi and difussion started to become our enemies,
<br\>> > cloning of ideals started mutation and blending
<br\>>I see the conflict between purism/elitism and ease of
<br\>>availability/cloning. I'm not really a fan of VST chip sound
<br\>>emulation, but who are you (Or anyone else) to play the role of a
<br\>>representative for the chip scene and say that only the pure chip
<br\>>sounds are correct. Who are you to say that it is morally wrong to try
<br\>>to emulate chip sounds?
<br\>>(I'm actually more of a purist myself, but open-minded. But with the
<br\>>sentence above I played the devil's advocate)
<br\>>
<br\>> > house and pop music slowly started to leech our sounds,
<br\>> > ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>>It's a common phenomenon that contemporary artists of different kinds
<br\>>(Eg musicians, designers etc) look back 15-30 years and look for
<br\>>inspiration. It has happened before, it will happen again. The
<br\>>leeching from chip music is not unique in this aspect. (Just about)
<br\>>Every musical style is a progression from another, and everything
<br\>>blends together in a ocmplex way. Everything either hits mainstream
<br\>>sooner or later or dies in an obscure corner.
<br\>>
<br\>> > the end seem to be at sight.
<br\>> > so, I want to conclude my short words saying:
<br\>> >
<br\>> > LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> > BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> > programmed clowns.
<br\>>No! Te best way to fight it is by doing something else yourself.
<br\>>Destroying yourself by stopping your own creation in order to stop the
<br\>>clones is just counter productive. Do you think for example that
<br\>>hiphop producers will feel less of an appeal to chip sounds and other
<br\>>raw synth sounds if we stop doing our thing.
<br\>>No. Spread your own music and styles to counterfeit the mainstream.
<br\>>
<br\>> > LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> > TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> > It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>>I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>>STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>>music is actually softer and less noisy and nervous.
<br\>>
<br\>> > IT IS ALREADY DEAD.
<br\>> >
<br\>> > the end is comming. we are doomed. Media will eat us and transform into
<br\>>SHIT.
<br\>>If nobody ever said it before, I say it now: "A scene does not truly
<br\>>start to live until it is declared dead by its members". Just look at
<br\>>the demoscene. It's alive and kicking, although its been declared dead
<br\>>several times, and although it's different from what it was 10 or 20
<br\>>years ago.
<br\>>
<br\>>movh /Sam Albaniensson Falsum
<br\>>
<br\>>-----BEGIN 2ROT13 MESSAGE-----
<br\>>Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/>
<br\>>tojt.net/>
<br\>>Blog:
<br\>><http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>>s.8bitcollective.com/>
<br\>>SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>><http://lists.
<br\>><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>>lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>>Sätt på ett par flipflops, vippa på rumpan
<br\>>och gör det här till en minnesvärd sommar!
<br\>>-----END 2ROT13 MESSAGE-----
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>[Non-text portions of this message have been removed]
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>
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Message:
<br\>
I dont want to be a bug and that was just a manifesto.
<br\>
<br\>It would become a movement of destroyers/saviours of the chiptune /music.
<br\>As someone said on the micromusic texts: kill 8-bit music at least.
<br\>I guess every movement have a cycle that icludes its dead. Maybe it would reborn
<br\>in the
<br\>future as Disco did. but I accept as a FACT that chip music is ALREADY DEAD.
<br\>
<br\>That who want to be part of something would try to redefine and give new
<br\>strenght to the
<br\>corpse we has been given.
<br\>
<br\>Or just cry and give our condolences each other.
<br\>Well, I guess it is more important than that to actually try to kill and pervert
<br\>our
<br\>music style befor media and mainstream absolutely destroy and pervert our
<br\>beloved music.
<br\>
<br\>Lets Blend it, talk shit about it, destroy all credibility on chiptune and chip
<br\>music.
<br\>Say it is nervous and freaking out music. Say it is chip, lame and stupid, it is
<br\>already
<br\>sellout, and music for childs (from the 80s ans 90s) with no soul on this music.
<br\>No content. Mayke people disbeilef of it !
<br\>
<br\>Thats the only way that Little Mermaid VI will not feature some cheap chip
<br\>imitation,
<br\>with candy coloured melodies on it. Otherwise les be like sheeps and see how
<br\>mainstream
<br\>destroy all that you have been loving. And it will be transformed into
<br\>grotesque!
<br\>
<br\>Please react.
<br\>
<br\>Next Ministry of Sound Compilations will be for sure featuring plenty of chip
<br\>sound HOUSE
<br\>Y imitators. Thats the new ElectroHouse, as they did with electroclash and acid
<br\>before.
<br\>
<br\>Remember what happened with acid house once.
<br\>
<br\>And rave. I have to tell in this point, that I agree that many house music, and
<br\>specially
<br\>Techno Hardcore Rave have been evolved from certain tracked and demosceene
<br\>music.
<br\>
<br\>Well, no much to say, as I told in that clumsy manifesto, If someone can hear,
<br\>Lets
<br\>destroy pervert and make our beloved music the ugliest clown and shame.
<br\>
<br\>Before others do, and feed the system with that. You will not want to see that
<br\>ravers and
<br\>neo gothic clowns with pixels on them shirts and heads. fluerescent pixels of
<br\>hair as the
<br\>new hip hop trend.
<br\>
<br\>Lets destroy and put in shame our music before it be too late...
<br\>
<br\>Many of us have been making this so fine btw.
<br\>
<br\>Please make music that mainstream could not eat. And stop explaining how to make
<br\>it,
<br\>giving step by step explanations for fools!
<br\>
<br\>Otherwise we can make it foolish than fools can accept, hahaha...
<br\>
<br\>Long life to the VENGA-GAMEBOYS :P
<br\>
<br\>Long life to the new breed. Chip Music is dead.
<br\>
<br\>R.I.P. 31-8-07
<br\>
<br\>
<br\>
<br\>--- Niklas S <salkin_niklas@...> escribió:
<br\>
<br\>> dogmatech, sam: well put!
<br\>>
<br\>> chipmusic will not die. i dont think that any music genre can actually die.
<br\>> every music genre will allways have its followers and offsprings.
<br\>> Just look at the metalscene, how many times have it not been copied
<br\>> and mutilated by pop-culture?
<br\>> But the guys in the metalscene dont care about the pop-shit they just
<br\>> keep doing there thing and getting better at it all the time.
<br\>>
<br\>> i think that at the same time as a genre/style gets copied and mutilated by
<br\>> some ppl it will also be more purifyed by others.
<br\>> thus creating a broad spectrum of music for ppl to listen to and
<br\>> evolving the music.
<br\>> wich is a good thing right?
<br\>>
<br\>> i wouldnt worry about hiphoppers using arpeggios or raw waveforms or
<br\>> whatever.
<br\>> if they want to mix musical styles, sure. its ok.
<br\>> its ok to mix polka with grindcore and sing with a robotic voice or
<br\>> whatever.
<br\>> you can mix anything as long as you dont steal anybodys material.
<br\>> thats just plain wrong. (timbaland..)
<br\>>
<br\>> just choose the music you want to listen to and let people exeriment
<br\>> their little hearts out!
<br\>>
<br\>> peace
<br\>> /salkin
<br\>>
<br\>> >From: "DOGMATECH" <dogmatech@...>
<br\>> >Reply-To: lsdj@yahoogroups.com
<br\>> >To: <lsdj@yahoogroups.com>
<br\>> >Subject: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>> >Date: Fri, 31 Aug 2007 09:41:24 +0200
<br\>> >
<br\>> >Yep, sam is right. And don`t forget that a lot of the house music, techno
<br\>> >and especially hardcore have its roots in chiptunes (apart from those
<br\>> >Roland
<br\>> >monsters raveolution =D).
<br\>> >Shure, there is some kind of sellout. But as advice to you Ignatz: seeing a
<br\>> >scene dying really isn`t the deal. The first time it is a shock, but than
<br\>> >don`t stress your self and search The new pure thing. Just sit yourself
<br\>> >between the chairs and enjoy all influences. That`s the way people start
<br\>> >making chiprock and glitch house- an open mind. And: chiptune underground
<br\>> >will never die ;P
<br\>> >
<br\>> >my two cents
<br\>> >
<br\>> >
<br\>> >-----Ursprüngliche Nachricht-----
<br\>> >Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag von Sam
<br\>> >Albaniensson
<br\>> >Gesendet: Freitag, 31. August 2007 04:28
<br\>> >An: lsdj@yahoogroups.com
<br\>> >Betreff: Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>> >
<br\>> >
<br\>> >
<br\>> >On 31/08/2007, Ignatz <quiebre@yahoo. <mailto:quiebre%40yahoo.com> com>
<br\>> >wrote:
<br\>> > > We reached the point that some of us had to be fearing of
<br\>> > >
<br\>> > > VSTi and difussion started to become our enemies,
<br\>> > > cloning of ideals started mutation and blending
<br\>> >I see the conflict between purism/elitism and ease of
<br\>> >availability/cloning. I'm not really a fan of VST chip sound
<br\>> >emulation, but who are you (Or anyone else) to play the role of a
<br\>> >representative for the chip scene and say that only the pure chip
<br\>> >sounds are correct. Who are you to say that it is morally wrong to try
<br\>> >to emulate chip sounds?
<br\>> >(I'm actually more of a purist myself, but open-minded. But with the
<br\>> >sentence above I played the devil's advocate)
<br\>> >
<br\>> > > house and pop music slowly started to leech our sounds,
<br\>> > > ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>> >It's a common phenomenon that contemporary artists of different kinds
<br\>> >(Eg musicians, designers etc) look back 15-30 years and look for
<br\>> >inspiration. It has happened before, it will happen again. The
<br\>> >leeching from chip music is not unique in this aspect. (Just about)
<br\>> >Every musical style is a progression from another, and everything
<br\>> >blends together in a ocmplex way. Everything either hits mainstream
<br\>> >sooner or later or dies in an obscure corner.
<br\>> >
<br\>> > > the end seem to be at sight.
<br\>> > > so, I want to conclude my short words saying:
<br\>> > >
<br\>> > > LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> > > BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> > > programmed clowns.
<br\>> >No! Te best way to fight it is by doing something else yourself.
<br\>> >Destroying yourself by stopping your own creation in order to stop the
<br\>> >clones is just counter productive. Do you think for example that
<br\>> >hiphop producers will feel less of an appeal to chip sounds and other
<br\>> >raw synth sounds if we stop doing our thing.
<br\>> >No. Spread your own music and styles to counterfeit the mainstream.
<br\>> >
<br\>> > > LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> > > TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> > > It's a commercial fake! It's just nintendo and big companies propaganda!
<br\>> >I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> >STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> >music is actually softer and less noisy and nervous.
<br\>> >
<br\>> > > IT IS ALREADY DEAD.
<br\>> > >
<br\>> > > the end is comming. we are doomed. Media will eat us and transform into
<br\>> >SHIT.
<br\>> >If nobody ever said it before, I say it now: "A scene does not truly
<br\>> >start to live until it is declared dead by its members". Just look at
<br\>> >the demoscene. It's alive and kicking, although its been declared dead
<br\>> >several times, and although it's different from what it was 10 or 20
<br\>> >years ago.
<br\>> >
<br\>> >movh /Sam Albaniensson Falsum
<br\>> >
<br\>> >-----BEGIN 2ROT13 MESSAGE-----
<br\>> >Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/>
<br\>> >tojt.net/>
<br\>> >Blog:
<br\>> ><http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>> >s.8bitcollective.com/>
<br\>> >SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> ><http://lists.
<br\>> ><http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> >lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> >Sätt på ett par flipflops, vippa på rumpan
<br\>> >och gör det här till en minnesvärd sommar!
<br\>> >-----END 2ROT13 MESSAGE-----
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >[Non-text portions of this message have been removed]
<br\>> >
<br\>> >
<br\>> >
<br\>> >
<br\>> >Yahoo! Groups Links
<br\>> >
<br\>> >
<br\>> >
<br\>>
<br\>> _________________________________________________________________
<br\>> Express yourself instantly with MSN Messenger! Download today it's FREE!
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Subject:
Re: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto

Message:
<br\>
Just shut up. Please.
<br\>
<br\>Greg Schroeder
<br\>gmschroeder@...
<br\>http://gmschroeder.wordpress.com
<br\>
<br\>
<br\>On Aug 31, 2007, at 11:29 PM, Ignatz wrote:
<br\>
<br\>I dont want to be a bug and that was just a manifesto.
<br\>
<br\>It would become a movement of destroyers/saviours of the chiptune /
<br\>music.
<br\>As someone said on the micromusic texts: kill 8-bit music at least.
<br\>I guess every movement have a cycle that icludes its dead. Maybe it
<br\>would reborn in the
<br\>future as Disco did. but I accept as a FACT that chip music is
<br\>ALREADY DEAD.
<br\>
<br\>That who want to be part of something would try to redefine and give
<br\>new strenght to the
<br\>corpse we has been given.
<br\>
<br\>Or just cry and give our condolences each other.
<br\>Well, I guess it is more important than that to actually try to kill
<br\>and pervert our
<br\>music style befor media and mainstream absolutely destroy and pervert
<br\>our beloved music.
<br\>
<br\>Lets Blend it, talk shit about it, destroy all credibility on
<br\>chiptune and chip music.
<br\>Say it is nervous and freaking out music. Say it is chip, lame and
<br\>stupid, it is already
<br\>sellout, and music for childs (from the 80s ans 90s) with no soul on
<br\>this music.
<br\>No content. Mayke people disbeilef of it !
<br\>
<br\>Thats the only way that Little Mermaid VI will not feature some cheap
<br\>chip imitation,
<br\>with candy coloured melodies on it. Otherwise les be like sheeps and
<br\>see how mainstream
<br\>destroy all that you have been loving. And it will be transformed
<br\>into grotesque!
<br\>
<br\>Please react.
<br\>
<br\>Next Ministry of Sound Compilations will be for sure featuring plenty
<br\>of chip sound HOUSE
<br\>Y imitators. Thats the new ElectroHouse, as they did with
<br\>electroclash and acid before.
<br\>
<br\>Remember what happened with acid house once.
<br\>
<br\>And rave. I have to tell in this point, that I agree that many house
<br\>music, and specially
<br\>Techno Hardcore Rave have been evolved from certain tracked and
<br\>demosceene music.
<br\>
<br\>Well, no much to say, as I told in that clumsy manifesto, If someone
<br\>can hear, Lets
<br\>destroy pervert and make our beloved music the ugliest clown and shame.
<br\>
<br\>Before others do, and feed the system with that. You will not want to
<br\>see that ravers and
<br\>neo gothic clowns with pixels on them shirts and heads. fluerescent
<br\>pixels of hair as the
<br\>new hip hop trend.
<br\>
<br\>Lets destroy and put in shame our music before it be too late...
<br\>
<br\>Many of us have been making this so fine btw.
<br\>
<br\>Please make music that mainstream could not eat. And stop explaining
<br\>how to make it,
<br\>giving step by step explanations for fools!
<br\>
<br\>Otherwise we can make it foolish than fools can accept, hahaha...
<br\>
<br\>Long life to the VENGA-GAMEBOYS :P
<br\>
<br\>Long life to the new breed. Chip Music is dead.
<br\>
<br\>R.I.P. 31-8-07
<br\>
<br\>
<br\>
<br\>--- Niklas S <salkin_niklas@...> escribió:
<br\>
<br\>> dogmatech, sam: well put!
<br\>>
<br\>> chipmusic will not die. i dont think that any music genre can
<br\>> actually die.
<br\>> every music genre will allways have its followers and offsprings.
<br\>> Just look at the metalscene, how many times have it not been copied
<br\>> and mutilated by pop-culture?
<br\>> But the guys in the metalscene dont care about the pop-shit they just
<br\>> keep doing there thing and getting better at it all the time.
<br\>>
<br\>> i think that at the same time as a genre/style gets copied and
<br\>> mutilated by
<br\>> some ppl it will also be more purifyed by others.
<br\>> thus creating a broad spectrum of music for ppl to listen to and
<br\>> evolving the music.
<br\>> wich is a good thing right?
<br\>>
<br\>> i wouldnt worry about hiphoppers using arpeggios or raw waveforms or
<br\>> whatever.
<br\>> if they want to mix musical styles, sure. its ok.
<br\>> its ok to mix polka with grindcore and sing with a robotic voice or
<br\>> whatever.
<br\>> you can mix anything as long as you dont steal anybodys material.
<br\>> thats just plain wrong. (timbaland..)
<br\>>
<br\>> just choose the music you want to listen to and let people exeriment
<br\>> their little hearts out!
<br\>>
<br\>> peace
<br\>> /salkin
<br\>>
<br\>>> From: "DOGMATECH" <dogmatech@...>
<br\>>> Reply-To: lsdj@yahoogroups.com
<br\>>> To: <lsdj@yahoogroups.com>
<br\>>> Subject: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>>> Date: Fri, 31 Aug 2007 09:41:24 +0200
<br\>>>
<br\>>> Yep, sam is right. And don`t forget that a lot of the house music,
<br\>>> techno
<br\>>> and especially hardcore have its roots in chiptunes (apart from those
<br\>>> Roland
<br\>>> monsters raveolution =D).
<br\>>> Shure, there is some kind of sellout. But as advice to you Ignatz:
<br\>>> seeing a
<br\>>> scene dying really isn`t the deal. The first time it is a shock,
<br\>>> but than
<br\>>> don`t stress your self and search The new pure thing. Just sit
<br\>>> yourself
<br\>>> between the chairs and enjoy all influences. That`s the way people
<br\>>> start
<br\>>> making chiprock and glitch house- an open mind. And: chiptune
<br\>>> underground
<br\>>> will never die ;P
<br\>>>
<br\>>> my two cents
<br\>>>
<br\>>>
<br\>>> -----Ursprüngliche Nachricht-----
<br\>>> Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag
<br\>>> von Sam
<br\>>> Albaniensson
<br\>>> Gesendet: Freitag, 31. August 2007 04:28
<br\>>> An: lsdj@yahoogroups.com
<br\>>> Betreff: Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>>>
<br\>>>
<br\>>>
<br\>>> On 31/08/2007, Ignatz <quiebre@yahoo. <mailto:quiebre%40yahoo.com>
<br\>>> com>
<br\>>> wrote:
<br\>>>> We reached the point that some of us had to be fearing of
<br\>>>>
<br\>>>> VSTi and difussion started to become our enemies,
<br\>>>> cloning of ideals started mutation and blending
<br\>>> I see the conflict between purism/elitism and ease of
<br\>>> availability/cloning. I'm not really a fan of VST chip sound
<br\>>> emulation, but who are you (Or anyone else) to play the role of a
<br\>>> representative for the chip scene and say that only the pure chip
<br\>>> sounds are correct. Who are you to say that it is morally wrong to
<br\>>> try
<br\>>> to emulate chip sounds?
<br\>>> (I'm actually more of a purist myself, but open-minded. But with the
<br\>>> sentence above I played the devil's advocate)
<br\>>>
<br\>>>> house and pop music slowly started to leech our sounds,
<br\>>>> ass well as rock music did. Mainstream is in the end of the
<br\>>>> tunnel...
<br\>>> It's a common phenomenon that contemporary artists of different kinds
<br\>>> (Eg musicians, designers etc) look back 15-30 years and look for
<br\>>> inspiration. It has happened before, it will happen again. The
<br\>>> leeching from chip music is not unique in this aspect. (Just about)
<br\>>> Every musical style is a progression from another, and everything
<br\>>> blends together in a ocmplex way. Everything either hits mainstream
<br\>>> sooner or later or dies in an obscure corner.
<br\>>>
<br\>>>> the end seem to be at sight.
<br\>>>> so, I want to conclude my short words saying:
<br\>>>>
<br\>>>> LET US DESTROY 8-BIT and CHIPTUNE,
<br\>>>> BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>>>> programmed clowns.
<br\>>> No! Te best way to fight it is by doing something else yourself.
<br\>>> Destroying yourself by stopping your own creation in order to stop
<br\>>> the
<br\>>> clones is just counter productive. Do you think for example that
<br\>>> hiphop producers will feel less of an appeal to chip sounds and other
<br\>>> raw synth sounds if we stop doing our thing.
<br\>>> No. Spread your own music and styles to counterfeit the mainstream.
<br\>>>
<br\>>>> LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>>>> TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>>>> It's a commercial fake! It's just nintendo and big companies
<br\>>>> propaganda!
<br\>>> I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>>> STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>>> music is actually softer and less noisy and nervous.
<br\>>>
<br\>>>> IT IS ALREADY DEAD.
<br\>>>>
<br\>>>> the end is comming. we are doomed. Media will eat us and
<br\>>>> transform into
<br\>>> SHIT.
<br\>>> If nobody ever said it before, I say it now: "A scene does not truly
<br\>>> start to live until it is declared dead by its members". Just look at
<br\>>> the demoscene. It's alive and kicking, although its been declared
<br\>>> dead
<br\>>> several times, and although it's different from what it was 10 or 20
<br\>>> years ago.
<br\>>>
<br\>>> movh /Sam Albaniensson Falsum
<br\>>>
<br\>>> -----BEGIN 2ROT13 MESSAGE-----
<br\>>> Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/>
<br\>>> tojt.net/>
<br\>>> Blog:
<br\>>> <http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>>> s.8bitcollective.com/>
<br\>>> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>>> <http://lists.
<br\>>> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>>> lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>>> Sätt på ett par flipflops, vippa på rumpan
<br\>>> och gör det här till en minnesvärd sommar!
<br\>>> -----END 2ROT13 MESSAGE-----
<br\>>>
<br\>>>
<br\>>>
<br\>>>
<br\>>>
<br\>>>
<br\>>> [Non-text portions of this message have been removed]
<br\>>>
<br\>>>
<br\>>>
<br\>>>
<br\>>> Yahoo! Groups Links
<br\>>>
<br\>>>
<br\>>>
<br\>>
<br\>> _________________________________________________________________
<br\>> Express yourself instantly with MSN Messenger! Download today it's
<br\>> FREE!
<br\>> http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
<br\>>
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________
<br\>____________
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Message:
<br\>
you are a creator man.
<br\>
<br\>love. Ignacio.
<br\>
<br\>
<br\>--- gs3301r <gs3301r@...> escribió:
<br\>
<br\>> relax,i recently deleted some haters from my carfil list.
<br\>> "destroy the rest not the music".tip of the day.
<br\>>
<br\>>
<br\>> --- In lsdj@yahoogroups.com, "Sam Albaniensson" <nitro2k01@...> wrote:
<br\>> >
<br\>> > On 31/08/2007, Ignatz <quiebre@...> wrote:
<br\>> > > We reached the point that some of us had to be fearing of
<br\>> > >
<br\>> > >  VSTi and difussion started to become our enemies,
<br\>> > >  cloning of ideals started mutation and blending
<br\>> > I see the conflict between purism/elitism and ease of
<br\>> > availability/cloning. I'm not really a fan of VST chip sound
<br\>> > emulation, but who are you (Or anyone else) to play the role of a
<br\>> > representative for the chip scene and say that only the pure chip
<br\>> > sounds are correct. Who are you to say that it is morally wrong to try
<br\>> > to emulate chip sounds?
<br\>> > (I'm actually more of a purist myself, but open-minded. But with the
<br\>> > sentence above I played the devil's advocate)
<br\>> >
<br\>> > >  house and pop music slowly started to leech our sounds,
<br\>> > >  ass well as rock music did. Mainstream is in the end of the tunnel...
<br\>> > It's a common phenomenon that contemporary artists of different kinds
<br\>> > (Eg musicians, designers etc) look back 15-30 years and look for
<br\>> > inspiration. It has happened before, it will happen again. The
<br\>> > leeching from chip music is not unique in this aspect. (Just about)
<br\>> > Every musical style is a progression from another, and everything
<br\>> > blends together in a ocmplex way. Everything either hits mainstream
<br\>> > sooner or later or dies in an obscure corner.
<br\>> >
<br\>> > >  the end seem to be at sight.
<br\>> > >  so, I want to conclude my short words saying:
<br\>> > >
<br\>> > >  LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> > >  BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> > > programmed clowns.
<br\>> > No! Te best way to fight it is by doing something else yourself.
<br\>> > Destroying yourself by stopping your own creation in order to stop the
<br\>> > clones is just counter productive. Do you think for example that
<br\>> > hiphop producers will feel less of an appeal to chip sounds and other
<br\>> > raw synth sounds if we stop doing our thing.
<br\>> > No. Spread your own music and styles to counterfeit the mainstream.
<br\>> >
<br\>> > >  LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> > >  TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> > >  It's a commercial fake! It's just nintendo and big companies
<br\>> propaganda!
<br\>> > I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> > STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> > music is actually softer and less noisy and nervous.
<br\>> >
<br\>> > >  IT IS ALREADY DEAD.
<br\>> > >
<br\>> > >  the end is comming. we are doomed. Media will eat us and
<br\>> transform into SHIT.
<br\>> > If nobody ever said it before, I say it now: "A scene does not truly
<br\>> > start to live until it is declared dead by its members". Just look at
<br\>> > the demoscene. It's alive and kicking, although its been declared dead
<br\>> > several times, and although it's different from what it was 10 or 20
<br\>> > years ago.
<br\>> >
<br\>> > movh /Sam Albaniensson Falsum
<br\>> >
<br\>> > -----BEGIN 2ROT13 MESSAGE-----
<br\>> > Low Bitrate Netlabel: <http://f-label.tojt.net/>
<br\>> > Blog:
<br\>> > <http://gameboygenius.8bitcollective.com/>
<br\>> > SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> > <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> > Sätt på ett par flipflops, vippa på rumpan
<br\>> > och gör det här till en minnesvärd sommar!
<br\>> > -----END 2ROT13 MESSAGE-----
<br\>> >
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


Message:
<br\>
I always liked you. For real.
<br\>
<br\>Sorry that my duty is to give my best and warn you about what I see that is
<br\>comming.
<br\>
<br\>thanks.
<br\>
<br\>all my love and best wills. IGnacio.
<br\>
<br\>--- Greg Schroeder <gmschroeder@...> escribió:
<br\>
<br\>> Just shut up. Please.
<br\>>
<br\>> Greg Schroeder
<br\>> gmschroeder@...
<br\>> http://gmschroeder.wordpress.com
<br\>>
<br\>>
<br\>> On Aug 31, 2007, at 11:29 PM, Ignatz wrote:
<br\>>
<br\>> I dont want to be a bug and that was just a manifesto.
<br\>>
<br\>> It would become a movement of destroyers/saviours of the chiptune /
<br\>> music.
<br\>> As someone said on the micromusic texts: kill 8-bit music at least.
<br\>> I guess every movement have a cycle that icludes its dead. Maybe it
<br\>> would reborn in the
<br\>> future as Disco did. but I accept as a FACT that chip music is
<br\>> ALREADY DEAD.
<br\>>
<br\>> That who want to be part of something would try to redefine and give
<br\>> new strenght to the
<br\>> corpse we has been given.
<br\>>
<br\>> Or just cry and give our condolences each other.
<br\>> Well, I guess it is more important than that to actually try to kill
<br\>> and pervert our
<br\>> music style befor media and mainstream absolutely destroy and pervert
<br\>> our beloved music.
<br\>>
<br\>> Lets Blend it, talk shit about it, destroy all credibility on
<br\>> chiptune and chip music.
<br\>> Say it is nervous and freaking out music. Say it is chip, lame and
<br\>> stupid, it is already
<br\>> sellout, and music for childs (from the 80s ans 90s) with no soul on
<br\>> this music.
<br\>> No content. Mayke people disbeilef of it !
<br\>>
<br\>> Thats the only way that Little Mermaid VI will not feature some cheap
<br\>> chip imitation,
<br\>> with candy coloured melodies on it. Otherwise les be like sheeps and
<br\>> see how mainstream
<br\>> destroy all that you have been loving. And it will be transformed
<br\>> into grotesque!
<br\>>
<br\>> Please react.
<br\>>
<br\>> Next Ministry of Sound Compilations will be for sure featuring plenty
<br\>> of chip sound HOUSE
<br\>> Y imitators. Thats the new ElectroHouse, as they did with
<br\>> electroclash and acid before.
<br\>>
<br\>> Remember what happened with acid house once.
<br\>>
<br\>> And rave. I have to tell in this point, that I agree that many house
<br\>> music, and specially
<br\>> Techno Hardcore Rave have been evolved from certain tracked and
<br\>> demosceene music.
<br\>>
<br\>> Well, no much to say, as I told in that clumsy manifesto, If someone
<br\>> can hear, Lets
<br\>> destroy pervert and make our beloved music the ugliest clown and shame.
<br\>>
<br\>> Before others do, and feed the system with that. You will not want to
<br\>> see that ravers and
<br\>> neo gothic clowns with pixels on them shirts and heads. fluerescent
<br\>> pixels of hair as the
<br\>> new hip hop trend.
<br\>>
<br\>> Lets destroy and put in shame our music before it be too late...
<br\>>
<br\>> Many of us have been making this so fine btw.
<br\>>
<br\>> Please make music that mainstream could not eat. And stop explaining
<br\>> how to make it,
<br\>> giving step by step explanations for fools!
<br\>>
<br\>> Otherwise we can make it foolish than fools can accept, hahaha...
<br\>>
<br\>> Long life to the VENGA-GAMEBOYS :P
<br\>>
<br\>> Long life to the new breed. Chip Music is dead.
<br\>>
<br\>> R.I.P. 31-8-07
<br\>>
<br\>>
<br\>>
<br\>> --- Niklas S <salkin_niklas@...> escribió:
<br\>>
<br\>> > dogmatech, sam: well put!
<br\>> >
<br\>> > chipmusic will not die. i dont think that any music genre can
<br\>> > actually die.
<br\>> > every music genre will allways have its followers and offsprings.
<br\>> > Just look at the metalscene, how many times have it not been copied
<br\>> > and mutilated by pop-culture?
<br\>> > But the guys in the metalscene dont care about the pop-shit they just
<br\>> > keep doing there thing and getting better at it all the time.
<br\>> >
<br\>> > i think that at the same time as a genre/style gets copied and
<br\>> > mutilated by
<br\>> > some ppl it will also be more purifyed by others.
<br\>> > thus creating a broad spectrum of music for ppl to listen to and
<br\>> > evolving the music.
<br\>> > wich is a good thing right?
<br\>> >
<br\>> > i wouldnt worry about hiphoppers using arpeggios or raw waveforms or
<br\>> > whatever.
<br\>> > if they want to mix musical styles, sure. its ok.
<br\>> > its ok to mix polka with grindcore and sing with a robotic voice or
<br\>> > whatever.
<br\>> > you can mix anything as long as you dont steal anybodys material.
<br\>> > thats just plain wrong. (timbaland..)
<br\>> >
<br\>> > just choose the music you want to listen to and let people exeriment
<br\>> > their little hearts out!
<br\>> >
<br\>> > peace
<br\>> > /salkin
<br\>> >
<br\>> >> From: "DOGMATECH" <dogmatech@...>
<br\>> >> Reply-To: lsdj@yahoogroups.com
<br\>> >> To: <lsdj@yahoogroups.com>
<br\>> >> Subject: AW: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>> >> Date: Fri, 31 Aug 2007 09:41:24 +0200
<br\>> >>
<br\>> >> Yep, sam is right. And don`t forget that a lot of the house music,
<br\>> >> techno
<br\>> >> and especially hardcore have its roots in chiptunes (apart from those
<br\>> >> Roland
<br\>> >> monsters raveolution =D).
<br\>> >> Shure, there is some kind of sellout. But as advice to you Ignatz:
<br\>> >> seeing a
<br\>> >> scene dying really isn`t the deal. The first time it is a shock,
<br\>> >> but than
<br\>> >> don`t stress your self and search The new pure thing. Just sit
<br\>> >> yourself
<br\>> >> between the chairs and enjoy all influences. That`s the way people
<br\>> >> start
<br\>> >> making chiprock and glitch house- an open mind. And: chiptune
<br\>> >> underground
<br\>> >> will never die ;P
<br\>> >>
<br\>> >> my two cents
<br\>> >>
<br\>> >>
<br\>> >> -----Ursprüngliche Nachricht-----
<br\>> >> Von: lsdj@yahoogroups.com [mailto:lsdj@yahoogroups.com] Im Auftrag
<br\>> >> von Sam
<br\>> >> Albaniensson
<br\>> >> Gesendet: Freitag, 31. August 2007 04:28
<br\>> >> An: lsdj@yahoogroups.com
<br\>> >> Betreff: Re: [LSDj!] CHIP MUSIC IS DEAD . Manifesto
<br\>> >>
<br\>> >>
<br\>> >>
<br\>> >> On 31/08/2007, Ignatz <quiebre@yahoo. <mailto:quiebre%40yahoo.com>
<br\>> >> com>
<br\>> >> wrote:
<br\>> >>> We reached the point that some of us had to be fearing of
<br\>> >>>
<br\>> >>> VSTi and difussion started to become our enemies,
<br\>> >>> cloning of ideals started mutation and blending
<br\>> >> I see the conflict between purism/elitism and ease of
<br\>> >> availability/cloning. I'm not really a fan of VST chip sound
<br\>> >> emulation, but who are you (Or anyone else) to play the role of a
<br\>> >> representative for the chip scene and say that only the pure chip
<br\>> >> sounds are correct. Who are you to say that it is morally wrong to
<br\>> >> try
<br\>> >> to emulate chip sounds?
<br\>> >> (I'm actually more of a purist myself, but open-minded. But with the
<br\>> >> sentence above I played the devil's advocate)
<br\>> >>
<br\>> >>> house and pop music slowly started to leech our sounds,
<br\>> >>> ass well as rock music did. Mainstream is in the end of the
<br\>> >>> tunnel...
<br\>> >> It's a common phenomenon that contemporary artists of different kinds
<br\>> >> (Eg musicians, designers etc) look back 15-30 years and look for
<br\>> >> inspiration. It has happened before, it will happen again. The
<br\>> >> leeching from chip music is not unique in this aspect. (Just about)
<br\>> >> Every musical style is a progression from another, and everything
<br\>> >> blends together in a ocmplex way. Everything either hits mainstream
<br\>> >> sooner or later or dies in an obscure corner.
<br\>> >>
<br\>> >>> the end seem to be at sight.
<br\>> >>> so, I want to conclude my short words saying:
<br\>> >>>
<br\>> >>> LET US DESTROY 8-BIT and CHIPTUNE,
<br\>> >>> BEFORE MAINSTREAM START TO CLON US and replace our beings with pre-
<br\>> >>> programmed clowns.
<br\>> >> No! Te best way to fight it is by doing something else yourself.
<br\>> >> Destroying yourself by stopping your own creation in order to stop
<br\>> >> the
<br\>> >> clones is just counter productive. Do you think for example that
<br\>> >> hiphop producers will feel less of an appeal to chip sounds and other
<br\>> >> raw synth sounds if we stop doing our thing.
<br\>> >> No. Spread your own music and styles to counterfeit the mainstream.
<br\>> >>
<br\>> >>> LETS SAY THIS MUSIC SUCKS, IT'S ALREADY SELL OUT,
<br\>> >>> TONGUE IN CHEEK, LAME AND STUPID. It is noisy and nervous.
<br\>> >>> It's a commercial fake! It's just nintendo and big companies
<br\>> >>> propaganda!
<br\>> >> I see a conflict bewteen "noisy and nervous.", "SUCKS", "LAME AND
<br\>> >> STUPID" and "commercial fake". I think that the "commercially cloned"
<br\>> >> music is actually softer and less noisy and nervous.
<br\>> >>
<br\>> >>> IT IS ALREADY DEAD.
<br\>> >>>
<br\>> >>> the end is comming. we are doomed. Media will eat us and
<br\>> >>> transform into
<br\>> >> SHIT.
<br\>> >> If nobody ever said it before, I say it now: "A scene does not truly
<br\>> >> start to live until it is declared dead by its members". Just look at
<br\>> >> the demoscene. It's alive and kicking, although its been declared
<br\>> >> dead
<br\>> >> several times, and although it's different from what it was 10 or 20
<br\>> >> years ago.
<br\>> >>
<br\>> >> movh /Sam Albaniensson Falsum
<br\>> >>
<br\>> >> -----BEGIN 2ROT13 MESSAGE-----
<br\>> >> Low Bitrate Netlabel: <http://f-label. <http://f-label.tojt.net/>
<br\>> >> tojt.net/>
<br\>> >> Blog:
<br\>> >> <http://gameboygeniu <http://gameboygenius.8bitcollective.com/>
<br\>> >> s.8bitcollective.com/>
<br\>> >> SKRIVA på Lysator. Ditt Ahrvid-fria alternativ:
<br\>> >> <http://lists.
<br\>> >> <http://lists.lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> >> lysator.liu.se/mailman/listinfo/korkek?SKRIVA?>
<br\>> >> Sätt på ett par flipflops, vippa på rumpan
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<br\>________________________________________________________________________________\
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<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
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Message:
<br\>
I've never really understood why people see the need
<br\>to declare genres as dead all the time...
<br\>
<br\>I don't really care if chiptunes are mainstream or
<br\>not, I'll just keep doing my thing regardless. Why
<br\>should I start bashing something I like, just to turn
<br\>other people away from it? Sorry, but it doesn't make
<br\>much sense to me.
<br\>
<br\>Kjell / flegmatical
<br\>
<br\>
<br\>--- Ignatz <quiebre@...> wrote:
<br\>
<br\>> I dont want to be a bug and that was just a
<br\>> manifesto.
<br\>>
<br\>> It would become a movement of destroyers/saviours of
<br\>> the chiptune /music.
<br\>> As someone said on the micromusic texts: kill 8-bit
<br\>> music at least.
<br\>> I guess every movement have a cycle that icludes its
<br\>> dead. Maybe it would reborn in the
<br\>> future as Disco did. but I accept as a FACT that
<br\>> chip music is ALREADY DEAD.
<br\>>
<br\>> That who want to be part of something would try to
<br\>> redefine and give new strenght to the
<br\>> corpse we has been given.
<br\>>
<br\>> Or just cry and give our condolences each other.
<br\>> Well, I guess it is more important than that to
<br\>> actually try to kill and pervert our
<br\>> music style befor media and mainstream absolutely
<br\>> destroy and pervert our beloved music.
<br\>>
<br\>> Lets Blend it, talk shit about it, destroy all
<br\>> credibility on chiptune and chip music.
<br\>> Say it is nervous and freaking out music. Say it is
<br\>> chip, lame and stupid, it is already
<br\>> sellout, and music for childs (from the 80s ans 90s)
<br\>> with no soul on this music.
<br\>> No content. Mayke people disbeilef of it !
<br\>>
<br\>> Thats the only way that Little Mermaid VI will not
<br\>> feature some cheap chip imitation,
<br\>> with candy coloured melodies on it. Otherwise les be
<br\>> like sheeps and see how mainstream
<br\>> destroy all that you have been loving. And it will
<br\>> be transformed into grotesque!
<br\>>
<br\>> Please react.
<br\>>
<br\>> Next Ministry of Sound Compilations will be for sure
<br\>> featuring plenty of chip sound HOUSE
<br\>> Y imitators. Thats the new ElectroHouse, as they did
<br\>> with electroclash and acid before.
<br\>>
<br\>> Remember what happened with acid house once.
<br\>>
<br\>> And rave. I have to tell in this point, that I agree
<br\>> that many house music, and specially
<br\>> Techno Hardcore Rave have been evolved from certain
<br\>> tracked and demosceene music.
<br\>>
<br\>> Well, no much to say, as I told in that clumsy
<br\>> manifesto, If someone can hear, Lets
<br\>> destroy pervert and make our beloved music the
<br\>> ugliest clown and shame.
<br\>>
<br\>> Before others do, and feed the system with that. You
<br\>> will not want to see that ravers and
<br\>> neo gothic clowns with pixels on them shirts and
<br\>> heads. fluerescent pixels of hair as the
<br\>> new hip hop trend.
<br\>>
<br\>> Lets destroy and put in shame our music before it be
<br\>> too late...
<br\>>
<br\>> Many of us have been making this so fine btw.
<br\>>
<br\>> Please make music that mainstream could not eat. And
<br\>> stop explaining how to make it,
<br\>> giving step by step explanations for fools!
<br\>>
<br\>> Otherwise we can make it foolish than fools can
<br\>> accept, hahaha...
<br\>>
<br\>> Long life to the VENGA-GAMEBOYS :P
<br\>>
<br\>> Long life to the new breed. Chip Music is dead.
<br\>>
<br\>> R.I.P. 31-8-07
<br\>>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
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Message:
<br\>
> I've never really understood why people see the need
<br\>> to declare genres as dead all the time...
<br\>
<br\>I'm not sure what is meant exactly with the "chip music" that's dying
<br\>in this case. I guess it mostly died in the 90s, when sound chips were
<br\>replaced with sample playback. And now it kind of lives on as a
<br\>hobby/nostalgy thing. Ain't life great?
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>


Message:
<br\>
Okay, Johan said something thoughtful.
<br\>Can we shut up now?
<br\>
<br\>Greg Schroeder
<br\>gmschroeder@...
<br\>http://gmschroeder.wordpress.com
<br\>
<br\>
<br\>On Sep 1, 2007, at 12:57 AM, Johan Kotlinski wrote:
<br\>
<br\>> I've never really understood why people see the need
<br\>> to declare genres as dead all the time...
<br\>
<br\>I'm not sure what is meant exactly with the "chip music" that's dying
<br\>in this case. I guess it mostly died in the 90s, when sound chips were
<br\>replaced with sample playback. And now it kind of lives on as a
<br\>hobby/nostalgy thing. Ain't life great?
<br\>
<br\>Johan
<br\>--
<br\>http://www.rebelpetset.com
<br\>http://www.littlesounddj.com
<br\>
<br\>
<br\>
<br\>Yahoo! Groups Links
<br\>


Message:
<br\>
So lets shut up now...
<br\>
<br\>My truth was told.
<br\>I'll be glad if I was able to help some beings think.
<br\>
<br\>I hope it never become mainstream, but sadly some signs
<br\>are letting show in the horizon...
<br\>
<br\>Media will use our souls and love for something built stone by stone.
<br\>Cheap producers with big distribution power may be so harmful...
<br\>
<br\>Remember what gianfranco bortoloti and others made with acid house and chicago.
<br\>
<br\>I tell it is dead, just to care what was done.
<br\>Lets start with something fresh and try to keep it safe from wolves.
<br\>
<br\>Explaining the thing step by step only feed fools and make em being part.
<br\>
<br\>Time to let you think and keep silent.
<br\>
<br\>I like you all, this group and the people who gave his nice words to this topic.
<br\>I'm glad if I helped some brains to awake.
<br\>
<br\>Thanks for all this happines and sounds.
<br\>
<br\>Love. Ignacio.
<br\>
<br\>--- Greg Schroeder <gmschroeder@...> escribió:
<br\>
<br\>> Okay, Johan said something thoughtful.
<br\>> Can we shut up now?
<br\>>
<br\>> Greg Schroeder
<br\>> gmschroeder@...
<br\>> http://gmschroeder.wordpress.com
<br\>>
<br\>>
<br\>> On Sep 1, 2007, at 12:57 AM, Johan Kotlinski wrote:
<br\>>
<br\>> > I've never really understood why people see the need
<br\>> > to declare genres as dead all the time...
<br\>>
<br\>> I'm not sure what is meant exactly with the "chip music" that's dying
<br\>> in this case. I guess it mostly died in the 90s, when sound chips were
<br\>> replaced with sample playback. And now it kind of lives on as a
<br\>> hobby/nostalgy thing. Ain't life great?
<br\>>
<br\>> Johan
<br\>> --
<br\>> http://www.rebelpetset.com
<br\>> http://www.littlesounddj.com
<br\>>
<br\>>
<br\>>
<br\>> Yahoo! Groups Links
<br\>>
<br\>>
<br\>>
<br\>>
<br\>>
<br\>
<br\>
<br\>
<br\>
<br\>________________________________________________________________________________\
<br\>____
<br\>Sé un Mejor Amante del Cine
<br\>¿Quieres saber cómo? ¡Deja que otras personas te ayuden!
<br\>http://advision.webevents.yahoo.com/reto/entretenimiento.html
<br\>


