The requests: Cheaper, DIY Kit Version Available, Upgradable, User Programmable
ANSI MIDIo: yes, yes, yessss & yes!
Oh, and not just programmable as in load-your-own-pic, instead the MIDIo will have real-time control and programming right from your midi software, controller, or (in my case) a Bliptronome!
What it is:
Kit or pre-built a bit smaller than a business card, and powered & controlled via USB, using the open-source KIT_MIDI driver already available here.
The input is midi from any midi software such as Renoise, Max-MSP or Abelton on OSX or Windows or an external controller patched through KIT_MIDI.
The Output will be NTSC or PAL (separate versions) and give a sweet 32×12 screen where the user can program one of 12 different ANSI Graphics characters in one of 16 different color combination. Yes, 16-color ANSI: as in that BBS you wasted time on in 1992.
Stand-by for more information.
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Steel Raining is a web comic created by Alberto Silva from Spain. His description of it goes something like this: “In the world’s biggest metropolis, a silent buzz vibrates. A buzz that makes men in suits howl. There’s a symbol drawn with chalk on the floor, a girl trapped in an IC and a neon guitar.” And why are we covering this here? Alberto, to promote the second season of his web comic, created a teaser edition that runs exclusively in Amstrad CPC machines. We minced a few words with him about what drove him, a non-retro, non 8-bit, non-coder person to do this. You can read the interview and get the original Amstrad CPC executable right after the jump: GOTO80 writes:
via GOTO8O This is arguably the toughest category to decide upon, for a number of factors, the main one being lack of interest in people to do visuals specifically with low-fi hardware and/or for chipmusic shows. This reduces the options you can choose from and, since I want to keep it fresh every year, my chances to not repeat stuff are slim. Here’s hoping 2010 brings new talents to this activity in relation to chipmusic, and also new bars are set for quality by those who already are in the game. Being a VJ for 8 years and having done anything from ultra underground events to 100.000+ people megaevents, allowed me to see almost ANYTHING there is to see about live visuals in the context of a music show and I can, with confidence, agree with what most renowned VJs have adopted as a motto: CONTENT IS KING. And when content is the context, I have to say that I haven’t seen much development on this side of things regarding low fi visualists. As discussed last year, a VJ has to have a plethora of skills, all necessary to stand out from the rest, so here’s my advice to you all, neophyte or experienced: try to nurture them all in harmony to reach the next level! On the other hand what was really great about 2009 is that it has become the VJ+Musician collab explosion. Many artists have teamed up to deliver a solid show once onstage, musically and visually. This is the way to go, fellas, so keep it up. Enough babbling, let’s get to the nominees. Hate mail goes in the comments section, non-anonymous, please ;): Dan Winckler: Dan is a bit underrated among the chip scene. He does some interesting work mixing up old technology with new by means of OPENEMU, a tool he helped develop, where he can open an old platform to the ways of modern technology like Quartz Composer. ENTTER: Raúl’s work with Meneo has gone from strength to strength. Personally I can’t enjoy a Meneo show as much when Raul is not present, showing how much he is determinant to the power of the project him and Rigo Pex have created. He also is a king of the performatic presence of the VJ on stage, since he’s not just another nerd hidden behind a pile of hardware. Big ups for that. Paris Treantafeles:
Paris doesn’t seem to want to stand still. He has entered into many collaborations this year, among which we can remark the one with OUTPT (specifically doing visuals for Nullsleep, a mighty trio) and the one with NO CARRIER (where he jumps on the mic!). Like NO CARRIER, he also is fundamental to low-fi VJ software development.
Raquel Meyers:
Once part of ENTTER, Raquel has finally shown her “true form” since working alone and we love it. Her works are full of attitude and tell a good story. One of the pioneers along with Entter in collaborating with chipmusic artists, her work with Goto80, Bubblyfish, Glomag or Jellica is some of the most referential in the scene, and it perfectly illustrates the chipmusic attitude empowered by collaboration. The C-Men:
Last year’s winner is stalwart of the scene. Celebrating his 10th anniversary of VJing, Julian took it upon himself to re-invent his work: taking 10 years worth of material and repurposing it in a new form while VJing alongside his old team mate and organizing/promoting a party all around this celebration, The C-Men team shows that they didn’t get stuck in time and still can maintain the people (and colleagues) at the edge of their proverbial seats. |
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