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Animation • Chipmusic • Labels • videos • Visual Artists

Saitone’s “Thriller”video by Raquel Myers

Amiga • Visual Artists

A Short History of The C-men

cmen

Julian of The C-men posted a little history of The C-men in time for their 10th anniversary show.

An excerpt:

Well, seems 10 years have gone by fast.

Me and a guy called Sjors Trimbach started veejaying 11 years ago, somewhere in november. We did our first gig in the back of an old american musclecar, having 2 amigas on the backseat, projector set up outside on the deserted area of a waste disposal factory.

We both met in artschool, at the media art department in Enschede and we had a nice stack there of amiga 4000 computers. Since I owned an amiga 1200, I taught Sjors about deluxepaint ( the animation program by electronic arts), and we did art installation stuff together (including some daft live pong installation in 98 : P )

Sjors had a background in comics, and this was his opportunity to use his experience with that to do proper animation.

At some point, some vj’s from Amsterdam gave a lecture at our school, and they showed their home made program mnu, which was written specially for the amiga.

At the time I was making intricate animation stuff, and was frustrated about the fact that it couldn’t be altered once it was made, so I gave the program a go. And before we knew it, we got into veejaying.

Read the rest at 8bc.org

Animation • Pixel Art • Visual Artists

Minusbaby via Enso

I recently did some graphics and animation for minusbaby as part of an audio/visual installation at Multiplicidade, in Rio de Janeiro, Brasil.

via enso

Art Stuffs • Visual Artists

Early computer graphics

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Thanks to O_TR_O for sharing this gem related to computer graphics in the 80s.

The Electronic Visualization Laboratory, from now on EVL (eeeeevil :P), is “an interdisciplinary graduate research laboratory that combines art and computer science, specializing in advanced visualization and networking technologies”. Active since early days of computing in the University of Illinois in Chicago, these people have been researching on advanced fields like “distributed computing/visualization, collaborative software, the development of viable, scalable, deployable stereo displays and management of next-generation advanced networking initiatives”.

The focus of this article is on a set of works developed in the early 80s by a group of students, on a system called  “Datamax UV-1”, which ultimately spawned the creation of the EVL lab itself. These were created with a variation of an old programming language called GRASS (smoke much, mon? :P) and deployed on the Z-Box platform, which was a “a raster graphics machine”. 

With a certain “demo” vibe on many of the pieces, it’s great to see art like this done in a context that is not exclusively related to computers or a computer-related activity like the demoscene.

Check out their YouTube channel for a bunch of cool stuff to look at. Particularly interesting are the works pre 1980. Top notch.

Visual Artists

A/V circuitbending Workshop 7-10 July in Portugal

I’m proudly announcing a Workshop on audiovisual circuit bending at the Filmfestival Curtas in Vila do conde/Portugal on 7-10 July.

It will be hosted by Simon Schäfer who might be known as “der Warst” to some of you and who, in fact is the very person writing this right now.

So If anyone of you happen to be in Portugal at that time or even lives there or know someone who does, please feel free to spread the word or join in for some Sound and Image mangling madness.

The workshop will have its conclusion in a hopefully big AV performance at the Festival and I expect it to be quite some fun.