I just finished my second music video using (Flipnote).
YouTube – when our bedrooms were once haunted (animated music video).
Toons from various consoles.
I just finished my second music video using (Flipnote).
YouTube – when our bedrooms were once haunted (animated music video).
The YM Rockerz collective represents the cream of the Atari ST chiptune scene’s musicians. After six genuinely landmark releases to the demoscene, YM Rockerz music disks have become an eagerly anticipated event. This unique seventh release is being carried out in conjunction with 8bitpeoples, and includes high quality soundchip recordings on the 8bitpeoples site, together with a specially created demoscene music disk release on the YM Rockerz own homepage. The Rockerz are not content to put up with exisiting software to make their music, three of the eight musicians on this disk have made improvements to their trackers just to compose music for this release.
In the Desert that is the chipmusic scene, Sparkyboy makes a triumphant return with his African Oasis! Quench your thirst with the refreshing self-titled track, or lie in the cool shade of other bangers such as the mighty Danger Danger! Even better, not a Wonderwall cover in sight! (Not that Oasis, silly…)
Hello friends! Kindly insert this music lovingly into your earpipes:
BR1GHT PR1MATE – The Reality Chipmusic Love Industry: http://bit.ly/gmfY1p
01 – Please Me
02 – I Cry
03 – Fallen Leaves
04 – Fanfare
05 – Reach
06 – NERD ROCK
The Reality Chipmusic Love Industry is six songs about Hope, Death, Sci-Fi, Businessmen, Cooking and Reality Television, done Electro Sci-Fi Rock style. Oh and its done “true chip”: DMG, LSDJ and Vocals. Pushing the envelope of what can be done with vocal chip music? We hope so. Please enjoy!
Now if it wasn’t for the Bronx/ This rap shit probably never would be goin’ on/ So tell me where you from?/ Uptown Baby, Uptown Baby/ We gets down baby/ Up for the crown baby – Lord Taiq & Peter Gunz, “Deja Vú (Uptown Baby)”
On April 4th, 2009, I wrote the first song on this record; a post-it note featuring a crudely drawn arpeggiator became “Here Come the Pretzels!”, a reference to watching The Simpsons with my family that inspired me to explore the autobiographical nature of home.
A tribute to project housing and salsa music became “Elevators”. I synthesized the increasing acceleration of my cousin’s Chevy Tahoe into the EP’s title track. Most telling, however, is the album’s central effort, a celebration of friendship named after one of many physical connections to my peers throughout Brooklyn: “Triborough Bridge”. Indeed, while at first glance this seems to be yet another salute to the Bronx, a closer look reveals what’s really being said underneath the raucous shouts of “BX ALL DAY”: that it’s time to fucking party with my friends. Let’s GO!